33,195 research outputs found
Gideon Giles, the Roper
No full textDialecto Literario. -- Lincolnshire. -- Pertenece a la colección LD 1800-1950 del Salamanca Corpus. -- Prosa. -- Thomas Miller. -- Gideon Giles, the Roper. -- 1841.[ES]Novela que se desarrolla en Lincolnshire y contiene dialecto de Lincolnshire.
[EN]Novel that takes place in Lincolnshire and includes Lincolnshire dialect
Winston Lackey and Thomas Roper Golden Gloves boxing match
No full textImage shows Brownwood\u27s Winston Lackey, right, punching the body of Thomas Roper, Waco lightweight. Lackey won by decision. Unidentified referee on right. Published in the Fort Worth Star-Telegram evening edition, February 16, 1951.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/9658/thumbnail.jp
James E. Roper
No full textArtwork photographed and inventoried by the 2015 Summer Art Inventory team in the Visual Resources Center.This is a portrait of James E. Roper in oil on canvas. The painting is of Roper in black regalia with a white hood and a red and blue striped tie. He is also wearing a button-down coat underneath with his left hand on a surface. The painting looks to be painted where the seal is in Palmer Hall. The artist’s signature “TOM DONAHUE . ’91” is painted in red at the lower right side of the canvas. The piece is framed in a decorative gold frame with a plaque in the bottom’s center reading “JAMES E. ROPER / 1918-1990 / ALUMNUS CLASS OF 1948; RHODES SCHOLAR; M.A. EXETER COLLEGE OXFORD: M.A. YALE / PROFESSOR OF ENGLISH 1954-1989; / HOLDR OF THE CHARLES R. GLOVER CHAIR OF ENGLISH STUDIES; HISTORIAN, HUMORIST, and WRITER; / AUTHOR OF SOUTHWESTERN AT MEMPHIS; 1948-1975”
Thomas Grisell letter to Thomas Rotch, 2nd mo 19th 1823
No full textThomas Grisell's letter reached the Rotch household several months before the unexpected death of Thomas Rotch in August, 1823. This is the last letter of the series and presumably the author learned of his friend's death before another letter was penned. 7.95" x 10" (20.2 by 25.5 cm
The Steamer Omeo at the Roper River Dep?t
No full textDepicts the Omeo and the Bengal at anchor at the Roper River Dep?t. From the Australasian Sketcher, 14 June 1873, p.45. Printed at lower left "TC" and at lower right "BR". "TC" probably represents the artist Francis Thomas (Tom) Carrington, for whom see the Australian Dictionary of Biography. Carrington almost certainly worked from a photograph. "BR" is almost certainly the wood engraver
The Motueka Valley, near Nelson, Mount Arthur in distance, New Zealand [picture].
No full textAttributed to Thomas Bernard Collinson by New Zealand researcher, 1989; previously attributed to Edward Roper.; Remainder of inscription on reverse: "Copyright reserved Edward Roper".; Rex Nan Kivell Collection NK167.; Title from inscription on reverse.; T1746
Margaret More Roper: an English Woman in Reformation Period
No full textThis diploma thesis "Margaret More Roper: an English Woman in Reformation Period" deals with the English reformation during the reign of Henry VIII and with the English woman Margaret More Roper, who lived during that time and who was the pioneer of humanistic educated women in England and one of the first well educated woman in Europe. I set her life and work into the context of Renaissance, Humanism and English reformation. Also I give attention into her only survived work, a translation of Erasmus' commentary on Lord's prayer. Within this thesis I deal with another educated woman who lived in 16th century. Her name is Katharina Schütz Zell and she is an author of the commentary on Lord's prayer. Keywords Margaret More Roper - Thomas More - Humanism and Renaissance - Females' Status and Education in 16th century - Henry VIII and English Reformation - Katharina Schütz Zell - Commentaries on Lord's PrayerTato diplomová práce s názvem "Margaret More Roper: příběh anglické ženy v časech reformace" pojednává o anglické reformaci v období vlády Jindřicha VIII. a o Angličance Margaret More Roper, která v této době žila. Margaret byla první humanisticky vzdělanou ženou v Anglii a také jednou z nejvzdělanějších žen v Evropě. Její život a dílo zasazuji do kontextu renesance, humanismu a anglické reformace. Věnuji se také jejímu jedinému dochovanému dílu, překladu Erasmova komentáře k modlitbě Páně. Podrobněji pojednávám také o další vzdělané ženě 16. stol., a to o Katharině Schütz Zell, která je autorkou komentáře k modlitbě Páně. Klíčová slova Margaret More Roper - Thomas More - humanismus a renesance - postavení a vzdělání žen v 16. stol. - Jindřich VIII. a anglická reformace - Katharina Schütz Zell - komentáře k modlitbě PáněProtestant theological facultyEvangelická teologická fakultaProtestant Theological FacultyEvangelická teologická fakult
Failed Censures: Ecclesiastical Regulation of Women’s Clothing in Late Medieval Italy
No full textChurchmen in the late thirteenth and early fourteenth centuries tried to regulate the costume of Italian women. These efforts failed, and regulation was largely left thereafter to civic authorities.The published version was published as Chapter 3 in Medieval Clothing and Textiles 5Izbicki, Thomas M. (2009), "Failed Censures: Ecclesiastical Regulation of Women’s Clothing in Late Medieval Italy" in Netherton, Robin and Owen-Crocker, Gale R., eds., Medieval Clothing and Textiles 5 (Boydell Press), 37-53ISBN: 9781843834519 (published book)Peer reviewe
Western medieval legal manuscripts in the collections of the University of Pennsylvania
No full textWestern legal manuscripts of the Middle Ages in North American collections are among the least known to scholars. The University of Pennsylvania has a rich collection of these texts, several of which were in the collection of the historian Henry Charles Lea. Included are works of civil law and canon law, as well as collections of papal letters and guides to pastoral care. The descriptions of most of these manuscripts in the catalog of Norman P. Zacour and Rudolf Hirsch are perfunctory, sometimes erring or omitting valuable information. Other manuscripts were added in recent years in the Lawrence J. Schoenberg Collection. Much of this material is being added to the Franklin online catalog of the University’s libraries, but researchers frequently do not search these digital resources. This article provides more complete guidance to the University’s medieval legal manuscripts than any of the existing catalogs offers, whether in print or online. It also provides updated bibliographic information in print or online. Every manuscript has been examined by the author in situ. Among the important works represented in the collection is the Panormia (a work of canon law often attributed to Ivo of Chartres). Authors present include the curialist Thomas of Capua, canonists Petrus de Braco, William of Pagula, Bernardus Raimundi, Adam of Aldersbach, Raymond of Peñafort, and civil lawyers Baldus de Ubaldis, and Bartolus de Saxoferrato. Three of these manuscripts were owned in the past by Sir Thomas Phillipps
Forbidden Colors in the Regulation of Clerical Dress from the Fourth Lateran Council (1215) to the Time of Nicholas of Cusa (d. 1464)
No full textMedieval canon law attempted to distinguish clergy from the laity by restricting their dress choices. The article focuses on prohibition of wearing red or green on the street. Both colors were identified with the nobility.The published version was published as Chapter 7 in Medieval Clothing and Textiles 1Izbicki, Thomas M. (2005), "Forbidden Colors in the Regulation of Clerical Dress from the Fourth Lateran Council (1215) to the Time of Nicholas of Cusa (d. 1464)" in Netherton, Robin and Owen-Crocker, Gale R., eds., Medieval Clothing and Textiles 1 (Boydell Press),105-114ISBN: 9781843831235 (published book
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