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Sonoluminescence as a QED vacuum effect. 2. Finite volume effects
No full textIn the preceding paper we investigated several variations of Schwinger's proposed mechanism for sonoluminescence. We demonstrated that any realistic version of Schwinger's mechanism must depend on extremely rapid (femtosecond) changes in refractive index, and discussed ways in which this might be physically plausible. To keep that discussion tractable, the technical computations in that paper were limited to the case of a homogeneous dielectric medium. In this paper we investigate the additional complications introduced by finite-volume effects. The basic physical scenario remains the same, but we now deal with finite spherical bubbles, and so must decompose the electromagnetic field into spherical harmonics and Bessel functions. We demonstrate how to set up the formalism for calculating Bogolubov coefficients in the sudden approximation, and show that we qualitatively retain the results previously obtained using the homogeneous-dielectric (infinite volume) approximation
Sonoluminescence as a QED vacuum effect.1.The physical scenario
No full textSeveral years ago Schwinger proposed a physical mechanism for sonoluminescence in terms of changes in the properties of the quantum-electrodynamic vacuum state during collapse of the bubble. This mechanism is most often phrased in terms of changes in the Casimir energy (i.e., changes in the distribution of zero-point energies) and has recently been the subject of considerable controversy. The present paper further develops this quantum-vacuum approach to sonoluminescence: We calculate Bogolubov coefficients relating the QED vacuum states in the presence of a homogeneous medium of changing dielectric constant. In this way we derive an estimate for the spectrum, number of photons, and total energy emitted. We emphasize the importance of rapid spatio-temporal changes in refractive indices and the delicate sensitivity of the emitted radiation to the precise dependence of the refractive index as a function of wave number, pressure, temperature, and noble gas admixture. Although the basic physics of the dynamical Casimir effect is a universal phenomenon of QED, specific and particular experimental features are encoded in the condensed matter physics controlling the details of the refractive index. This calculation places rather tight constraints on the possibility of using the dynamical Casimir effect as an explanation for sonoluminescence, and we are hopeful that this scenario will soon be amenable to direct experimental probes. In the following paper we discuss the technical complications due to finite-size effects, but for reasons of clarity in this paper we confine our attention to bulk effects
Sonoluminescence: Bogolubov Coefficients for the QED Vacuum of a Time-Dependent Dielectric Bubble
No full textWe extend Schwinger's ideas regarding sonoluminescence by explicitly calculating the Bogolubov coefficients relating the QED vacuum states associated with changes in a dielectric bubble. Sudden (nonadiabatic) changes in the refractive index lead to an efficient production of real photons with a broadband spectrum, and a high-frequency cutoff that arises from the asymptotic behavior of the dielectric constant
Sonoluminescence as a QED vacuum effect: Probing Schwinger's proposal
No full textSeveral years ago Schwinger proposed a physical mechanism for sonoluminescence in terms of photon production due to changes in the properties of the quantum-electrodynamic (QED) vacuum arising from a collapsing dielectric bubble. This mechanism can be re-phrased in terms of the Casimir effect and has recently been the subject of considerable controversy. This paper probes Schwinger's suggestion in detail: using the sudden approximation we calculate Bogolubov coefficients relating the QED vacuum in the presence of the expanded bubble to that in the presence of the collapsed bubble. In this way we derive an estimate for the spectrum and total energy emitted. We verify that in the sudden approximation there is an efficient production of photons, and further that the main contribution to this dynamic Casimir effect comes from a volume term, as per Schwinger's original calculation. However, we also demonstrate that the timescales required to implement Schwinger's original suggestion are not physically relevant to sonoluminescence. Although Schwinger was correct in his assertion that changes in the zero-point energy had to photon production, nevertheless his original model is not appropriate fbr sonoluminescence. In other work we have developed a variant of Schwinger's model that is compatible with the physically required timescales
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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