111,949 research outputs found
Il controllo del principio di sussidiarietà:competenze comunitarie e competenze nazionali,
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Energy analysts need a standard that interprets the Metro Area Global Information Infrastructure
No full textIn this paper, we argue that the energy analyst’s understanding of the metro area network must be supported by a standard that (a) generalizes diversity, through the means of the abstraction of the implementational model, while (b) distinguishing between deployments through physical reference points. The need for this kind of model has already been foreseen in the ITU-T’s Recommendation Y.110, including the need “to illustrate how system performance can be affected by implementation.” Preliminary results that concern the access network are presented
author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct
No full textSupplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p
Criminal Procedure – Public Trial – The Public Has No Constitutional Right to Attend Pretrial Suppression Hearing
No full textDiscusses how the burden on criminal trial courts to insure a fair trial in the wake of adverse publicity has resulted in increased use of judicial closure orders. The main issue is whether the right to a public trial belongs to the accused, the public, or both. The author expects the courts to recognize a limited right of public access to the trial. The decision in Garnett Co. v. DePasquale will continue to cause disruption in the courts
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Note: \u3cem\u3eRichmond Newspapers, Inc. v. Virginia\u3c/em\u3e: A Demarcation of Access
No full textSeveral months after this symposium, the Supreme Court announced its decision in Richmond Newspapers, Inc. v. Virginia, holding that the Constitution implicitly guarantees the right of the public to attend a criminal trial, which a court must keep open to the public, absent an express finding of an overriding interest. This note explores the numerous opinions in Richmond Newspapers to determine whether that case has expanded access rights since the recent decision in Gannett Co. v. DePasquale. The author reconciles the two decisions and concludes that the issues raised in the symposium remain vital
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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