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Other Voices piece by Orlando E. Delogu, a professor at the University of Main
No full textOther Voices piece by Orlando E. Delogu, a professor at the University of Maine School of Law, on subsidies to Bath Iron Works. Delogu writes that the subsidies are morally wrong and legally questionable
Other Voices piece by Orlando Delogu, a professor at the University of Maine S
No full textOther Voices piece by Orlando Delogu, a professor at the University of Maine School of Law, arguing that towns should not be allowed to arbitrarily limit the number of building permits or declare a moratorium on residential construction. With special focus on a recent limit imposed by the town of Eliot
Other Voices piece by Orlando Delogu, a professor of law at the University of
No full textOther Voices piece by Orlando Delogu, a professor of law at the University of Maine School of Law, arguing that the initiative process of the state Constitution is not broken and recent efforts by Gov. Angus King and others to undercut that process are misguided at best, and cynically or politically motivated at worst, and urging the Legislature to reject King\u27s proposed legislation, which would make it more difficult for Mainers to exercise their rights under the initiative process
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
THE EVALUATION OF GENERALIZED AND SPECIFIC ATTACHMENT PATTERNS IN AN ANOREXIC ADOLESCENTS' PARENTS SAMPLE
No full textQUALE RELAZIONE TRA LO STILE DI ACCUDIMENTO PERCEPITO E L'IDEALIZZAZIONE: INDAGINE SU UN CAMPIONE DI FAMIGLIE ANORESSICHE
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Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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