1,354,136 research outputs found
The Black Londoner Experience: Exploring Black Life through Records of the Court, 1720-1840
No full textBlack Londoners have lived in the city for centuries. This collection brings 10 Black London lives together in an accessible volume to share the diversity of their experiences in the eighteenth and early nineteenth centuries with new readers.
Drawing on the records of the Old Bailey criminal courthouse, these ten carefully selected trials have been chosen to show some of the breadth of Black experience in London during the age of enslavement (c. 1720-1840). The volume includes Black victims, witnesses, and defendants; men, women, and children; sailors, servants, and entertainers; locals, immigrants, and visitors. Some were treated well by the justice system, and others were met with cruelty. Each had their own experience.
While the volume contains details of crime and conflict, crime is not the sole focus. The sources also give us glimpses into the daily lives of these Black individuals as they interacted with the city and its inhabitants. We learn where these Black people spent their time, with whom, doing what, and sometimes even what they had in their pockets.
Each of the ten cases has been accessibly formatted for classroom use or personal study, and features illustrations by Manon Wright. The sources are arranged like plays, making them easy to read aloud as a means of better understanding the theatre of the courtroom and the power dynamics at play. Dr Crymble offers notes and reflections on tricky or foreign concepts in each case, as well as issues that he has noted through experience that students often misinterpret by making modern assumptions about the past.
John Humphreys, 1727
John Cross, 1749
Elizabeth Gift, 1755
Esther Allingham, 1782
John Thomas, 1786
James Wallis, 1801
Dolby Jackson, 1808
Thomas Johnson, 1818
'The Busker' 1831
Louis James Grant, 1840
For serious scholars of Black experience in 18th/19th century London criminal records, the author also recommends the following works:
Tim Hitchcock, Robert Shoemaker, Clive Emsley, Sharon Howard, Jamie McLaughlin, et al, the Old Bailey Proceedings Online, 1674-1913 (www.oldbaileyonline.org, version 8, 2018.
Adam Crymble and Emma Azid, 'Black Lives, British Justice: Black People in London Criminal Justice Records, 1720-1841' Journal of Slavery and Data Preservation vol. 2, no 2. (2021): 1-11.
Kathleen Chater. Untold Histories: Black People in England and Wales during the Period of the British Slave Trade, c. 1660-1807 (Manchester, 2011).
Norma Myers, Reconstructing the Black Past (Frank Cass, 1996).
Marika Sherwood. ‘Blacks in the Gordon Riots’, History Today, vol. 47 (1997), 24-28
Technology and the Historian
No full textHistorians have seen their field transformed by the digital age. Research agendas, teaching and learning, scholarly communication, the nature of the archive—all have undergone a sea change that in and of itself constitutes a fascinating digital history. Yet technology's role in the field's development remains a glaring blind spot among digital scholars.
Adam Crymble mines private and web archives, social media, and oral histories to show how technology and historians have come together. Using case studies, Crymble merges histories and philosophies of the field, separating issues relevant to historians from activities in the broader digital humanities movement. Key themes include the origin myths of digital historical research; a history of mass digitization of sources; how technology influenced changes in the curriculum; a portrait of the self-learning system that trains historians and the problems with that system; how blogs became a part of outreach and academic writing; and a roadmap for the continuing study of history in the digital era
Historically Irish Surnames Dataset
No full text<p>This dataset provides a list of surnames that are reliably Irish and that can be used for identifying textual references to Irish individuals in the London area and surrounding countryside within striking distance of the capital. This classification of the Irish necessarily includes the Irish-born and their descendants. The dataset has been validated for use on records up to the middle of the nineteenth century, and should only be used in cases in which a few mis-classifications of individuals would not undermine the results of the work, such as large-scale analyses. These data were created through an analysis of the 1841 Census of England and Wales, and validated against the Middlesex Criminal Registers (National Archives HO 26) and the Vagrant Lives Dataset (Crymble, Adam et al. (2014). Vagrant Lives: 14,789 Vagrants Processed by Middlesex County, 1777-1786. Zenodo. 10.5281/zenodo.13103). The sample was derived from the records of the Hundred of Ossulstone, which included much of rural and urban Middlesex, excluding the City of London and Westminster. The analysis was based upon a study of 278,949 adult males. Full details of the methodology for how this dataset was created can be found in the following article, and anyone intending to use this dataset for scholarly research is strongly encouraged to read it so that they understand the strengths and limits of this resource:</p>
<p> Adam Crymble, 'A Comparative Approach to Identifying the Irish in Long Eighteenth Century London', _Historical Methods: A Journal of Quantitative and Interdisciplinary History_, vol. 48, no. 3 (2015): 141-152.</p>
<p>The data here provided includes all 283 names listed in Appendix I of the above paper, but also an additional 209 spelling variations of those root surnames, for a total of 492 names.</p>Anyone publishing academically or commercially based on research or work conducted with this dataset in whole or in part is asked to credit the author with the following citation and an appropriate URL:
Adam Crymble, 'Historically Irish Surnames Dataset', _Zenodo_ (2015), DOI: 10.5281/zenodo.20985
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
The Thursday Murder Club: Launching a megabrand author - a publishing case study
No full textIn 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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