1,728,171 research outputs found
Albert D. Taylor and client
No full textPhotograph of landscape architect Albert D. Taylor (standing) with a client couple and their Great Dane, ca. 1930-1949. The photograph was taken in Florida, where Taylor maintained an office. Taylor, a native of Massachusetts, opened his own landscape architecture firm in Cleveland, Ohio, in 1913, and continued in the practice until his death. From 1916 to 1924 he held a position as a non-resident Professor of Landscape Architecture at the Ohio State University in Columbus. When he passed away on January 8th, 1951, Taylor was highly regarded in his profession and was almost single-handedly responsible for establishing landscape architecture as a respected profession in the Great Lakes Region
Letter from L. B. D. Taylor
Full text linkA letter from wife L. B. D. Taylor to husband Duncan William Henry Taylor.https://mavmatrix.uta.edu/specialcollections_taylordarbyfamily/1052/thumbnail.jp
Letter from L. B. D. Taylor
Full text linkA letter from wife L. B. D. Taylor to husband Duncan William Henry Taylor. Envelope from the letter.https://mavmatrix.uta.edu/specialcollections_taylordarbyfamily/1053/thumbnail.jp
Letter from L. B. D. Taylor
Full text linkA letter from wife L. B. D. Taylor to husband Duncan William Henry Taylor. Envelope from the letter.https://mavmatrix.uta.edu/specialcollections_taylordarbyfamily/1054/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Elder Henry D. Taylor of Provo, Utah.
No full textPhoto of Henry D. Taylor, an associate of A. Selden Millward when he was a missionary for the Church of Jesus Christ of Latter-day Saints based in Rochester, New York, in the mid-1920s
Bill of sale A. D. Taylor to Bryant Taylor.
Full text linkBill of sale from A. D. Taylor to Bryant Taylor.https://mavmatrix.uta.edu/specialcollections_taylordarbyfamily/1374/thumbnail.jp
Fred D. Taylor, circa 1992
No full textReverend Fred Taylor is shown leading others in singing freedom songs. Written on verso: SCLC's Rev Fred D Taylor leads pilgrims/marchers in Freedom Songs. City Macon, GaThe Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Joseph & Evelyn Lowery Institute for Justice and Human Rights, the Joseph Echols Lowery Irrevocable Trust, and other donors in supporting the processing and digitization of Morehouse College's Joseph Echols and Evelyn Gibson Lowery Collection
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
