5,318 research outputs found
Two contemporary poets and the Ted Hughes bestiary
No full textTed Hughes’s animal poetry seems, at first, to oscillate back and forward between two poles: creatures recorded in lyric, observational mode – The Hawk in the Rain, Remains of Elmet, Moortown Diary – and sometimes-mythical beasts carrying heavy metaphorical burden of spirit world and creation myth – Wodwo, Crow, Adam and the Sacred Nine. This article examines contemporary poets’ debt to both of these aspects; it finds that those who work with Hughes’s legacy often combine the two. Poems by Alice Oswald and John Burnside provide the sample material to test this case. Oswald has selected the poems for A Ted Hughes Bestiary (2014) and her introduction to that volume provides a document of her engagement with Hughes’s animals. Her poetry from this period bears the mark of his influence. John Burnside is, in many ways, the heir to Hughes’s depiction of animals and human animality across a long period. Both poets write half-observational, half-imaginative poems that, following Hughes, embody rather than only describe animals. From noticing a combinatory approach in the work of these two contemporary poets, the article then turns back to the Hughes oeuvre and argues that even the most subjective renderings of animals there have their basis in objective reference to experience. Thus, charting Hughes’s place in contemporary writing returns attention anew to his own poetry
The elegies of Ted Hughes
No full textThe purpose of this study is to make the case that Ted Hughes (1930-1998) is one of the pre-eminent elegists writing in English in the latter half of the twentieth century. Whilst his poetry has been widely criticised for its apparent preoccupation with violence and death, it is puzzling that the links these topics have in common with elegy have never been clearly verified. This might be because Hughes's elegies do not appear to bear the characteristics frequently associated with traditional poetic laments; however, as this study shows, closer scrutiny reveals not only many similarities, but also acts of resistance within the broader scope of elegy. Drawing on both established and contemporary critical debates surrounding Hughes and elegy, this study undertakes a comprehensive reading of the poet's major works from The Hawk in the Rain to Birthday Letters, whilst also paying attention to limited editions of his verse, including Recklings, Capriccio and Howls & Whispers. Posthumous publications, including the Collected Poems. Selected Translations and Letters of Ted Hughes, are accounted for. so that (alongside the chronological reading of the poems) Hughes's development as an elegist is fully realised. One of the aims of the thesis is to demonstrate that the poet's elegies are unified in presenting what I term the ‘actual'; that is to say, that Hughes does not fabricate sensations or forge experiences that purport to be beyond the realm of recognisable human endeavour. This I term his 'unfalsifying dream’. This is striking because quite often traditional elegies appear to present the opposite: a language which is ๐mate and images which are close to beatifying the deceased, putting them at a remove from human experience and existence. 'The Hawk in the Rain' is used to illustrate Hughes's theoretical position, especially in the case of his earlier war elegies and the circumstances of Remains of Elmet and Moortown Diary. He is both the observational, seemingly dispassionate poet (the hawk), capable of a detaching himself from the experience he wishes to relay in his verse, and yet, he is also the wanderer 'in the rain, one who is immersed in the momentous instant of his own language and experience. Like his personas, Hughes is divided. He is complicit with many of elegy's practices and traditions, but he is also a reformer and renovator of elegy, writing invigorating verse which brings the realities of mortality closer to the reader. In doing so, he reaffirms the significance of life and how this life might be better lived in closer harmony to poetry and contemporary ecological urgencies. 'The Elegies of Ted Hughes' aims to prove that far from being just a 'poet of nature', Hughes has been an exemplary elegist in our own time
My Maine piece by author Ted Gup who describes with tenderness and humor his m
No full textMy Maine piece by author Ted Gup who describes with tenderness and humor his morning ritual of removing mice from the live traps in his cabin and walking them to a clearing for release back into nature
[Lorna et Ted : photographies / Daniel Cande]
No full textAppartient à l’ensemble documentaire : PhoSpec
Ted Pelton Reading and Workshop
No full textAuthor Ted Pelton recites the mythology of the trickster Woodchuck, which includes tales of Woodchuck\u27s creation by God, his assassination of President John F. Kennedy, and his inexplicable habit of carrying a very personal possession in a box, in this February 20th, 2008 edition of the Rooftop Poetry Club podcast
Shawn and his ensemble of male dancers in the United Kingdom brochure (1935)
No full textA brochure of a performance by Shawn and his ensemble of Men Dancers, presented by the Daniel Mayer Company at His Majesty’s Theater in Haymarket, London, United Kingdom. The performance was part of Ted Shawn’s international tour in the 1930’s. The brochure details the program.For biographical information on Ted Shawn, see: https://springfield.as.atlas-sys.com/agents/people/584
Ted Conover, 33rd Annual ODU Literary Festival
No full textTed Conover is the critically-acclaimed author of Rolling Nowhere: Riding the Rails with America’s Hoboes; Whiteout; Coyotes: A Journey Across the Border with America’s Mexican Migrants; and Newjack: Guarding Sing Sing, which was a finalist for the Pulitzer Prize and winner of the National Book Critics Circle Award. His latest work is The Routes of Man, which explores the ways roads are changing the world
The Trail, 1927, Published by Students of Daniel Baker College, Brownwood, Texas
No full textYearbook for Daniel Baker College in Brownwood, Texas includes photos of and information about the college, student body, professors, and organizations
Fire and Rescue Operations. Engine House #21, Toledo, Ohio, 1984
No full textFrom the Ted J. Ligibel Collection, a 1984 view of the all-brick historic Toledo Fire Department, Engine House #21 on South Detroit Avenue and Glendale Avenue in South Toledo. A Sohio Service Station is visible behind the buildings. Terms associated with the photograph are: historic buildings | fire stations | Fire and Rescue Operations. Engine House #21 (Toledo, Ohio) | Author Toledo (Ohio). Department of Fire and Rescue Operations | Glendale Avenue (Toledo, Ohio) | 1474 South Detroit Avenue (Toledo, Ohio) | Sohio Service Station (Toledo, Ohio) | service station
Sidney Lumet, Daniel ; Richard Eyre, Guerres froides ; Ted Kotcheff, Retour vers l'enfer
No full textMalassinet Alain. Sidney Lumet, Daniel ; Richard Eyre, Guerres froides ; Ted Kotcheff, Retour vers l'enfer. In: Raison présente, n°71, 3e trimestre 1984. Pédagogie : espoirs et désillusions. pp. 159-162
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