1,720,988 research outputs found

    TestNMT: Function-to-test neural machine translation

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    Test generation can have a large impact on the software engineering process by decreasing the amount of time and effort required to maintain a high level of test coverage. This increases the quality of the resultant software while decreasing the associated effort. In this paper, we present TestNMT, an experimental approach to test generation using neural machine translation. TestNMT aims to learn to translate from functions to tests, allowing a developer to generate an approximate test for a given function, which can then be adapted to produce the final desired test. We also present a preliminary quantitative and qualitative evaluation of TestNMT in both cross-project and within-project scenarios. This evaluation shows that TestNMT is potentially useful in the within-project scenario, where it achieves a maximum BLEU score of 21.2, a maximum ROUGE-L score of 38.67, and is shown to be capable of generating approximate tests that are easy to adapt to working tests

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Better patching using LLM prompting, via Self-Consistency

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    Large Language models (LLMs) can be induced to solve non-trivial problems with "few-shot" prompts including illustrative problem-solution examples. Now if the few-shots also include "chain of thought" (CoT) explanations, which are of the form problem-explanation-solution, LLMs will generate a "explained" solution, and perform even better. Recently an exciting, substantially better technique, self-consistency [1] (S-C) has emerged, based on the intuition that there are many plausible explanations for the right solution; when the LLM is sampled repeatedly to generate a pool of explanation-solution pairs, for a given problem, the most frequently occurring solutions in the pool (ignoring the explanations) tend to be even more likely to be correct! Unfortunately, the use of this highly-performant S-C (or even CoT) approach in software engineering settings is hampered by the lack of explanations; most software datasets lack explanations. In this paper, we describe an application of the S-C approach to program repair, using the commit log on the fix as the explanation, only in the illustrative few-shots. We achieve state-of-the art results, beating previous approaches to prompting-based program repair, on the MODIT dataset; we also find evidence suggesting that the correct commit messages are helping the LLM learn to produce better patches.Comment: Accepted at ASE-NIER (2023) trac

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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