2,240 research outputs found
Conversazione con Gilles Clement. A conversation with Gilles Clement
No full text'Conversazione con Gilles Clement' si tratta di una intervista articolata in 12 domande che l'autrice N.Trasi ha ideato sul tema dei rifiuti e del progetto. L'intervista è stata svolta a Parigi dove Gilles Clement, uno dei massimi esponenti sui temi del paesaggio contemporaneo, ha risposto a volte in modo originale e sorprendente, in taluni casi tracciando nuove vie.This is an interview on the topic of waste and of the project, consisting of twelve questions that the author N.Trasi has formulated for Gilles Clement, one of the leaders on the issues of the contemporary landscape
Apeine eu je atteint l'age ou fille peut aimer [first line]
No full texttheme and variationpiano and voiceEt Dediee a Melle. Louisa Brugiere Par P. Gilles.Johns Hopkins University, Levy Sheet Music Collection, Box
113, Item 034bVariee pour la voix avec accompagnement de Piano Par P. Gilles
Apeine eu je atteint l'age ou fille peut aimer [first line]
No full texttheme and variationpiano and voiceEt Dediee a Melle. Louisa Brugiere Par P. Gilles.Johns Hopkins University, Levy Sheet Music Collection, Box
113, Item 034bVariee pour la voix avec accompagnement de Piano Par P. Gilles
sj-docx-1-tar-10.1177_17534666231202749 – Supplemental material for Improvement in severe asthma patients receiving biologics and factors associated with persistent insufficient control: a real-life national study
No full textSupplemental material, sj-docx-1-tar-10.1177_17534666231202749 for Improvement in severe asthma patients receiving biologics and factors associated with persistent insufficient control: a real-life national study by Laurent Guilleminault, Claire Camus, Chantal Raherison-Semjen, Audrey Capdepon, Arnaud Bourdin, Philippe Bonniaud, Stéphanie Fry, Gilles Devouassoux, François-Xavier Blanc, Christophe Pison, Clairelyne Dupin, Naji Khayath, Joelle Courdeau, Judith Valcke-Brossollet, Cécilia Nocent-Ejnaini, Fabien Rolland, Carmen Lamandi, Alain Proust, Anaig Ozier, Laurent Portel, Wanda Gaspard, Pauline Roux-Claude, Antoine Beurnier, Stéphanie Martinez, Jean-Marc Dot, Florence Hennegrave, Guillaume Vignal, Etienne Auvray, Nicolas Paleiron, Nicolas Just, Jean Miltgen, Maud Russier, Cécile Olivier, Camille Taillé and Alain Didier in Therapeutic Advances in Respiratory Disease</p
Gilles de la Tourette: The man behind the syndrome
No full textFrench neuropsychiatrist Georges Gilles de la Tourette first described in 1885 the "Maladie des Tics" which earned him eponymous fame. Both his colleagues at La Salpetiere hospital ill Paris and medical historians report that he was a highly intelligent, if irascible, character. The Gilles de la Tourette syndrome was only a very minor contribution of its author, at the time. Gilles de la Tourette's main and continued contributions were oil hysteria and hypnotism. This article concentrates on his life and includes previously untranslated passages from authors of the time and, for the first time, a full English translation of his obituary written by Henry Meige. (C) 2009 Elsevier Inc. All rights reserved
La Sainte et le monstre: une lecture de Gilles et Jeanne de Michel Tournier
No full textIn Michel Tournier’s "Gilles et Jeanne" (1983) the author revisits the history of Joan of Arc through its dark side, the character Gilles de Rais. This paper approaches mathers related to the representation of this character taking into account the process of literary creation.
Keywords: Gilles de Rais. Joan of Arc. Michel Tournier.Dans Gilles et Jeanne, Michel Tournier reprend l’histoire de Jeanne d’Arc et nous la présente au moyen de la représentation de son envers, le personnage Gilles de Rais. Réfl échir sur le procédé de création de ce personnage aussi bien que faire des considérations sur les effets littéraires qui en résultent constitue l’objectif de cet article.
Mots-Clés: Gilles de Rais. Jeanne d’Arc. Michel Tournier
La Sainte et le monstre: une lecture de Gilles et Jeanne de Michel Tournier
No full textIn Michel Tournier’s "Gilles et Jeanne" (1983) the author revisits the history of Joan of Arc through its dark side, the character Gilles de Rais. This paper approaches mathers related to the representation of this character taking into account the process of literary creation.
Keywords: Gilles de Rais. Joan of Arc. Michel Tournier.Dans Gilles et Jeanne, Michel Tournier reprend l’histoire de Jeanne d’Arc et nous la présente au moyen de la représentation de son envers, le personnage Gilles de Rais. Réfl échir sur le procédé de création de ce personnage aussi bien que faire des considérations sur les effets littéraires qui en résultent constitue l’objectif de cet article.
Mots-Clés: Gilles de Rais. Jeanne d’Arc. Michel Tournier
Summary of Search-based Crash Reproduction using Behavioral Model Seeding
No full textThis is an extended abstract of the article: Pouria Derakhshanfar, Xavier Devroey, Gilles Perrouin, Andy Zaidman and Arie van Deursen. 2019. Search-based crash reproduction using behavioural model seeding. In: Software Testing, Verification and Reliability (May 2020). http://doi.org/10.1002/stvr.1733.Software EngineeringSoftware Technolog
Gilles Tremblay et le devenir musical du Québec : un homme d’idées, de convictions et de projets
No full textL’auteur explore une dimension moins connue de Gilles Tremblay : son engagement citoyen. S’inspirant des écrits du compositeur, il analyse ses positions sur le rôle et l’importance dans la société québécoise d’une école d’État (le Conservatoire), d’une radio d’État et de sa dimension culturelle, ainsi que des commandes d’État et de leur influence sur la création musicale. Par ses interventions dans le débat public, l’auteur démontre comment Gilles Tremblay a agi en citoyen et a enrichi la réflexion sur le devenir musical du Québec.The author discusses a lesser-known aspect of Gilles Tremblay’s life and career: the composer’s commitment to citizenship. Through a reading of Tremblay’s published writings, he analyses the latter’s position on the value and importance, for Quebec society, of a state-run music school (the Conservatoire), of a state-run radio and its inherent cultural significance, and of commissions of musical works that emanate from government and their impact on musical creation. The author also demonstrates the ways in which Gilles Tremblay enriched deliberations over Quebec’s musical future through his contributions to the public debate on the issue
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