1,720,955 research outputs found
Nossa Senhora dos Cordéis: a figura de Maria nos folhetos de Minelvino Francisco Silva e Rodolfo Coelho Cavalcante
No full textO presente estudo realizou uma análise da Literatura de cordel no contexto da Ciência da Religião a fim de discutir a religiosidade popular. Utilizando o acervo digital da Fundação Casa de Rui Barbosa como fonte de pesquisa, concentrou-se na produção dos poetas populares Minelvino Francisco Silva e Rodolfo Coelho Cavalcante, os quais, embora residissem em regiões litorâneas do Estado da Bahia, o primeiro no sul do Estado e o segundo na Capital, tinham como público consumidor de seus folhetos a população do sertão nordestino. Compreendendo a Literatura de cordel como um documentário de mitos e ritos do mundo rural brasileiro, conforme a proposição de Idelette Muzart-Fonseca dos Santos, a qual faz parte de uma cultura das bordas, conceito cunhado por Jerusa Pires Ferreira, foi investigada a formação do catolicismo no Brasil para entender a forte presença da figura de Maria neste tipo de literatura, já que o objeto de estudo foram os folhetos que tinham as devoções marianas como personagem principal. Em diálogo com o conceito de catolicismo tradicional rústico, de Alexandre Otten, concluiu-se que existe uma mística popular sertaneja, de cunho marial, com as práticas e as necessidades religiosas da população do sertão nordestino sendo registradas nos folhetos publicados pelos dois poetas analisadosThe presente study made an analyse of the Cordel literature in a religion context to discuss the popular religion. Getting the digital collection from Fundação Casa de Rui Barbosa, getting attention in the production from the popular poets Minelvino Francisco Silva and Rodolfo Coelho Cavalcante, who lived in litoraneas areas in Bahia states in South of the state from ther paper the northeast. Understanding the Cordel literature as a documentary of myth and rite from Brazilian rural world, as Idelette Muzart-Fonseca dos Santos, who made part of edge culture, concept made by Jerusa Pires Ferreira, who was investigated by the formation of the catholicism in Brazil to understand the Strong presence of Maria in this kind of literature, once the object of the study were the papers which had the prayers of marianas as the principal character. In dialogue with the catholicism concept rustic tradicional, from Alexandre Otten, conclude that there’s a popular rustic backcountry, with practice of religion necessities of contryback from Maria and practices and necessities of religion of country side northeasterner which were published in the papers of the poets analyzedCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPE
Narrativas da dor no espaço da devoção: A performance na via sacra de Monte Santo (BA)
Get PDFA presente tese definiu o seu objeto formal de pesquisa em torno da via sacra de Monte Santo, Bahia, com construção iniciada em 1785, pela ação do missionário capuchinho Apolônio de Todi. Idealizada como um instrumento de devoção, a intervenção religiosa nessa região do sertão baiano transportou para a antiga Serra do Piquaraçá a proposta dos montes sacros, presentes no continente europeu, com inspiração no Monte Calvário, onde Jesus teria sido crucificado, de acordo com os textos dos Evangelhos. Com um total de vinte e cinco capelas, em um caminho que contorna a serra, a empreitada do frade capuchinho, a qual se mantém até a atualidade, tem a especificidade de, além da narrativa da Paixão de Cristo, por meio das estações da via sacra, ter agregado ao corpo devocional a narrativa das dores de Maria, no culto à Nossa Senhora das Dores, e a devoção às Almas do Purgatório. Apresenta-se, neste estudo, a dinâmica de rupturas e permanências das práticas devocionais em Monte Santo ao longo do tempo, considerando as relações entre a Igreja Católica, os governos constituídos, as irmandades religiosas, os beatos e os devotos, a fim de apontar, no âmbito da memória local, um confronto entre o que se denominou “narrativas da dor”. Além das diferentes narrativas produzidas sobre Monte Santo, foi utilizada a descrição densa, conforme metodologia discutida por Geertz, para a interpretação das práticas devocionais, em registro durante o trabalho de campo realizado na Semana Santa, dos anos de 2022 e 2023, e na Festa de Todos os Santos, de 2022, a partir do conceito de performance, de acordo com Turner, Schechner e Taylor, para a produção de uma narrativa própria acerca das procissões da Via Sacra, do Encontro e do Senhor Morto. Dessa forma, a tese oferece uma compreensão do universo religioso