1,720,965 research outputs found
“La mappa e il corpo come veicoli di memoria: una rilettura de Il cartografo. Varsavia 1:400.000, di Juan Mayorga”
No full textIn The Cartographer, the playwright Juan Mayorga recovers for the present, and in an original and oblique way, some of the events that took place in the Warsaw ghetto in the first half of the 1940s. The piece makes explicit a parallelism between cartographic art and theatrical writing and at the same time translates it into practice through its own architecture. The map and the human body become there means of resistance to the impositions of History and vehicles of a memory that strives to save a part of the past and which allows to look at it with a renewed gaze and as an invisible part of the present. The historical theater advocated by Mayorga must be able to constitute itself, in the wake of Walter Benjamin, in a dialectical image, that is to determine an encounter between the present and the past that destabilizes both these poles, making the present see the past in a new light and look at himself as it hadn't done before
La toquera vizcaína
No full textPrima edizione critica della pièce teatrale "La toquera vizcaína" (ca. 1628-1629) di Juan Pérez de Montalbán, comprensiva di Studio introduttivo, apparato di varianti, note al testo, indice delle note e bibliografia
N.I. 12
No full textPrivo di una ambientazione geografica specifica, "N.I. 12" ('Non identificato 12') è un testo teatrale incentrato sul dramma della sparizione forzosa di cittadini a causa del terrorismo di Stato. La "pièce" è stata insignita del XVII Premio della Sociedad General de Autores Españoles per il Teatro nel 2008. Il volume comprende il testo a fronte in versione originale (dal titolo "NN 12"), un articolato studio introduttivo (pp. 5-71), volto a ripercorrere la produzione di Morales e a proporre una approfondita analisi dell'opera, nonché una estesa e aggiornata bibliografia e filmografia (pp. 73-90)
La escritura forja mundos (y engaños): El chico de la última fila, de Juan Mayorga
No full textThe article presents a detailed analysis of The Boy in the Last Row, by Juan Mayorga, based on its most recent printed version (2014; first Spanish edition: 2006). The study highlights the metaleptic construction of the play, as well as the thematic importance of the creative and deceptive power of fiction. The work, brought to the stage in numerous countries and adapted to the cinema by Francoise Ozon (In the House, 2012), is interpreted in the present study as a mise en abyme of the process of literary communication, which entails the potential of writing to broaden the horizons of the receiver, as well as the risks that this implies for those who do not distinguish the plane of fiction from reality. Moreover, this article discusses other motifs present in The Boy in the Last Row and sheds light on the dynamics established in the relationships of the main characters. It also considers this play's relation to other works written by Mayorga. (EDP). © 2018 Society of Spanish and Spanish-American Studies. All rights reserved.El artículo presenta un detallado análisis de El chico de la última fila, de Juan Mayorga, a partir de su última versión impresa (2014; primera edición: 2006). El estudio destaca la construcción metaléptica de la pieza e individua su tema preminente en la capacidad creadora y engañadora de la ficción. La obra, llevada a los escenarios en numerosos países y adaptada al cine por Françoise Ozon (En la casa, 2012), es interpretada como una mise en abyme del proceso de la comunicación literaria, incluyendo las potencialidades de la escritura en ampliar los horizontes del receptor y los riesgos que esta entraña para quien no distinga el plano de la ficción del de la realidad. En el trabajo también se aíslan los otros motivos presentes en El chico de la última fila y se echa luz sobre las dinámicas profundas que se establecen entre los personajes principales, sin dejar de apuntar algunas relaciones de la obra con el resto de la extensa producción mayorguiana
Alexandru Ciorănescu e il teatro spagnolo dei Secoli d'Oro
No full textIntellettuale sfaccettato e comparatista di levatura internazionale, Alexandru Ciorănescu visse alcuni decenni a Tenerife, vincolato all’Università de La Laguna e all'Instituto de Estudios Canarios. Tra i suoi molteplici contributi si annoverano alcuni lavori dedicati alla Letteratura spagnola e in particolare al teatro secentesco. Quest’ultimo segmento della sua produzione di studioso sarà oggetto, nel presente lavoro, di una breve disamina critica e sarà messo in relazione con i principali orientamenti della storiografia letteraria spagnola manifestatisi negli ultimi decenni
Squadra verso la morte in Italia: storia di una breve fortuna
No full textStudio della fortuna editoriale, critica e scenica in Italia di "Squadra verso la morte" di Alfonso Sastre.Study of the editorial, critical and scenic fortune in Italy of "The Condemned Squad", by of Alfonso Sastre
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Enrico Di Pastena. Gracia Morales, N.I. 12
Get PDFRecensione di Di Pastena, E. (a cura di) (2021). Gracia Morales, N.I. 12. Pisa: ETS, 174 pp. La maschera e il volto. Teatro ispanico moderno e contemporaneo 6
- …
