1,722,574 research outputs found
Daniel Thomas, Sr. Kotzebue, AK
No full textDaniel Thomas, Sr. Kotzebue,AK.https://digitalcommons.georgefox.edu/perisho_alaska/1217/thumbnail.jp
Daniel Thomas papers, MSS.1398
No full textAbstract: Contains the records of Judge Daniel Thomas, including the Birdie Davis vs. School Board, Mobile, Alabama records, which was one of his most important civil rights cases based on desegregation, as well as other case records, certificates, and other notes.Scope and Content Note:Biographical/Historical Note: Daniel Thomas was born in Prattville, Alabama. Graduated from University of Alabama with a law degree 1928. Well known for his maritime court cases in Mobile, Alabama
Cameron, D T (Daniel Thomas), NX52540
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/375567Surname: CAMERON
Given Name(s) or Initials: D T (DANIEL THOMAS)
Military Service Number or Last Known Location: NX52540
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 35050188268
Item: [2016.0049.07875] "Cameron, D T (Daniel Thomas), NX52540
Portrait of Daniel Thomas, Port Sorrell, Tasmania, January 1998 [picture] /
No full textCondition: good.; Title supplied by photographer, see acquisition file 204/13/33.; Condition: good. Daniel Thomas standing in front of a dark wooden door
Un objet non complètement réductible : entretien avec Daniel Thomas
No full textThomas Daniel. Un objet non complètement réductible : entretien avec Daniel Thomas. In: Quaderni, n°11, Automne 1990. Les objets génétiques. pp. 121-125
Portrait of Daniel Thomas sitting on the balcony, Port Sorrell, Tasmania, January 1998 [picture] /
No full textCondition: good.; Title supplied by photographer, see acquisition file 204/13/33.; Condition: good. Daniel Thomas is sitting on the balcony. In the background the coastline of Tasmania with some vegetation
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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