1,721,003 research outputs found
Voce "Carlo Prosperi"
No full textQuesta voce su Carlo Prosperi arricchisce notevolmente la voce che compariva nella versione precedente del DEUMM, grazie al riferimento a molti documenti editi e inediti, che è stato possibile visionare al Fondo Carlo Prosperi del Gabinetto Vieusseux di Firenze
Voce "Luciano Chailly"
No full textQuesta voce su Luciano Chailly arricchisce notevolmente la prima pubblicata sulla precedente edizione del DEUMM, grazie anche alla lettura e analisi di documenti editi e inediti posseduti all'Archivio di Trento nel fondo "Chailly"
Music on Stage in Red-Figure Vase-Painting of Magna Graecia (400-320 BC). The Role of Music on So-Called Phlyax Vases
No full textA flourishing and consistent theatrical tradition in comedy during the fourth century BC throughout Magna Graecia is nowadays attested by the copious South Italian red-figure vase-painting there produced between 400 and 300 BC, discovered in great quantities over the last two centuries (mostly in excavated tombs). This paper concentrates on the so-called ‘phlyax vases’, that is, on the pottery conventionally thought to depict an informal and improvised local farce, the Italic ‘phlyax play’, (recently interpreted, instead, by Oliver Taplin as reflecting the Athenian Old Comedy performed in the western Greek colonies, see his famous Comic Angels and Other Approaches to Greek Drama through Vase-Painting, Oxford 1993), focusing on the conspicuous presence in such depictions of musical instruments on stage
Macrobio, Ambrosio Aurelio Teodosio
No full textNuova sintesi biografica e delle opere di Macrobio, incentrata sugli interessi muiscali dei suoi scritti
Canzone napoletana
No full textLa canzone napoletana nasce in un preciso momento storico in cui la città di Napoli vive una serie di vicende storiche cruciali (declassamento da capitale di regno a città secondaria, ristrutturazione urbanistica, avvento della borghesia, ecc.): il successo del genere, con la sua proiezione internazionale, ne fanno uno dei simboli della cultura musicale italiana. Attraverso l'analisi del contesto, degli stili, degli autori e degli esecutori più importanti (oltre che della dimensione strettamente produttiva), questa voce enciclopedica ne ricostruisce l'intera vicenda dai prodromi ottocenteschi al successo mondiale nella prima metà del Novecento fino al declino del genere e al suo recupero critico negli ultimi decenni
Gallo, Franco Alberto
No full textL'articolo, scritto a quattro mani, comprende la biografia e la bibliografia completa dell'autore
Il peggior nemico del regista. Note sui cortocircuiti della politique des auteurs.
Full text linkIl saggio tratta la questione della teoria dell'autore e la sua evoluzione nella pubblicistica accademica degli ultimi vent'anni
Oltre lo spazio e il tempo. Regie e pratiche del pianosequenza nel videomusicale contemporaneo
Full text linkWithin the stories and theories of cinema, the long-take represents one of the stylistic and conceptual reasons of maximum ethical and aesthetic reflection. Enhanced by both realistic and formalistic theories, the practice of the long-take symbolizes the paradigmatic expression of an authorial tension that is confronted with the evolution of the forms of staging and its technological dictates. Particularly in contemporary era, the expressive possibilities allowed by the electronic arts first, and then by digital, have reconfigured the logic representative of the long-take: variously denied, rebuilt, altered.
That is how that even in the context of music video the long-take represents a habitual and revitalized stylistic mode, which goes beyond the ideological continuity and reproductive conformity of space-time, to introduce the viewer into a kaleidoscopic space universe, prospectively complex and temporally incongruous. Often used as a stunt and stylistic challenge by the director, the long-take in the music video rewrites the consolidated formulas, from the narrative key, preferring a multi-strand story, segmented and non-linear; to the performative one, exaggerating the choreographic forms of the relationship between bodies, sets and dance in a hyperbolic way; and even conceptual, sinking the gaze into a hypnotic hyper-realistic, illusionistic and often disturbing scenario
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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