1,720,997 research outputs found
Stepping Stones over the Refactoring Rubicon.
No full textRefactoring tools allow the programmer to pretend they are working with a richer language where the behaviour of a program is automatically preserved during restructuring. In this paper we show that this metaphor of an extended language yields a very general and useful implementation technique for refactorings: a refactoring is implemented by embedding the source program into an extended language on which the refactoring operations are easier to perform, and then translating the refactored program back into the original language. Using the well-known Extract Method refactoring as an example, we show that this approach allows a very fine-grained decomposition of the overall refactoring into a series of micro-refactorings that can be understood, implemented, and tested independently. We thus can easily write implementations of complex refactorings that rival and even outperform industrial strength refactoring tools in terms of correctness, but are much shorter and easier to understand. © 2009 Springer Berlin Heidelberg
Polymorphic bytecode: Compositional compilation for Java-like languages
No full textWe define compositional compilation as the ability to typecheck source code fragments in isolation, generate We define compositional compilation as the ability to typecheck source code fragments in isolation, generate corresponding binaries,and link together fragments whose mutual assumptions are satisfied, without reinspecting the code. Even though compositional compilation is a highly desirable feature, in Java-like languages it can hardly be achieved. This is due to the fact that the bytecode generated for a fragment (say, a class) is not uniquely determined by its source code, but also depends on the compilation context.We propose a way to obtain compositional compilation for Java, by introducing a polymorphic form of bytecode containing type variables (ranging over class names) and equipped with a set of constraints involving type variables. Thus, polymorphic bytecode provides a representation for all the (standard) bytecode that can be obtained by replacing type variables with classes satisfying the associated constraints.We illustrate our proposal by developing a typing and a linking algorithm. The typing algorithm compiles a class in isolation generating the corresponding polymorphic bytecode fragment and constraints on the classes it depends on. The linking algorithm takes a collection of polymorphic bytecode fragments, checks their mutual consistency, and possibly simplifies and specializes them. In particular, linking a self-contained collection of fragments either fails, or produces standard bytecode (the same as would have been produced by standard compilation of all fragments)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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