57,394 research outputs found
Liu shi yu dan si ji
No full text劉鳳著.綫裝, 1函.框20.1x13.6公分, 9行18字. 白口, 左右雙邊, 單黑魚尾. 版心上鐫"澹思集", 中鐫卷次, 下鐫葉次及"劉漙卿刻"書名及版式據卷三.書根題"劉侍御澹思集", 每冊書根題後分別錄"樂", "御", "書", "數"見《香港中文大學圖書館古籍善本書錄》(2001, p. 244)鈐有"天一閣", "沈氏鳴野山房圖籍印"Library's copy: 館存卷三至五, 卷九至十六, 共四冊 ; 缺卷一至二[v.1], 卷六至八[v.3]Xian zhuang, 1 han.Kuang 20.1 x 13.6 gong fen, 9 hang 18 zi. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan "Dan si ji", zhong juan juan ci, xia juan ye ci ji "Liu Tuanqing ke"Shu ming ji ban shi ju juan san.Shu gen ti "Liu shi yu dan si ji", mei ce shu gen ti hou fen bie lu "Yue", "Yu", "Shu", "Shu"Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 244)Liu Feng zhu.Qian you "Tian yi ge", "Shen shi Ming ye shan fang tu ji yin"Library's copy: guan cun juan san zhi wu, juan jiu zhi shi liu, gong si ce ; que juan yi zhi er [v.1], juan liu zhi ba [v.3
Liu Dan - New landscapes and old masters
No full textPublished to coincide with a solo exhibition of the work by Liu Dan (b.1953), to be displayed in the Khoan and Michael Sullivan Gallery for Chinese Painting at the Ashmolean. Liu Dan is one of China's leading artists, at the forefront of the generation of painters who have been working in radically new ways in the traditional medium of ink. 0The exhibition will include a painting presented to the museum by the artist in honour of Michael Sullivan (1916-2013) and which was exhibited in Liu Dan's 2013 exhibition at Suzhou Museum, for which Professor Sullivan wrote a catalogue essay. 0In view of this connection, the exhibition will focus on Michael Sullivan's interest in east-west connections in painting, and Liu Dan's own interest in old masters both Chinese and European, with an emphasis on rock paintings and landscapes. 0Exhibition: Ashmolean Museum, Oxford, UK (20.10.2016-26.02.2017
Liu Kang
No full textLiu Kang: Essays on Art and Culture is a testament to the inexorable passion of an artist who knew no boundaries. This collection of essays, which Liu Kang wrote over 44 years, offers an insight into the artist’s myriad interests as well as his contributions as a first generation Nanyang artist and art educator. Translated into English for this volume, Liu Kang’s essays are accompanied by commentaries and photographs of the artist-author and his subjects
Youthhood
No full textTESTING-GROUND issue 03, Youthhood, examines worlds through youthful eyes, makes evident young ambitions, and questions how we can better empower young people to design cities, landscapes, and a planet that works for them. The issue includes contributions from: Carmel Keren, Jude Daniel Smith, Claire Edwards, Kazeem Kuteyi, Emmanuel Adarkwah, Reza Nik, Dan Cui, Kristofer Cullum-Fernandez, Fida Sassi, Simeon Shtebunaev, Daze Aghaji, Averill Dimabuyu, Sarri Elfaitouri, Rebecca McDonald-Balfour, and Ed Wall.
