4,848 research outputs found
Margaret Macdonald on the Definition of Art
In this paper, I show that, in a number of publications in the early 1950s, Margaret Macdonald argues that art does not admit of definition, that art is—in the sense associated with Wittgenstein—a family resemblance concept, and that definitions of art are best understood as confused or poorly expressed contributions to art criticism. This package of views is most typically associated with a famous paper by Morris Weitz from 1956. I demonstrate that Macdonald advanced that package prior to Weitz, indeed, prior to any other philosopher of art of the period. Despite this, Macdonald’s contribution is nowhere to be found in the subsequent literature on the definition of art. In closing, I raise the prospect that Macdonald was in fact the primary influence on the development of Weitz’s critique of the definitional project
Sickels, Daniel E.
Carte de Visite of General Daniel E. Sickles; From the MacDonald Collectionhttps://digitalmaine.com/arc_civilwarportraits/2720/thumbnail.jp
Sickels, Daniel E.
Carte de Visite of General Daniel E. Sickles; From the MacDonald Collectionhttps://digitalmaine.com/arc_civilwarportraits/2720/thumbnail.jp
Rooted in all its story, more is meant than meets the ear : a study of the relational and revelational nature of George MacDonald's mythopoeic art
Scholars and storytellers alike have deemed George MacDonald a great mythopoeic writer, an exemplar of the art. Examination of this accolade by those who first applied it to him proves it profoundly theological: for them a mythopoeic tale was a relational medium through which transformation might occur, transcending boundaries of time and space. The implications challenge much contemporary critical study of MacDonald, for they demand that his literary life and his theological life cannot be divorced if either is to be adequately assessed. Yet they prove consistent with the critical methodology MacDonald himself models and promotes. Utilizing MacDonald’s relational methodology evinces his intentional facilitating of Mythopoesis. It also reveals how oversights have impeded critical readings both of MacDonald’s writing and of his character. It evokes a redressing of MacDonald’s relationship with his Scottish cultural, theological, and familial environment – of how his writing is a response that rises out of these, rather than, as has so often been asserted, a mere reaction against them. Consequently it becomes evident that key relationships, both literary and personal, have been neglected in MacDonald scholarship – relationships that confirm MacDonald’s convictions and inform his writing, and the examination of which restores his identity as a literature scholar. Of particular relational import in this reassessment is A.J. Scott, a Scottish visionary intentionally chosen by MacDonald to mentor him in a holistic Weltanschauung. Little has been written on Scott, yet not only was he MacDonald’s prime influence in adulthood, but he forged the literary vocation that became MacDonald’s own. Previously unexamined personal and textual engagement with John Ruskin enables entirely new readings of standard MacDonald texts, as does the textual engagement with Matthew Arnold and F.D. Maurice. These close readings, informed by the established context, demonstrate MacDonald’s emergence, practice, and intent as a mythopoeic writer
Translation technique and textual studies in the Old Greek and Theodotion versions of Daniel.
