1,726,172 research outputs found
Lope en silueta : (con un aguja de navegar de Lope)
No full textDatos del editor: Na capa: Cruz y Ray
Transformations of the Rijksmuseum: Between Cuypers and Cruz y Ortiz
No full text‘A New Building inside the Walls of the Old One’ Some 50 years ago, after the renovation of the Rijksmuseum had been completed, managing director Arthur van Schendel triumphantly commented: In the summer of 1962, the Rijksmuseum became the focus of attention when it opened its complex of 30 new galleries and an auditorium with almost 400 seats, a new building inside the walls of the old. This was not the end of the process, but it was a high point in a long series of activities undertaken since the liberation of the Netherlands to create a fitting, modern accommodation that does justice to the country’s world-famous art collection. Later, architecture critic Max van Rooy called this renovation ‘an assault of the most violent nature’ on the building. The new intervention by Cruz y Ortiz arquitectos has wiped away almost every trace of these post-war-era modifications. In the years separating Pierre Cuypers from Cruz y Ortiz, the Rijksmuseum underwent alterations inspired by various motives and concepts. There were a few recurring themes: the central passageway, the grandeur of the building’s backbone (the Great Hall, Gallery of Honour and Night Watch Gallery), the confusing walking routes, the continual shortage of space, and the question of what to do with Cuypers’ decorations. These were also the major themes in Hans Ruijssenaars’s master plan (from 1996), which formed the backdrop to the recent renovation.Architectural Engineering +TechnologyArchitecture and The Built Environmen
Transformaties van het Rijksmuseum: Tussen Cuypers en Cruz y Ortiz
No full textEen halve eeuw geleden constateerde de hoofddirecteur van het Rijksmuseum, Arthur van Schendel, na de verbouwing van zijn museum nog triomfantelijk: ‘In de zomer van 1962 vestigde het Rijksmuseum de aandacht op zich door de openstelling van een complex van dertig nieuwe zalen en een gehoorzaal van bijna 400 plaatsen, een nieuw gebouw binnen de muren van het oude. Het was niet het eindpunt, maar wel een hoogtepunt in een lange serie van werkzaamheden die na de bevrijding werden ondernomen om Nederlands wereldberoemde kunst- verzameling op waardige en moderne wijze te huisvesten en tot haar recht te laten komen’. Later werd deze verbouwing door architectuurcriticus Max van Rooy ‘de meest gewelddadige mishandeling’ van het gebouw genoemd. Met de interventie van Cruz y Ortiz arquitectos zijn bijna alle sporen van deze ingrepen uit de weder- opbouwperiode verdwenen. In de periode tussen Pierre Cuypers en Cruz y Ortiz heeft het Rijksmuseum wijzigingen ondergaan waaraan verschillende oorzaken en concepten ten grondslag lagen. Daarbij kwam steeds een aantal zaken terug: de onderdoorgang, de representatie van de ruggengraat van het gebouw (Voorhal, Eregalerij en Nachtwachtzaal), de onoverzichtelijkheid van looproutes, het continue ruimtegebrek en de omgang met het decor van Cuypers. Het zijn ook de belangrijke thema’s van het masterplan van Hans Ruijssenaars uit 1996, dat de opmaat vormde voor de recente verbouwing.Architectural Engineering +TechnologyArchitecture and The Built Environmen
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Cuaresma-Viernes santo-Cruz y oscuridad-liturgia
Full text linkCuaresma-Viernes santo-Cruz y oscuridad-liturgi
Compendio de la historia geográfica, natural y civil del reyno de Chile
No full textLas h. de map. pleg. grab. calc.Las h. de grab. calc.: ¸Paret del>tt442444144443<Primera parte: Compendio de la historia geografica y natural del reyno de Chile / traducida en español por don Domingo Joseph de Arquellana Mendoza... Parte segunda: Compendio de la historia civil del reyno de Chile... / traducida al español y aumentada con varias notas por don Nicolas de la Cruz y Bahamond
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
