39 research outputs found
Dysdera jana Gasparo & Arnedo 2009, sp. n.
No full text<i>Dysdera jana</i> Gasparo & Arnedo, sp. n. <p>urn:lsid:zoobank.org:act: A4417862-62F2-433B-BCC9-E677576FF1C9</p> <p>Figs 4, 6, 8, 10-11, 14-18</p> <p> <b>Type material.</b> Holotype: male: Italy, Sardinia, Nuoro, Dorgali, along Viale J.F. Kennedy (=SS 125), 450 m, under <i>Pinus</i>, 17.X.1989; F. Gasparo (MSNVR AR 0010).</p> <p>Paratypes: 1 male (CRBA 001736) and 4 females (CRBA 001736-1737, MSNVR AR 0011-12) same data and collector.</p> <p> <b>Additional material examined. Nuoro: 2 km S of Dorgali, 500 m, under <i>Quercus ilex</i>, F. Gasparo leg. 20.X.1989, 2 ♀♀ (CG)</b> ; Supramonte di Oliena, 900 m, under <i>Quercus ilex</i>, F. Gasparo leg. 13.X.1989, 2 ♀♀ (CG); Sa Oche (km 7 ESE of Oliena), 150 m, under <i>Quercus ilex</i>, F. Gasparo leg. 16.X.1989, 4 ♀♀ (CG).</p> <p> <b>Diagnosis.</b> <i>Dysdera jana</i> sp. n. can be distinguished from continental species of the <i>erythrina</i> group by the shape of the posterior-distal part of the tegulum, which is expanded in the continental species. It can also be distinguished from <i>D. erythrina</i> and <i>D. erythrina provincialis</i> by the lateral concave shape of the chelicera and a heavily wrinkled (foveate) carapace (Figs 4, 6). In addition, continental females of the <i>erythrina</i> group exhibit a characteristic hourglass-shaped spermatheca, which is very attenuated in <i>D. jana</i> sp. n. (Fig. 11). It differs from the other Sardinian species of the <i>erythrina</i> group by the spineless dorsal tibia 4, the position and length of the finger-like process on the tip of the male bulb (compare Figs 15 and 21), and by the fusion of the anterior sclerotised stripes of the vulva VA (compare Figs 11 and 13).</p> <p> <b>Etymology.</b> The name in apposition refers to the “Domus de janas”, characteristic Sardinian tombs dug in the rock often according to a labyrinth architecture. Domus de Jana translates in Sardinian as “House of the fairies or of the witches”. It also happens to be the name of the first author’s goddaughter.</p> <p> <b>Description.</b> <i>Holotype male</i> num. CRBA 1736. Figs 4, 6, 8, 14-18. Carapace (Fig. 4) 2.6 mm long; maximum width 2.09 mm; minimum width 1.3 mm. Orange, darkened at borders; foveate at borders, slightly wrinkled at middle, covered with small black grains. Frontal border roughly round, from 1/2 to 3/5 carapace length; anterior lateral borders parallel; rounded at maximum dorsal width, back lateral borders straight; back margin wide, straight. AME diameter 0.17 mm; PLE 0.14 mm; PME 0.12 mm; AME slightly back from frontal border, separated from one another by about 1/2 diameter, close to PLE; PME very close to each other, about 1/3 PME diameter from PLE. Labium trapezoid-shaped, base wider than distal part; longer than wide at base; semicircular groove at tip. Sternum orange, darkened on borders; wrinkled; uniformly covered in slender black hairs.</p> <p>Chelicerae 1.17 mm long, about 2/5 of carapace length in dorsal view; fang medium-sized, 0.97 mm; basal segment proximal dorsal, ventral side scantly covered with piligerous granulations; concave-shaped in lateral view (Fig. 6). Chelicera inner groove medium-sized, about 2/5 cheliceral length; armed with three teeth and lamina at base; B=M>D; D triangular, slightly below groove midpoint; B close to basal lamina; M close to B. Legs yellow. Lengths of male described above: fe1 2.01 mm (all measurements in mm); pa1 1.12; ti1 1.71; me1 1.43; ta1 0.46; total 6.73; fe2 1.94; pa2 1.07; ti2 1.63; me2 1.43; ta2 0.43; total 6.5; fe3 1.5; pa3 0.82; ti3 