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(One Less) Manifesto for a Theatre of Immanence
No full textThis chapter provides an introduction to the complex notion of 'immanence' as it appears in the work of Gilles Deleuze before going on to explore the implications of this concept for performance practice. In parallel, the chapter also includes a manifesto for an immanent performance practice, including images created by the author
Manifesto Now! Instructions for Performance, Philosophy, Politics
No full textManifesto Now! maps the current rebirth of the manifesto as it appears at the crossroads of philosophy, performance, and politics. While the manifesto has been central to histories of modernity and modernism, the editors contend that its contemporary resurgence demands a renewed interrogation of its form, content, and uses. Featuring contributions from trailblazing artists, scholars, and activists currently working in the United States, the United Kingdom, Finland, and Norway, this volume will be indispensable to scholars across the disciplines. Filled with examples, it contains a wide variety of critical methodologies that students can analyze, deconstruct, and emulate
Manifesto Now! Instructions for Performance, Philosophy, Politics
No full textManifesto Now! maps the current rebirth of the manifesto as it appears at the crossroads of philosophy, performance, and politics. While the manifesto has been central to histories of modernity and modernism, the editors contend that its contemporary resurgence demands a renewed interrogation of its form, content, and uses. Featuring contributions from trailblazing artists, scholars, and activists currently working in the United States, the United Kingdom, Finland, and Norway, this volume will be indispensable to scholars across the disciplines. Filled with examples, it contains a wide variety of critical methodologies that students can analyze, deconstruct, and emulate
Analogue 0: Manifesto Now! (Again!)
No full textThis is a co-authored introduction to the edited book Manifesto Now! The introduction provides an in-depth discussion of the notion of the contemporary manifesto in the context of existing literature on the 'golden age' of the manifesto - Modernism. The introduction argues that contemporary artists and philosophers are increasingly (re)turning to the manifesto as a form, including exploring the notion of performance and activism as forms of manifesto in their own right
Introduction
No full textThis chapter provides an introduction to the key concepts of Gilles Deleuze and the relationship between his thought and performance practice
Each one is already several… Collaboration in the context of the differential self. Notes on Goat Island & Deleuze & Guattari
No full textIn this paper, I will try to develop a concept of collaboration based upon the discussion of two specific collaborative practices: the collaborative philosophy of Deleuze and Guattari, and the collaborative performance work of Goat Island. Both of these practices are instances of collaborative-thinking; or better, perhaps, I want to suggest that whilst all thinking-practices belong to a process that tends towards collaboration on the one hand and subjectification or individualization on the other, these particular practices tend more towards collaboration than others – and not just because they involve more than one person. After all, why collaborate, if - as Deleuze and Guattari put it - each one is already several, if the self – in other words - is already a site of difference and multiplicity? How can collaboration be conceived if ‘self’ and ‘other’ are construed as the by-products, rather than as the basis, for a more fundamental becoming, processuality or we might say, collaboration of all things? What specificity, if any, can be left for collaboration if we acknowledge that the solo artist or author was never self-present or self-identical in the first place? These are some of questions addressed in this paper
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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