sertanejo, entendendo as diversas práticas devocionais em torno da Semana Santa e da Festa de Todos os Santos, em Monte Santo, como cenas de uma performance, que compõem um sistema de aprendizagem, armazenamento e transmissão de conhecimento, conforme formulação de Taylor, no qual os devotos revivem e atualizam os sofrimentos de Jesus Cristo e Nossa Senhora, transformando as próprias dores em aceitação e esperança que reanimam a caminhada de suas vidasThis thesis defined its formal object of research around the way of cross of Monte Santo, Bahia, which began to be built in 1785, by the Capuchin missionary Apolônio de Todi. Conceived as an instrument of devotion, the religious intervention in this region of the countryside of Bahia transported to the ancient Serra do Piquaraçá the proposal of the sacred mounts, present in the European continent, inspired by Mount Calvary, where Jesus would have been crucified, according to the texts of the Gospels. With a total of twenty-five chapels, on a path that goes around the mountain, the Capuchin friars undertaking, which continues to this day, has the specificity of, in addition to the narrative of the Passion of Christ, through the stations of the way of cross, having added to the devotional body the narrative of Mary's sorrows, in the cult of Our Lady of Sorrows, and devotion to the Souls in Purgatory. This study presents the dynamics of ruptures and permanences of devotional practices in Monte Santo over time, considering the relations between the Catholic Church, the constituted governments, the religious brotherhoods, the blessed and the devotees, in order to point out, in the context of local memory, a confrontation between what has been called "narratives of pain". In addition to the different narratives produced about Monte Santo, the dense description was used, according to the methodology discussed by Geertz, for the interpretation of devotional practices, recorded during the fieldwork carried out during Holy Week, in the years 2022 and 2023, and in All Saint’s Day, in 2022, based on the concept of performance, according to Turner, Schechner and Taylor, to produce a narrative about the processions of the Way of the Cross, the Meeting and the Dead Christ. In this way, the thesis offers an understanding of the religious universe of the countryside, understanding the various devotional practices around Holy Week and the All Saint’s Day, in Monte Santo, as scenes of a performance, which composes a system of learning, storage and transmission of knowledge, according to Taylor's formulation, in which the devotees relive and update the sufferings of Jesus Christ and Our Lady, transforming their own pains into acceptance and hope that reanimate the journey of their livesCoordenação de Aperfeiçoamento de Pessoal de Nível Superior – CAPE
As raízes ibéricas da devoção mariana no catolicismo popular no Brasil, na ótica da dramaturgia de Ariano Suassuna
Get PDFPartindo de uma pesquisa bibliográfica de fundo histórico-religioso, o presente trabalho investigou o início da devoção mariana no Brasil, ao estabelecer um vínculo entre a produção teatral de Ariano Suassuna e as devoções marianas presentes no catolicismo popular do Nordeste brasileiro. O resgate da biografia do autor mostrou uma ligação de Ariano Suassuna com o sertão e, por consequência, deste com a Península Ibérica medieval. Em sua juventude, quando a paixão pelo teatro foi despertada, Suassuna percebeu a semelhança entre os universos espanhol e nordestino, passando à tentativa de recriar, por meio da dramaturgia, os folhetos do romanceiro popular nordestino, nomenclatura que o autor preferia ao uso do termo literatura de cordel, uma tradição trazida pelos portugueses e reelaborada pela cultura popular. Seu objetivo foi atingido de forma satisfatória, segundo o mesmo, na peça Auto da Compadecida, quando retratou a figura de Maria, ressaltando o imaginário religioso existente no Nordeste, com representações marianas implantadas no Brasil a partir do projeto colonizador de Portugal, que passou pela ação dos colonos e dos missionários de diferentes ordens religiosas, os quais trouxeram o culto a Maria em suas mais diversas invocações. Uma vez absorvidas pela cultura popular, essas representações foram transmitidas pela oralidade até serem transpostas para as páginas dos folhetos impressos. Desta forma, os dados levaram à conclusão das raízes ibéricas da devoção mariana no Brasil, verificadas a partir da ótica da dramaturgia de Ariano Suassun
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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