1.07; me3 1.17; ta3 0.41; total 4.97; fe4 1.89; pa4 1.02; ti4 1.58; me4 1.63; ta4 0.48; total 6.6; fe Pdp 1.12; pa Pdp 0.56; ti Pdp 0.61; ta Pdp 0.66; total 2.96; relative length: 1>4>2>3. Spination: leg1, leg2 spineless. Fe3d spineless; pa3 spineless; tb3d spines arranged in one band; distal 1.0.0; tb3v with one terminal spine on prolateral margin. Fe4d spineless; pa4 spineless; tb4d spines spineless; tb4v spines arranged in one band; proximal 0.1.0; with one terminal spine at one leg and two on other one. Dorsal side of frontal legs, ventral side of palp covered with hairs. Claws with eight teeth or less; hardly larger than claw width.</p> <p>Abdomen 4.13 mm long; cream-coloured; cylindrical. Abdominal dorsal hairs 0.05 mm long; thin, curved, not compressed, pointed; uniformly, thickly distributed.</p> <p>Male copulatory bulb (Fig. 8) T slightly shorter than DD; external, internal distal borders sloped backwards. DD slightly bent in lateral view, clearly less than 45 o; internal distal border not expanded. ES wider, more sclerotised than IS; IS continuous to</p> <p>tip. DD tip (12-15) straight in lateral view; AR present, parallel to DD; finger-like projection at distal end of the AR ridge base, as long as AR length. C absent. AC absent. LF absent. L reduced to distal part. LA absent. F absent. AL absent. P (Fig. 18) fused to T; perpendicular to T in lateral view; lateral length about 1/4 of T width; ridge present, perpendicular to T; not expanded, upper margin smooth; distally slightly projected.</p> <p> <i>Paratype female</i> num. CRBA 1736. Figs 10-11. All characters as in male except: Carapace 3.26 mm long; maximum width 2.7 mm; minimum width 1.76 mm. Brownish orange, darkened at borders; slightly foveate at borders, wrinkled at middle, covered with tiny granulations. AME diameter 0.19 mm; PLE 0.18 mm; PME 0.16 mm; AME slightly back from frontal border, separated from one another by about 2/3 diameter, close to PLE; PME very close to each other, about 2/5 PME diameter from PLE. Sternum orange, darkened on borders; very slightly wrinkled, mainly between legs and frontal border.</p> <p>Chelicerae 1.5 mm long, fang long, 1.33 mm; basal segment proximal dorsal, ventral side scantly covered with piligerous granulations. Legs orange. Lengths of female described above: fe1 2.5 mm (all measurements in mm); pa1 1.56; ti1 2.04; me1 1.84; ta1 0.48; total 8.42; fe2 2.35; pa2 1.48; ti2 1.94; me2 1.79; ta2 0.51; total 8.06; fe3 1.84; pa3 1.07; ti3 1.33; me3 1.58; ta3 0.51; total 6.32; fe4 2.35; pa4 1.33; ti4 1.89; me4 2.24; ta4 0.56; total 8.36; fe Pdp 1.43; pa Pdp 0.66; ti Pdp 0.77; ta Pdp 0.79; total 3.65; relative length 1>4>2>3. Spination: tb3d spines arranged in two bands; proximal 0-1.0.0; distal 1.0.0; tb3v spines arranged in one band; proximal 0.1.0; with two terminal spines. Tb4d spines spineless; tb4v spines arranged in one band; proximal 0.1.0; with two terminal spines.</p> <p>Abdomen 3.73 mm long. Abdominal dorsal hairs 0.07 mm long; thin, curved, not compressed, pointed; uniformly, thickly distributed. Vulva DA (Fig. 10) clearly distinguishable from VA; DA slightly wider than long; DF wide in dorsal view. MF margins not fused, poorly developed, membranous. VA rectangle-like; frontal region completely sclerotized (Fig. 11); posterior region internal margin sclerotized, forming two stripes fused at the anterior part, diverging backwards; AVD absent. S attachment not projected under VA; arms as long as DA, slightly curved; tips not projected; neck as wide as arms. TB usual shape.</p> <p> <b>Variation.