1,722,013 research outputs found
Continuum-Generation by Generation—The Continuation of Artistic Creation at the 57th Venice Biennale: A Conversation with Tang Nannan
In this article the author engages in conversation with Tang Nannan, one of the artists who participated in the China Pavilion, at Venice Biennial in 2017. Tang Nannan delves into his personal experience of partaking in these collaborations while maintaining his belief that the meaning of his work should be transmitted in the most direct way possible
Lo crudo y lo cocido: sobre los efectos de la cocción en la modificación ósea
FIl: De Nigris, Mariana Eleonor. Consejo Nacional de Investigaciones Científicas; Argentina.Fil: De Nigris, Mariana Eleonor. Universidad de Buenos Aires. Facultad de FIlosofía y Letras. Instituto de Ciencias Antropológicas; Argentina.34 ref
palazzo de Nigris Faicchio
Lo studio presenta la lettura storiografica, incentrata tra la fase protorisnascimentale durazzesco-catalana ed il rinascimento maturo, del palazzo nobilire della famiglia 'de Nigris' in Faicchio (Benevento) attraverso lo studio delle tecniche costruttive tradizionali
Lo crudo y lo cocido: sobre los efectos de la cocción en la modificación ósea
FIl: De Nigris, Mariana Eleonor. Consejo Nacional de Investigaciones Científicas; Argentina.Fil: De Nigris, Mariana Eleonor. Universidad de Buenos Aires. Facultad de FIlosofía y Letras. Instituto de Ciencias Antropológicas; Argentina.34 ref
Erratum: P169 Vitamin D levels are inversely associated with inflammation in pediatric Inflammatory Bowel Disease patients (Journal of Crohn's and Colitis (2021) 15:1 (S244-S245) DOI: 10.1093/ecco-jcc/jjab076.296)
This is a corrigendum to: S Cenni, G Russo, A De Nigris, M Casertano, D Pacella, E Miele, M Martinelli, A Staiano, C Strisciuglio, P169 Vitamin D levels are inversely associated with inflammation in pediatric InflammatoryBowel Disease patients, Journal of Crohn's and Colitis, Volume 15, Issue Supplement_1, May 2021, Pages S244-S245, https://doi.org/10.1093/ecco-jcc/jjab076.296 In the originally published version of abstract P169, there is an error in an author's surname. The incorrect spelling is “A De Nigiris”. The correct spelling is “A De Nigris”. These details have been corrected only in this corrigendum to preserve the published
The influence of external noise on the Rayleigh-Bénard instability
De Nigris G. The influence of external noise on the Rayleigh-Bénard instability . In: Bulletin de la Classe des sciences, tome 71, 1985. pp. 277-286
The art museum in contemporary China and the question of sustainability
China joined the ICOM in 1983. Joining such an international community of museological experts and scholars implied sharing the standards and founding principles, however if we consider the development and the status quo of the art museum system in China, it is possible to point out some contradictions and peculiarities. Since the early 1980s, following a renovation process of the entirety of Chinese national institutions, the museum system has been enjoying an unprecedented development. As well, a more general discourse on the cultural heritage of the country has increasingly gained a prominent position in the cultural policy agenda. As far as art museums are concerned, since the end of the 1990s, the country has been experiencing a rapid and unprecedented development as well, encompassing both the state-owned and private sector. However, today the proliferation of art museums appears to be more driven by the compulsion for a status symbol rather than pursuing a cultural mission. Therefore, a key question arises concerning the quality of these art institutions, their effective role in the promotion of art, and their cultural impact. This study aims to enrich the debate on museums of contemporary art, and intends to offer a parameter of sustainability in order to evaluate the Chinese art museum system
Continuum generation by generation: The representation of Chinese traditions at the China pavilion of the 57th Venice Biennale
This article focuses on the China pavilion of the 57th Venice Biennale as a case study. The theme of the pavilion, Continuum – Generation by Generation, revolved around the long history of Chinese tradition and offered a visual re-elaboration of it by means of contemporary art and folk art. The works exhibited drew on Chinese mythology, masterpieces of Chinese art history, philosophical concepts and handcraft traditions, hence presenting a variegated image of (contem-porary) Chinese art. This exhibition offers opportunities for a critical reading of the relationship between contemporary art and tradition implied by the theme Continuum, and I will explore the narrative and curatorial discourse it presented to the audience
The infrastructural shift in contemporary Chinese art: Biennials and contemporary art Museums
This essay explores how the art infrastructure in mainland China has shifted during the past four decades from what was considered the binaries of official and non- official art to a point where such distinctions no longer usefully exist and where contemporary Chinese art has found its way into the international art scene
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