1,720,961 research outputs found
Cuarteto Quiroga, cuarteto de cuerdas (España)
No full textConcierto interpretado por el Cuarteto Quiroga. Es considerado uno de los grupos más singulares y activos de la nueva generación europea, internacionalmente reconocido entre crítica y público por la fuerte personalidad de su carácter como grupo y por sus interpretaciones audaces y renovadoras. El grupo nació con la voluntad de rendir homenaje a la figura del gran violinista gallego Manuel Quiroga, uno de los instrumentistas más sobresalientes de la historia musical española junto con Pau Casals y Pablo de Sarasate.
En este concierto el cuarteto interpretó obras de Joseph Haydn, Béla Bartók y Arnold Schoenberg
Cuarteto Quiroga
No full textJanuary 13th, 2012
Cuarteto Quiroga, string quartet from Spain, performed Arriaga: Quartet No. 3 in E-Flat Major; Beethoven: Quartet in F Major, Opus 59, No. 1.
Photo credit: @FundaciónJuanMarchhttps://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1333/thumbnail.jp
Cuarteto Quiroga
No full textMarch 14th, 2014
Cuarteto Quiroga, Spanish string quartet, performed Haydn: Quartet in E-flat Major, Op. 20/1; Mozart: Quartet Nr. 18 in A Major, K. 464; Brahms: Quartet Nr. 3 in B-flat Major, Op. 67
Photo credit: Igor Studiohttps://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1217/thumbnail.jp
Piano Quintets. Granados & Turina. Die Wiederentdeckung der Kammermusik zweier großer spanischer Komponisten
No full textPremios del CD: le choix de France Musique https://www.harmoniamundi.com/albums/quintettes-avec-piano/Grabación: Cuarteto Quiroga y Javier Perianes
Booklet: Tatiana Aráez Santiago
Obras: Quinteto de Enrique Granados, Quinteto op. 1 de Joaquín Turina, "Calíope" (Las musas de Andalucía) de Joaquín TurinaDepto. de MusicologíaFac. de Geografía e Historiapu
Cuarteto Quiroga
No full textPrograma del concert celebrat el 8 d'octubre de 2014, dins el cicle "Palau 100 Cambra" 201
Cuarteto Quiroga
No full textPrograma del concert celebrat el 28 de maig de 2006, dins la XIV Temporada de "Els Diumenges al Palau
Cuarteto Quiroga & Javier Perianes
No full textPrograma del concert celebrat el 27 de gener de 2016, dins el cicle "Palau 100 Cambra" 2015-2016. Conté nota al program
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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