1,720,959 research outputs found

    Parallax as disorientation within city space

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    This paper explores the role of parallax in architecture and the so-called ‘parallax gap’ proposed by philosopher Slavoj Žižek in 2009. For Žižek the parallax gap is grounded in psychoanalytic short circuits, prompting a hypothesis about postmodern conflicts within architecture. While the concept of parallax has appeared within architecture at various points historically, Žižek’s parallax gap affords a possibility for the redirection of the viewer’s gaze away from the architectural object to the spaces inflected by, and between, neighbouring urban fabric. Reflecting on the potentialities of interrogating architecture and urban space psychoanalytically, I argue for an expansion of parallax focused on understanding spatial dislocations and disorientations. The result retraces parallax in urban space research, catering for a fertile investigation at the intersection of architecture, culture, politics, and psychoanalysis

    Parallaxical identities: Architectural semantics of contemporary arts institutions and the curation of cultural identity

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    The research project interrogates the identity forming principles beneath contemporary arts museum architecture across physical and psychoanalytical dimensions. In identifying a metaphysical distance, or barrier, between the unconscious of the cultural architectural intervention and the identity within the cities’ fabric, the state of a parallaxical identity manifests itself. The parallaxical identity, developed from Slavoj Žižek’s parallax gap in psychoanalysis, elicits the presentation of ego-ideal, ideal-ego, and superego of architectural interventions seen as regenerative for culture, the city and its communities. Developing the parallax within architecture allows the thesis to include a rigorous interrogation of theory across disciplines of psychoanalysis, architecture, contemporary art and museology, whilst also remediating the position of architectural practice beyond its conventional boundaries and rhetoric. Adopting a mixed methodology across theoretical and practical disciplines, the thesis reveals unconscious interpretations and embodied analyses through a weaving of para-architectural methods including, photography, questionnaires, exploratory installations, written prose, and imagined cultural visualisations. Three major arts institutions act as case study analysands for psychoanalytical observation and diagnosis to take place, informing the resulting framework for observing parallaxical identities, whilst also producing recommendations for the future of the cultural institution of the museum/gallery. Alongside the thesis’ position as a critical commentary, a supplementary PhD exhibition proposal centered on Parallaxical Identities questions the role of architecture as a discipline that necessitates para-architectural and psychoanalytic methodologies, whilst also presenting new artistic works in response to the thesis to reveal to audiences’ the haptic and hidden structures within architecture and the ‘expected or unexpected’ parallaxical interventions of place

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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