1,721,128 research outputs found
Three-chamber chest drain system in the COVID-19 era: Is there a risk of further transmission?
We discuss the hypothesis that common Chest Drain Systems collected to a COVID-19 patient, could be a possible source of contamination for health care staff in a Thoracic Surgery ward and we propose an alternative way to minimize this further risk of transmission
Flow Assignment and Processing on a Distributed Edge Computing Platform
The evolution of telecommunication networks toward the fifth generation of mobile services (5G), along with the increasing presence of cloud-native applications, and the development of Cloud and Mobile Edge Computing (MEC) paradigms, have opened up new opportunities for the monitoring and management of logistics and transportation. We address the case of distributed streaming platforms with multiple message brokers to develop an optimization model for the real-time assignment and load balancing of event streaming generated data traffic among Edge Computing facilities. The performance indicator function to be optimised is derived by adopting queuing models with different granularity (packet- and flow-level) that are suitably combined. A specific use case concerning a logistics application is considered and numerical results are provided to show the effectiveness of the optimisation procedure, also in comparison to a “static” assignment proportional to the processing speed of the brokers
On-off Dual Channel Coding as a Team Decision Problem
We consider the 'single-letter' ('one-shot' or 'zero-delay') source-channel coding of a sensor's measurements in the presence of two channels as a constrained team decision theory problem. Under a global power constraint and quadratic distortion measure, the action space of coding strategies is restricted to on-off (transmission or silence) decisions. The latter are communicated to the decoder through a binary side channel, whereas in case of transmission the uncoded analog measurement is sent over the main communication channel between the transmitter and the receiver. By further restrictions on the behavior of the encoder, suboptimal team control strategies are derived in closed form, along with their parameters that stem from a numerical optimization problem. The distortion of the resulting strategy is compared with other schemes under non-Gaussian source and noise
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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