1,720,962 research outputs found
3D Human Face Analysis for recognition applications and motion capture
L'abstract è presente nell'allegato / the abstract is in the attachmen
Occlusion detection and restoration techniques for 3D face recognition: a literature review
3D Approaches and Challenges in Facial Expression Recognition Algorithms—A Literature Review
In recent years, facial expression analysis and recognition (FER) have emerged as an active research topic with applications in several different areas, including the human-computer interaction domain. Solutions based on 2D models are not entirely satisfactory for real-world applications, as they present some problems of pose variations and illumination related to the nature of the data. Thanks to technological development, 3D facial data, both still images and video sequences, have become increasingly used to improve the accuracy of FER systems. Despite the advance in 3D algorithms, these solutions still have some drawbacks that make pure three-dimensional techniques convenient only for a set of specific applications; a viable solution to overcome such limitations is adopting a multimodal 2D+3D analysis. In this paper, we analyze the limits and strengths of traditional and deep-learning FER techniques, intending to provide the research community an overview of the results obtained looking to the next future. Furthermore, we describe in detail the most used databases to address the problem of facial expressions and emotions, highlighting the results obtained by the various authors. The different techniques used are compared, and some conclusions are drawn concerning the best recognition rates achieved
3D geometry-based automatic landmark localization in presence of facial occlusions
This study proposes a novel automatic method for facial landmark localization relying on geometrical properties of 3D facial surface working both on complete faces displaying different emotions and in presence of occlusions. In particular, 12 descriptors coming from Differential Geometry including the coefficients of the fundamental forms, Gaussian, mean, principal curvatures, shape index and curvedness are extracted as facial features and their local geometric properties are exploited to localize 13 soft-tissue landmarks from eye and nose areas. The method is deterministic and is backboned by a thresholding technique designed by studying the behaviour of each geometrical descriptor in correspondence to the locus of each landmark. Occlusions are managed by a detection algorithm based ongeometrical properties which allows to proceed with the landmark localizationavoiding the coveredareas.Experimentationswerecarriedouton3132facesoftheBosphorusdatabaseand of a 230-sized internal database, including expressive and occluded ones (mouth, eye, and eyeglasses occlusions), obtaining 4.75 mm mean localization error
3D Facial Action Units and Expression Recognition using a Crisp Logic
This work proposes a method for recognizing the main 13 Facial Action Units and the
6 basic emotions. The methodologies rely on Differential Geometry to extract
relevant discriminant features from the query faces, and on some linear quantities
used as measures: Euclidean, geodesic, and angles between 17 automatically
extracted soft-tissue landmarks. A thresholding system which evaluates local
properties of connected regions, selected through tailored geometrical descriptors,
supports the identification of the AUs. Then, a technique based on crisp logic allows
the identification of the global expression. The three-dimensional context has been
preferred due to its invariance to different lightening/make-up/camouflage
conditions
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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