26,025 research outputs found
General W. F. Murphy letter to Governor Robert Lucas, August 8, 1835
No full textThis letter was written by General W. F. Murphy to Governor Robert Lucas on August 8, 1835. In lieu of the planned running of the Harris line, Murphy reaffirms his willingness to give military assistance if it became necessary to secure Ohio's northern border. Governor Mason and W. Thomas Morris were also mentioned.His Excellency Robt. Lucas Gov & Comd in chief, D Sir, As the period is near at hand when you prepare to run Harris line, I take the liberty of again reassuring the tender of my services to you in such capacity as you may deem fit. Affirming you of my most sincere endeavors to aid you in the protection of your view towards the final adjustment of the interesting question which agitates this people. The late outrage at Toledo, committed under the eye of Gov. Mason himself has incited in the heart of community feelings of indignation not easily described. At which time with hardly we eradicate. But they will stand by you through good & through evil … And the efforts of W. Thos. Morris & others to make it a political question and as vain & … as they are weak … I have the Honor to be … Yours … W. L. Murph
High extinction ratio robust evanescent PM fibre coupler
No full textDominic F. Murphy and Conleth D. Husseyhttp://www.tyndall.ie/hosted/photonicsireland2009/index.htm
Francophone West African Cinema, 1955-69: False starts and new beginnings
No full textFirst paragraph: The pioneering Senegalese director Ousmane Sembene has long been fêted as the ‘father of Africa cinema’ and with good reason: his short film Borom Sarret (Senegal/France, 1962) is generally considered the first work by a sub-Saharan African to have been filmed in Africa itself; La Noire de/Black Girl (Senegal/France, 1966) has been celebrated as the first feature film by a sub-Saharan African; while Mandabi/The Money Order (Senegal/France, 1968) was the first feature film in an indigenous African language.However, the paternity of African cinema was not attributed to Sembene solely because of this series of firsts but rather because his work was retrospectively seen to have established an aesthetic and thematic template that would go on to dominate the first two decades of Francophone African filmmaking. The primary aim of this chapter is to challenge the way in which Sembene’s films have at times been used to construct a somewhat truncated version of West African film history. This approach is not designed to question the significance of Sembene’s pioneering work—on the contrary, I will argue that the richness and variety of his filmmaking has often been overlooked—but rather to understand better his aesthetic and thematic contributions within the wider context of some of the other films that were being produced in Francophone West Africa during this perio
J. D. Murphy, municipal judge, Ogden
No full textCartoon portrait of John D. Murphy, municipal judge in Ogden, Utah, in the early 20th centuryArtwork from the book Just for Fun: Cartoons and Caricatures of Men in Utah published in 1906 by E. A. Thompson, Press of the F. W. Gardiner Company. No artist signature; possibly Love
Mode-II fracture behaviour of aerospace-grade carbon fibre/epoxy composites interleaved with thermoplastic veils
No full textThermoplastic veils based on Polyethylene-terephthalate (PET), Polyphenylene-sulfide (PPS) and Polyamide-12 (PA) fibres (∼10μm in diameter) were used to interlay unidirectional (UD), non-crimp fabric (NCF) and 5-Harness satin weave (5H) carbon fibre laminates. The PET and PPS veils remained in a fibrous form and the PA veils melted during the laminate curing process. The results of an end-loaded split test demonstrated significant improvements in the mode-II fracture performance in all cases. In general, interlaying thermoplastic veils was most efficient for toughening the UD laminates, with reduced improvements observed for the 5H and NCF laminates, respectively. The main toughening mechanism of the intact PET and PPS veils was thermoplastic fibre bridging. The melted PA veils mainly improved the fracture toughness of the epoxy at the mid-plane. The different toughening mechanisms of the veils, combined with different fracture mechanisms between the UD, NCF and 5H laminates, resulted in significantly different toughening levels
Murphy (Birth, 1904-07-12)
No full textAddress: Wayne & Boone Sts.3136/P.155/1904/MW/Ireland/Am./Dr. Wm. D. PorterOriginal record filed in drawer labeled 'MULLER-MURPHY, F'
Murphy (Birth, 1896-11-09)
No full textAddress: 316 E. 7th St.6781/Pg 155/1896/M W/Ireland d/Ireland/Dr. W. E. KielyOriginal record filed in drawer labeled 'MULLER-MURPHY, F'
Few-mode operation in multimode fiber couplers
No full textAlana M. Clohessy, Noel Healy, Dominic F. Murphy and Conleth D. Husseyhttp://www.tyndall.ie/hosted/photonicsireland2009/index.htm
Murphy, Grace D. (Death, 1890-03-13)
No full textAddress: 18 E. Liberty St.Age at death: 2 Yrs.278/Pg 34/1890/F W S/City/Dr. C.P. Brent/Estep & Meyer/Spring Grove Cem.Original record filed in drawer labeled 'MURPHY-MYTHASAY'
Murphy, D. J. (Death, 1894-03-08)
No full textAddress: N. W. Cor. 7th & Race St. Good Samaritan Hosp.Age at death: 60 yrs.Pg 25/181/1894/MW S/Ireland/Dr. J. B. Jones/Mulvihill/St. Joseph's OldOriginal record filed in drawer labeled 'MULLER-MURPHY, F'
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