2,818 research outputs found

    Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer

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    Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America

    Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer

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    Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America

    Adrian Matejka, 34th Annual ODU Literary Festival

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    Adrian Matejka is the author of The Devil’s Garden and Mixology, which was a winner of the 2008 National Poetry Series. He is the recipient of two Illinois Arts Council Literary Awards and fellowships from Cave Canem and the Lannan Foundation. His work has been featured in American Poetry Review, The Best American Poetry 2010, and Ploughshares, among other journals and anthologies. He teaches at Southern Illinois University Edwardsville

    [Application of extra- and intracochlear electrocochleography during and after cochlear implantation].

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    Electrocochleography (ECochG) represents a promising approach for monitoring cochlear function during cochlear implantation and for investigating the causes of residual cochlear function loss after implantation. This paper provides an overview of the current research and application status of ECochG, both during and after cochlear implantation. Intraoperative ECochG can be conducted either via the implant itself or an extracochlear measuring electrode. Postoperative ECochG recordings are also feasible via the implant. Various studies have demonstrated that a significant decrease in ECochG amplitude during electrode insertion correlates with an increased risk of losing residual cochlear function, with critical cochlear events occurring primarily towards the end of the insertion. Postoperative data suggest that the loss of cochlear function mainly occurs in the early postoperative phase. Future research directions include the automation and objectification of signal analysis, as well as a more in-depth investigation into the underlying mechanisms of these signal changes

    Performing the archive: following in the footsteps

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    Using documentation of Mike Pearson's performance 'Bubbling Tom', Deirdre Heddon attempts to step into his shoes and re-perform it

    Objectification of intracochlear electrocochleography using machine learning

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    Introduction: Electrocochleography (ECochG) measures inner ear potentials in response to acoustic stimulation. In patients with cochlear implant (CI), the technique is increasingly used to monitor residual inner ear function. So far, when analyzing ECochG potentials, the visual assessment has been the gold standard. However, visual assessment requires a high level of experience to interpret the signals. Furthermore, expert-dependent assessment leads to inconsistency and a lack of reproducibility. The aim of this study was to automate and objectify the analysis of cochlear microphonic (CM) signals in ECochG recordings. Methods: Prospective cohort study including 41 implanted ears with residual hearing. We measured ECochG potentials at four different electrodes and only at stable electrode positions (after full insertion or postoperatively). When stimulating acoustically, depending on the individual residual hearing, we used three different intensity levels of pure tones (i.e., supra-, near-, and sub-threshold stimulation; 250–2,000 Hz). Our aim was to obtain ECochG potentials with differing SNRs. To objectify the detection of CM signals, we compared three different methods: correlation analysis, Hotelling's T2 test, and deep learning. We benchmarked these methods against the visual analysis of three ECochG experts. Results: For the visual analysis of ECochG recordings, the Fleiss' kappa value demonstrated a substantial to almost perfect agreement among the three examiners. We used the labels as ground truth to train our objectification methods. Thereby, the deep learning algorithm performed best (area under curve = 0.97, accuracy = 0.92), closely followed by Hotelling's T2 test. The correlation method slightly underperformed due to its susceptibility to noise interference. Conclusions: Objectification of ECochG signals is possible with the presented methods. Deep learning and Hotelling's T2 methods achieved excellent discrimination performance. Objective automatic analysis of CM signals enables standardized, fast, accurate, and examiner-independent evaluation of ECochG measurement

    Electrochemical-control of abrasive polishing and machining rates, U.S. Patent 6,171,467

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    An apparatus and method is disclosed; both of which use electrochemistry to selectively grow and remove hard oxide coatings on metals, and capacitive double layers on non-metals and semiconductors in order to predict and control the rate of surface abrasion during planarization of the surface of such materials

    ADRIAN POP - IN SEARCH OF A LONG LOST SMILE

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    An anniversary, especially in the case of a generation colleague, the renowned composer Adrian Pop, generates the remembrance of a long series of musical events that have become notorious, with works included in the national and international concert repertoire. The avoidance of nostalgic memories made that a stage miniature be chosen for the present paper, an incursion of the author into the naive world of childhood reading. The result was a modern, glamorous musical transposition of a sequence with Max and Moritz, the playful heroes created by the famous humorist and cartoonist Wilhelm Busch in the middle of the 19th century. The musical act Onkel Fritz by Adrian Pop was first performed in Cluj in 2016, on October 22, on the occasion of his previous anniversary, within the Cluj Musical Autumn Festival. The graceful performers of the act, presented under the title “Anniversaries at the Festival, Adrian Pop compositional portrait”, were soprano Mihaela Maxim, in the role of Max and pianist Eva Butean, in the role of Moritz. How did composer Adrian Pop manage to musically enliven a 150 years old humorous story? The author of the following text will try to answer this question. Rezumat. ADRIAN POP - ÎN CĂUTAREA SURÂSULUI PIERDUT. O aniversare, mai ales în cazul unui coleg de generație, reputatul compozitor Adrian Pop, generează rememorarea unui lung șir de evenimente muzicale devenite notorii, cu lucrări intrate în repertoriul intern și internațional de concerte. Evitarea unor memorii nostalgice au făcut ca sorții acestei comunicări să cadă asupra unei miniaturi scenice, o incursiune a autorului în lumea ingenuă a lecturilor din copilărie. A rezultat o transpunere muzicală modernă, plină de farmec, a unei secvențe cu Max și Moritz, eroii poznași creați de celebrul umorist și caricaturist Wilhelm Busch la mijlocul secolului XIX. Prima audiție clujeană a scenetei muzicale Onkel Fritz de Adrian Pop a avut loc în 2016, la 22 octombrie, cu ocazia precedentei sale aniversări, în cadrul Toamnei Muzicale Clujene. Interpreții plini de har ai scenetei prezentate sub genericul „Aniversări în Festival, portret componistic Adrian Pop” au fost soprana Mihaela Maxim, în rolul lui Max și pianista Eva Butean, în rolul lui Moritz. Oare cum a reușit compozitorul Adrian Pop să însuflețească muzical o poveste umoristică de 150 de ani? La această întrebare va încerca să răspundă autoarea acestor rânduri.  Cuvinte cheie: Adrian Pop, Wilhelm Busch, Max și Moritz, Unchiul Fritz, act muzica

    Book design: Adrian Bradshaw – The Door Opened: 1980s China

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    Adrian Bradshaw: Book author Phil Cleaver: Book design, branding, exhibition design and poster design Art editor on content and sequencing of photography. Designed in two languages Chinese and English in a way which combines them both together. Design reflects Chinese culture in a modern way with a western whist. Embossed slip case with metal badge on cover of book
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