1,721,029 research outputs found
“Prophecy from the Past”: Climate Change Discourse, Song Culture and Emotions in Kiribati
No full textCrises in time:ethnographic horizons in Amazonia and Melanesia
No full textThis book considers some of the ways in which time appears - and seemingly does it work - through moments of crisis. What can different concepts of time and diverse temporal frameworks tell us about how crises are configured and apprehended?First-hand research is central to the fashioning of ethnography through fieldwork, yet always brings with it a specific time horizon. Recognizing that the ethnographer's present is not always the best vantage point from which to grasp contemporary issues offers a fresh entry into current debates on how both past and future stimulate social action, and thus reveal its temporal multiplicities. These essays turn to present-day Amazonia and Melanesia to examine in detail the production and reproduction of specific crises and the time horizons they mobilize.The ethnographic themes explored include the transformation of crises prophesized in the past and their implications for the future; what it means to explore perceptions of crisis from the aftermath of recent armed conflict; the multifaceted nature of future horizons precipitated by changing economic policies, when these have bodily as well as social impact; and the amelioration of governmental crisis through initiatives that rely on specific temporal understandings of effective change. Such trajectories are set variously against backgrounds of continuing colonialism, environmental calamity, overt hostility, the absent or over-present state and perceptions of moral degradation.Further analytic reflections examine the ways crisis holds the imagination through subsisting in time; configure international temporal frameworks through depictions of the climate crisis as the 'tragedy of the horizon'; and highlight a perspective from which to compare the diverse temporal frameworks presented in the preceding chapters
Crises in Time:Ethnographic Horizons in Amazonia and Melanesia
No full textThis book considers some of the ways in which time appears - and seemingly does it work - through moments of crisis. What can different concepts of time and diverse temporal frameworks tell us about how crises are configured and apprehended?First-hand research is central to the fashioning of ethnography through fieldwork, yet always brings with it a specific time horizon. Recognizing that the ethnographer's present is not always the best vantage point from which to grasp contemporary issues offers a fresh entry into current debates on how both past and future stimulate social action, and thus reveal its temporal multiplicities. These essays turn to present-day Amazonia and Melanesia to examine in detail the production and reproduction of specific crises and the time horizons they mobilize.The ethnographic themes explored include the transformation of crises prophesized in the past and their implications for the future; what it means to explore perceptions of crisis from the aftermath of recent armed conflict; the multifaceted nature of future horizons precipitated by changing economic policies, when these have bodily as well as social impact; and the amelioration of governmental crisis through initiatives that rely on specific temporal understandings of effective change. Such trajectories are set variously against backgrounds of continuing colonialism, environmental calamity, overt hostility, the absent or over-present state and perceptions of moral degradation.Further analytic reflections examine the ways crisis holds the imagination through subsisting in time; configure international temporal frameworks through depictions of the climate crisis as the 'tragedy of the horizon'; and highlight a perspective from which to compare the diverse temporal frameworks presented in the preceding chapters
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Blok laif : an ethnography of a Mosbi settlement
Full text linkThis thesis is about urban sociality in the context of an urban settlement in
Port Moresby, Papua New Guinea. I explore issues of urban life through
everyday stories of settlers who reside in a settlement (also known as a blok) at
Nine Mile, Port Moresby. I present settlers’ ideas of work and money through
their income generating efforts as well as their perception about giving. This
thesis explores settlement notions of the forms that relatedness takes through
everyday interactions of eating together, sharing and thinking of one another.
These actions in turn inform ideas of personhood and gender. I use blok ideas
to rethink assumptions about the meaning of land and place in an urban
setting. Furthermore I seek to use blok understandings of kinship,
personhood and gender to portray an urban sociality that is entwined in
relations
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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