This thesis focuses on two separate, but related areas: the analysis of translation technique and the Greek texts of Daniel. Foremost in the research of Translation Technique (TT) in the Septuagint is the need for a model that is appropriate for the analysis of different ancient languages. In recent years there has been an increasing emphasis on the features of literalism in a translation, but it is argued in this thesis that the focus on literalism is inadequate as a methodology for the analysis of TT. The contention of this thesis is that the analysis of TT should incorporate insights from modem linguistic research. Therefore, the main purpose of this thesis is to develop and apply such a model to the Old Greek (CG) and Theodotion (Th)versions of Daniel. The existence of two complete Greek versions of the book of Daniel that are closely related to the same Vorlage (at least in chapters 1-3 and 7-12), furnish ideal examples for the application of the methodology. Unfortunately, it is no straightforward matter to employ the OG of Daniel, because the available critical edition can no longer be regarded as reliable. The most important witness to the OG version of Daniel is Papyrus 967, and large portions of this manuscript have been published since the appearance of the critical edition of the OG of Daniel in 1954. Therefore, in order to analyze and compare the two Greek texts of Daniel, it is necessary to evaluate all of the variants of Papyrus 967 in order to establish a preliminary critical text of OG. Once a critical text is established the proposed methodology for translation technique is applied to selected passages in the OG and Th versions of Daniel. An analysis and comparison of TT in OG and Th makes it possible to: 1) characterize the TT employed by OG and Th in detail; 2) determine Th's relationship to OG, i.e. is it a revision or independent translation; 3) demonstrate how the Greek texts can be employed effectively for textual criticism of the Hebrew Bible. On the basis of the analysis of Th's text it is also possible to determine Th's relationship to the body of works, which exhibit a close formal correspondence to the Masoretic text, known as Kaige-Theodotion
Mangan, Daniel
Carte de Visite of Corporal Daniel Mangan, 1st Maine Sharpshooters, Company E; From the MacDonald Collectionhttps://digitalmaine.com/arc_civilwarportraits/2470/thumbnail.jp
An expression of character the letters of George MacDonald
As a poet and novelist in nineteenth-century Scotland, George MacDonald became an internationally acclaimed author and lecturer whose work has inspired such prominent writers and artists as C. S. Lewis and Maurice Sendak. This extensive collection of MacDonald's personal correspondence offers privileged insights into the inner thoughts and visionary ideas of one of Scotland's greatest storytellers. An Expression of Character draws from more than 3,000 of MacDonald's letters to friends and family members, many not previously published. Highly regarded as a MacDonald scholar, Glenn Edward Sadler has arranged the most significant of MacDonald's letters chronologically, dividing his life into significant stages: his boyhood in Huntly and student days at Aberdeen University; his marriage and fatherhood; his career as a novelist; his lecture tour in America in 1872; and his later days in Bordighera, Italy. Sadler skillfully introduces each section, summarizing the significant milestones in MacDonald's life. Sixteen pages of photographs, including many of the MacDonald family, also help capture this intriguing literary figure. Fascinating, at times lyrical, and often moving, these letters provide a window into MacDonald's personal and spiritual life. Most of his letters are earthy and practical, showing his concern for the events of everyday life, his warm attachment to friends, and the importance of his role as husband and father. Other letters reveal MacDonald's spiritual approach to life and the develop ment of his religious views. Especially significant was his firm belief in what C. S. Lewis defined as "good Death" and in the glorious life hereafter. Readers of MacDonald will find in these letters penetrating glimpses of a deeply religious and sensitive man. To the specialist and general reader alike the letters speak with heartfelt sincerity and warmth. Those familiar with MacDonald's fiction and poetry will find the best portrait yet of the man himself
Mangan, Daniel
Carte de Visite of Corporal Daniel Mangan, 1st Maine Sharpshooters, Company E; From the MacDonald Collectionhttps://digitalmaine.com/arc_civilwarportraits/2470/thumbnail.jp
Raman microspectroscopy interrogating 19th and 20th century painted trades union banners
We have previously developed protocols for the application of Raman microspectroscopy to studies on painted textiles. We have further assessed the value of such microanalyses in the identification of both inorganic and organic constituents, including original components and consolidants used in conservation treatments. This paper presents the results of a recent study on a number of 19th- and 20th-century trades union banners directed at collating a spectral database of inorganic pigments used in the illustrations and at probing the preparative process prior to painting. Such information will contribute to an understanding of the manufacture of such banners and their current condition, leading to the development of optimum conservation procedures.While Raman spectroscopy has the potential to be used in situ and, with the appropriate protocol, is non-destructive, nonetheless we have found that the analysis of resin-embedded cross-sections is to be preferred with microtoming providing the cleanest sample surface. The optimum methodology for acquiring good quality Raman spectra is described including operation in the confocal mode, with consideration of fluorescence, interference from resin, laser-induced photochemistry, and so on
Difference operators for wreath Macdonald polynomials
We give explicit -difference operators acting diagonally on wreath
Macdonald -polynomials in finitely many variables
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