125,911 research outputs found

    Les nouveaux développements de la théorie économique et les transformations récentes de l'économie italienne

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    Demaria Giovanni. Les nouveaux développements de la théorie économique et les transformations récentes de l'économie italienne. In: Revue économique, volume 16, n°3, 1965. pp. 424-444

    Robert Demaria, Jr. : Johnson's Dictionary and the Language of Learning, 1986

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    Ducrocq Jean. Robert Demaria, Jr. : Johnson's Dictionary and the Language of Learning, 1986. In: Dix-huitième Siècle, n°19, 1987. La franc-maçonnerie. p. 520

    Demaria et Divers. - Atti del convegno di studi sui costi di distribuzione. Milano, Confederazione generale italiana del Commercio.

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    Goetz-Girey Robert. Demaria et Divers. - Atti del convegno di studi sui costi di distribuzione. Milano, Confederazione generale italiana del Commercio.. In: Revue économique, volume 4, n°6, 1953. pp. 950-951

    Demaria et Divers. - Atti del convegno di studi sui costi di distribuzione. Milano, Confederazione generale italiana del Commercio.

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    Goetz-Girey Robert. Demaria et Divers. - Atti del convegno di studi sui costi di distribuzione. Milano, Confederazione generale italiana del Commercio.. In: Revue économique, volume 4, n°6, 1953. pp. 950-951

    Kill Bill vol. 1: migrazioni interculturali e propagazioni extratestuali

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    In questo saggio si riflette sull'opera del regista statunitense Quentin Tarantino, in particolare su una delle sue opere più conosciute: Kill Bill, per indagare il modo in cui questo testo è il frutto di un lavoro di continue citazioni di altri generi non solo cinematografici. Re-mixando fumetto e cinema colto, cultura alta e cultura bassa, Kill Bill non è un semplice esempio di cinema che cita se stesso o mescola i propri generi, ma di come stia diventando una pratica che ingloba e traduce lo stile e i generi di altri media, a sua volta influenzandoli. Attraverso un'analisi sociosemiotica, questo saggio indaga così gli effetti di senso di questa nuova pratica cinematografica sia rispetto al campo dei media, sia nei confronti delle pratiche spettatoriali

    Photographs of Suffering: Women and Children between Stereotypes, the Obscene and the Traumatic

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    The essay is an explorative reflection that focuses on a very specific part of a broader investigation on the testimonial vocation of photography, and the very concept of document and documentary. To document means to give evidence, to prove, but also to teach, to inform. That of documentary is an interpretative structure, an attribute which can be used also to refer to something animated by an exhortative impulse, by a humanistic wish to ameliorate. But to what is then the category of documentary opposed, or opposable, to? Expressive, Aesthetics? Abstract, Poetic? Is it still the case that that which constitute a proof should not be aesthetically pleasant? Here, I argue the complex opposition between witnessing and reporting “reality” (as photography, needless to say, has long been supposed to do), and producing a “testimonial effect” (and not a reality effect); between the objectifying nature of a document such a photograph and the subjectifying and, ultimately, idiosyncratic stance of the photographic enunciation. Specifically, I concentrate on the very ambiguous character of shocking images, which is always already inscribed not only in a cognitive process of communication, but also in text dominated by a pragmatic intent, and by a will to make people feel, to render the audience sensitive, to change their attitude. This last point indicates two further issues framing the essay: the problem of compassion fatigue, that is the hypothesis that continual coverage of distant suffering causes audience and even journalists themselves to lose interest, even if the suffering continue; and the vast debate started already long time ago by Susan Sontag and has been re-inforced by her last book on “Regarding the pain of others”. And the question of the broader texts and cultural practices in which these kinds of photograph circulateThe essay focuses on photographs which document, and represent, pain and suffering caused by traumas and catastrophes, both natural and man-made. It is an explorative reflection on specific aspects of a broader investigation on the testimonialand documentary vocation of photography. I attempt to discuss this vocation whitin a particular sub-genre of photography, in its turn defined and transformed by the medium and the cotext in which it is consumed, thta is, photo-reportage once it is produced by, and also produced for, international humanitarian NGO's websites

    A Multi-Language Comparison of Influences on Author Verification using Character N-Grams

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    We create a new multi-language corpus for author verification based on Wikipedia talkpages, and evaluate the influence that differences in topic and time have on character n-gram author profiles. Topic alignment between two texts is found to increase author verification precision, and an authors writing style is found to change over time, but not more significantly after 3 years than after 1 year.Information ArchitectureWISElectrical Engineering, Mathematics and Computer Scienc

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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