1,720,961 research outputs found
Le langage des larmes dans La Dorotea de Lope de Vega
Full text linkLope de Vega érige La Dorotea (1632) en tombeau de sa maîtresse Marta de Nevares, mais aussi à sa propre trajectoire poétique par l’utilisation du champ sémiotique des larmes.Lope de Vega writes ‘La Dorotea’ (1632) in honour of his last beloved mistress Marta de Nevares but also in honour of his own poetic career, through the use of the semiotic field of tears.Lope de Vega hace de La Dorotea (1632) un homenaje a su amada Marta de Nevares y también a su propia trayectoria poética utilizando el campo semiótico de las lágrimas
El espacio marginal como núcleo autorreferencial (retórico, compositivo, conceptual) en La pícara Justina
Full text linkLa pícara Justina de Francisco López de Úbeda offre une explosion de virtualités textuelles. La fragmentation constitue l’une des caractéristiques formelles fondamentales de l’œuvre, véritable corpus de poèmes, de textes en prose, de paragraphes conclusifs moralisateurs, de notes à la marge ; autant de formes d’écriture combinées entre elles en un puzzle singulier. Nous explorons les notes marginales en tant que fil d’Ariane dans le labyrinthe de l’œuvre. Son histoire éditoriale permettra d’apporter un éclairage génétique aux notes. La présence des marginalia dans toutes les éditions du livre place l’autoréflexion au centre de la composition rhétorique de l’ensemble. L’instance narrative qui produit l’ensemble des textes apparaît de manière multiple, comme en diffraction. L’effet de style que produit l’inclusion des annotations, partie intégrante de l’œuvre, invite par ailleurs à considérer leur motivation au second degré : elles constituent un reflet du caractère marginal de la substance narrative. Ainsi s’offre-t-elle au lecteur s’il se montre disposé à mettre en question le caractère linéaire de la lecture.La pícara Justina de Francisco López de Úbeda ofrece una explosión de virtualidades textuales. Una de las características formales fundamentales del libro es su fragmentación, ya que se trata de un verdadero corpus, compuesto de poemas, prosas, aprovechamientos, notas marginales, formas de escritura de diversa índole combinadas entre sí en un curioso puzle. La apuesta de lectura consiste en explorar los apuntes marginales como uno de los hilos de Ariadna en el laberinto de la obra. Un repaso a la historia y fortuna editorial de la obra permitirá una aproximación genética a dichas notas. La fijación editorial de los marginalia los acuña como fruto de un proceso autorreflexivo dentro de la composición retórica del conjunto. La instancia narrativa de la que emanan los textos parece múltiple y como difractada. El efecto estilístico de la inclusión de las notas como parte íntegra de la obra invita además a considerarlas como una motivación en segundo grado: las notas marginales son un reflejo de lo marginal como sustancia narrativa. Como tal se ofrece al lector, a poco que éste se preste a romper con una lectura lineal
Los textos liminares de La pícara Justina, construcción de una satura
No full textLa pícara Justina ofrece un paratexto variado que precede el relato propiamente dicho de la vida de la pícara. Además de los cuatro textos legales que han de preceder las ediciones en el Siglo de Oro, el autor añade una serie de textos liminares de diversa índole. Así al Privilegio Real, Aprobación, Tasa y Fe de erratas, se añaden una dedicatoria a don Rodrigo Calderón y Sandelín, una Tabla de los tipos de versos que encabezan los capítulos, un prólogo al lector, un prólogo sumario de la obra..
Le prosimètre dans la littérature espagnole du Siècle d'Or
No full textBORDEAUX3-BU Lettres-Pessac (335222103) / SudocSudocFranceF
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
