1,721,641 research outputs found
AC1-MISC1 - Daniel Jones, the Cardinal vowels
No full textDaniel Jones, the Cardinal vowels. Chart enclosed. Newton's list comments: Jones was a pioneer of modem phonetics studies and pronunciation. There is no chart in box. Archival tape info: A16672 Tape Misc. 1, side 1. Daniel Jones – cardinal vowels. Bjorn Jernudd – consonants. 47.00 End of Tape 439, side 1 and end of archive tape. A16673 00.00 AIATSIS announcement. Tape Misc. 1, side 2. 47.20 End of Tape Misc. 1, side 2 and end of archive tape. AIATSIS Identifier: A16672-A16673 Side A: Mostly just illustrations of phones. The end is the same recording from tape AC1-LT3-B, tone contrasts and other phonemes in Ewe.. Language as given
The spectra of Daniel Jones' cardinal vowels.
No full textThe article gives a new acoustic analysis and the articulatory interpretation of Daniel Jones' cardinal vowels. The results of the investigation in some respects are strikingly different from those presented, e.g., in Jassem's book "Podstawy fonetyki akustycznej" ("Principles of acoustic phonetics", 1973)
Utah WR Daniel Jones (80) and Utah St. Vashon Garmon (23)
No full textfootball game imageFootballUtah WR Daniel Jones (80) and Utah St. Vashon Garmon (23)Utah State 21 Utah 1
Nancy Fischer [slave] petition for freedom from Daniel Jones, Frederick County, Maryland, 1796
No full textStatement, autograph document signed, Frederick County, November 22, 1796, R. Nelson for petition: Nancy Fischer [slave] petitions for her freedom from Daniel Jones [Frederick County]
Subpoena, Daniel Jones to answer petition of Nancy Fisher for freedom, November 1, 1796-November 30,1796
No full textSubpoena, Daniel Jones to answer petition of Nancy Fisher for freedom [Frederick County], November 1, 1706-November 30, 1796. Signed: William Richie, clerk
Studi sull’intonazione inglese: il contributo di Daniel Jones
No full textLa storia degli studi sull’intonazione inglese è segnata dagli scritti di Daniel Jones, uno dei più illustri fonetisti del XX secolo. In Intonation Curves (1909) e in An Outline of English Phonetics (1918) vengono fornite le indicazioni di base per la descrizione, la trascrizione e l’analisi di tale tratto prosodico. Il contributo evidenzia i problemi connessi con un approccio britannico di studio dei tratti prosodici
Utah\u27s Daniel Jones (80) deflects a pass in the enzone against Utah St. CB Kevin Simmons (2)
No full textfootball game imageFootballUtah\u27s Daniel Jones (80) deflects a pass in the enzone against Utah St. CB Kevin Simmons (2)Utah State 21 Utah 1
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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