63,873 research outputs found

    M-091 Bedrock geologic map of Allen quadrangle, St. Louis County, Minnesota

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    Scale 1:24,000.Severson, M.J.; Miller, James D., Jr.. (1999). M-091 Bedrock geologic map of Allen quadrangle, St. Louis County, Minnesota. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/57000

    General Correspondence; Allen, D. R.; 1892; 1895

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    Four letters from David R. Allen to John M. Whitaker, 1891-1895, plus one concerning AllenLetter dated 12 January 1891 at Verona, Utah, from David R. Allen to John M. Whittaker; Letter dated 23 November 1892 at Salt Lake City, Utah, from David R. Allen to John M. Whittaker; Letter dated 7 January 1893 at Verona, Utah, from David R. Allen to John M. Whittaker; Letter dated 10 January 1893 at Salt Lake City, Utah, from David R. Allen to John M. Whittaker; Letter dated 2 December 1895 at Salt Lake City, signed by Daniel Whipple, B. W. Ashton, Mrs. B. F. Randolph, T. F. Howells, and B. J. Stewart, inviting the recipient to a meeting of the trustees where they will express appreciation to David R. Allen for the four years that he served as Superintendent of the Schools of Salt Lake Count

    Allen, M D

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    Measurement of the mass difference m(D-s(+))-m(D+) at CDF II

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    We present a measurement of the mass difference m(D-s(+))-m(D+), where both the D-s(+) and D+ are reconstructed in the phipi(+) decay channel. This measurement uses 11.6 pb(-1) of data collected by CDF II using the new displaced-track trigger. The mass difference is found to be m(D-s(+))-m(D+)=99.41+/-0.38(stat)+/-0.21(syst) MeV/c(2)

    Letter from M. S. Sanders, Assistant Supervisor Vocational Education, to James D. Allen

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    Letter from M. S. Sanders, Assistant Supervisor Vocational Education, to James D. Allen, concerning his job availability. Cc. W. T. Johnson and W. T. Ellis

    1944-06-12, Allen to Wife

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    A surgeon in the Army, Maj. Allen M. Boyden performed some of the first surgeries on Omaha Beach. In this letter, Boyden writes to his wife, explaining that this is the first letter he was able to write to her in a long time - presumably the first letter since before the Allied invasion at Normandy, France on D-Day. He writes about not being able to sleep for a week due to the many major surgeries he had to conduct. Maj. Boyden writes that he feels he is making a difference in the war.https://digitalcommons.chapman.edu/d-day_correspondence/1001/thumbnail.jp

    Outcome predictors of co-operative R & D in Europe: organisational capabilities and cultures

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    This research investigates organisational capabilities and cultures of both partners as potential explanatory factors of co-operative R&D projects outcomes. Contributions to theory are (1) a justification for the existence of organisational capabilities and 'world views', (2) a parsimonious typology of 'world views' and (3) a method to measure organisational capabilities. The survey covers 514 projects in the electronics industry, in Germany, France, the United Kingdom and Finland. It obtains 120 full answers, each of which coupling responses from a matched pair of project managers having co-operated on the same R&D project. The survey refers to the organisation's capabilities, to those of the partner, to its 'world view', and to project outcomes. None of the traditional explanatory factors (geographic distance, difference in nationality, size or legal status, strategic compatibility) has any significant influence on any of the outcomes being studied (save one). The explanatory factors introduced by the research (organisational capabilities and 'world views') have a significant influence on almost all outcomes being considered of the co-operative R&D projects: attainment of concrete results, compliance with budget and schedule, creation and transfer of knowledge, learning (modification of capabilities). Cultural diversity, 'absorptive capacity', and teaching effects, selective according to the capability in question, are evidenced. Commonalities between partners are shown to be more important than distance. These results validate empirically organisational capabilities and 'world views' as descriptors of inter-organisational capabilities, and their operationalisation

    Allen Collection; no.10799

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    Sepia image of downtown Mogollon, New Mexico. Traveling down street are two large wagon teams. Three mules are seen next to steps leading to a large wooden deck leading to the Hart -&- Belde__ Livery Feed & Tran___. Three unidentified men wearing early 20th century informal clothing stand on the pictured deck. Other business are as follows; Little Jim short - orders Open Day and Night, W. C. Field. M. D. Physician & Surgeon. Businesses lining the left side of the street; Drs. Hard___ ack. Physician & Surgeon, Office Hart and Belden Livery Fee and Transfer Line, Candy. Kitchen, Draft Beer. Image mounted on black matte paper.Master file: image/tiff; 108,079 KB: Computer Hardware: Intel Pentium (R) 4 3.20 GHz/ 1.99 GB RAM manufactured by Dell; Operating system: Windows XP 2002; Creation software: Adobe Photoshop CS2 version 9.0.2; Scanner: flatbed reflective scanner Microtek 1000XL; Scanner software: Microtek SilverFast Ai 6.4.2r2b; Scanned by Jason Dunlap on 2010-01-18

    Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
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