Rebecca McDonald-Balfour (Author), Jude Daniel Smith (Author), Daze Aghaji (Author), Carmel Keran (Author), Alexis Liu (Author), Dan Cui (Author), Kristofer Cullum-Fernandez (Author), Fida Sassi (Author), Averill Dimabuyu (Author), Ed
Antara mao dan liu shaoqi
No full textBuku ini diangkat dari tesis saya berjudul "pola konflik kepemimpinan cina 1955 - 1865 : mao zedong dan liu shaoqi" dengan perubahan seperlunya. Perdebatan yang membawa perpecahan antara mao dan liu shaoqi sesungguhnya bersumber pada suatu hal yang sama, yakni bagaimana membawa bangsa dan negara cina ke kemakmuran dan menduduki posisi sama dengan negara - negara lain di mata dunia. Namun karena perbedaan latar belakang pendidikan dan budaya mengakibatkan perbedaan pendekatan antarkedua tokoh cina modern ini, yang akhirnya melahirkan konflik internal dan berkembang ke konflik eksternal.xiii, 86 hlm, 20 x 13,9 c
Antara mao dan liu shaoqi
No full textBuku ini diangkat dari tesis saya berjudul "pola konflik kepemimpinan cina 1955 - 1865 : mao zedong dan liu shaoqi" dengan perubahan seperlunya. Perdebatan yang membawa perpecahan antara mao dan liu shaoqi sesungguhnya bersumber pada suatu hal yang sama, yakni bagaimana membawa bangsa dan negara cina ke kemakmuran dan menduduki posisi sama dengan negara - negara lain di mata dunia. Namun karena perbedaan latar belakang pendidikan dan budaya mengakibatkan perbedaan pendekatan antarkedua tokoh cina modern ini, yang akhirnya melahirkan konflik internal dan berkembang ke konflik eksternal.xiii, 86 hlm, 20 x 13,9 c
Antara mao dan liu shaoqi
No full textBuku ini diangkat dari tesis saya berjudul "pola konflik kepemimpinan cina 1955 - 1865 : mao zedong dan liu shaoqi" dengan perubahan seperlunya. Perdebatan yang membawa perpecahan antara mao dan liu shaoqi sesungguhnya bersumber pada suatu hal yang sama, yakni bagaimana membawa bangsa dan negara cina ke kemakmuran dan menduduki posisi sama dengan negara - negara lain di mata dunia. Namun karena perbedaan latar belakang pendidikan dan budaya mengakibatkan perbedaan pendekatan antarkedua tokoh cina modern ini, yang akhirnya melahirkan konflik internal dan berkembang ke konflik eksternal.xiii, 86 hlm, 20 x 13,9 c
Phoebus 10: A Journal of Art History
No full texttableOfContents: Homage to the Past: The Art of Yin Xiaofeng by Ralph Gabbard and Liu Liu.. pages 5-1
Cultural exploitation in chinese politics: Reinterpreting liu sanjie
No full textLiu Sanjie is a typical Chinese legendary figure, adapted from folk custom and transformed during many historical and political stages. By comparing the musical film Liu Sanjie with the landscape performing art Impression Liu Sanjie, this paper explores how Liu Sanjie is reconstructed in the Impression to be in accord with contemporary demands (shidaixing). In the film, made during the 1960s, Liu Sanjie was promoted as a heroine fighting against the privileged classes, but in the Impression, her class struggle has been erased and only a harmonious and abstract legend remains. Her ethnicity is promoted by Han elites as not exclusive Zhuang, but shared equally with Han, Miao and Dong ethnicity in an imagined community to propagate a sense of ethnic harmony and unified Chineseness. Her transformation from a realistic character, full of a rebelling spirit, to an abstract and disembodied ‘sense of harmony’, is a complete reinterpretation of a Chinese historical legend. Utilizing a term from Wang Ban (1997), ‘the sublime figure of history’, which refers to an ideology aestheticized by the party state for securing its governance, this paper refers to the bold artistic treatment of Liu Sanjie for cultural exploitation as ‘Liu Sanjie’s sublime’. The paper explores the evolutionary progress of Liu Sanjie from class revolution to art revolution in response to political requirements. The author is a stage-trained performing artist, specialized in both Western opera and Chinese classical and folk singing and dance. He is also a critic and art consultant in the Chinese landscape performing arts industry. These professional roles have allowed privileged access to the top people in this industry
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