1,720,961 research outputs found
I racconti messicani di Max Aub. Una nuova frontiera
Il lavoro analizza i racconti di argomento messicano scritti in Messico da Max Aub, sia quelli legati al tema dell'incontro/scontro tra esiliati spagnoli e autoctoni sia quelli di tema esclusivamente messicano. Si evidenzia la capacità di adattamento e il mimetismo dell'autore seppure calati in una scrittura personale e facilmente riconoscibile
Una goccia d’acqua nel mare della favolistica: Cesare Betteloni e Pierre Lachambeaudie
Lettura delle Favole di Cesare Betteloni (1808-1858), liberamente ispirate alle Fables di Pierre Lachambeaudie (1806-1872
Le marche d'uso nella prima parte del dizionario di Francisco de la Torre y Ocón, El maestro de las dos lenguas. Diccionario español y francés en dos tomos (1728-1731)
Il dizionario di Francisco de la Torre y Ocón, El maestro de las dos lenguas. Diccionario español y francés en dos tomos (1728-31), vanta il merito di essere stato il primo repertorio, fra i bilingui che includono il francese, edito entro i confini della Spagna e, dunque, il capostipite di una serie d’opere che costellano il cammino di questa sezione della lessicografia del Settecento spagnolo. Pur collocandosi a pieno titolo entro i confini del suo tempo ed essendo, pertanto, condizionato dalle limitazioni lessicografiche dell'epoca, quali la generale mancanza di uniformità e la separazione di accezioni e unità pluriverbali in differenti entrate, tuttavia va annoverato tra quelli che tentarono di apportare qualche innovazione: una di queste è, indubbiamente, l'abbondanza di marche d'uso. In questo lavoro, dunque, si analizza la presenza di tali elementi metalinguistici nel primo volume del dizionario di Francisco de la Torre y Ocón, cioè la parte spagnolo-francese, attraverso lo spoglio dell'intera nomenclatura del volume per enuclearne l'inventario
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
La fuga a Parigi di Hannah Arendt
Racconto della maturazione di Hannah Arendt nel periodo 1933-1941: il distacco dagli intellettuali accademici, la fuga a Parigi, i rapporti con l'organizzazione comunista e con quella sionista, l'appassionata volontà di comprendere, che presuppone un profondo processo di formazione
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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