</b> Carapace ranges in length from 2.37 mm to 3.77 mm, males (n=2) 2.42- 2.60, female (n=10) average 3.14 (2.37-3.77). Females from Supramonte di Oliena are significantly smaller (2.37-2.72) than those from Dorgali and Sa Oche. Male (n=2) leg spination reduced compared to females. Spination variability summarised in Table 3.</p> <p> <b>Distribution.</b> Known from several localities around the Supramonte region, a mountain and highland range in Sardinia, lying in the north-western part of the Gulf of Orosei.</p>Published as part of <i>Arnedo, Miquel, Gasparo, Fulvio & Opatova, Vera, 2009, Systematics and phylogeography of the Dysdera erythrina species complex (Araneae, Dysderidae) in Sardinia, pp. 319-345 in ZooKeys 16 (16)</i> on pages 331-333, DOI: 10.3897/zookeys.16.128, <a href="http://zenodo.org/record/576489">http://zenodo.org/record/576489</a>
Systematics and phylogeography of the Dysdera erythrina species complex (Araneae, Dysderidae) in Sardinia
No full textSardinia is the second largest island in the Mediterranean and, together with Corsica and nearby mainland areas, one of the top biodiversity hotspots in the region. The origin of Sardinia traces back to the opening of the western Mediterranean in the late Oligocene. This geological event and the subsequent Messinian Salinity Crisis and Pleistocene glacial cycles have had a major impact on local biodiversity. The Dysdera woodlouse hunter spiders are one of the most diverse ground-dweller groups in the Mediterranean. Here we describe the first two species of this genus endemic to Sardinia: Dysdera jana sp. n. and Dysdera shardana sp. n. The two species show contrasting allopatric distribution: D. jana sp. n. is a narrow endemic while D. shardana sp. n. is distributed throughout most of the island. A multi-gene DNA sequence phylogenetic analys based on mitochondrial and nuclear genes supports the close relationships of the new species to the type species of the genus Dysdera erythrina. Age estimates reject Oligocene origin of the new Dysdera species and identify the Messinian Salinity Crises as the most plausible period for the split between Sardinian endemics and their closest relatives. Phylogeographic analysis reveals deep genetic divergences and population structure in Dysdera shardana sp. n., suggesting that restriction to gene flow probably due to environmental factors could explain local speciation events. Taxonomy, phylogeny, DNA sequencing, Mediterranean biogeography, phylogeograph
LE LETTERE VOLGARI SUL LIBERO ARBITRIO E LA PREDESTINAZIONE DI GASPARO CONTARINI
No full textThe paper examines two letters written in the vernacular by Gasparo Contarini. The topics of these let- ters touched the very heart of the religious debate of the time. The rst letter on free will was sent to Vittoria Colonna on November 13, 1536 and published in Florence in 1558. The second letter on predestination was written on June 12, 1537 to Lattanzio Tolomei and published only in 1961 by Aldo Stella. Contarini’s letters arouse a special interest not only for the standing of the Cardinal, but also because they represent a unique moment of theoretical re ection des- tined to change the spiritual career of the author and the philosophical and religious debate, which animated that preparatory years to the Colloquy of Ratisbon
Il favore de gli dei : drama fantastico musicale, fatto rappresentare dal serenissimo sig. duca di Parma nel suo Gran Teatro per le felicissime nozze del serenissimo sig. principe Odoardo suo primo genito con la serenissima signora principessa Dorotea Sofia di Neoburgo /
No full textSignatures: [par.]⁴ [2 par.]⁴ A-L⁴.Plates etched by Domenico Bonaveri, Francesco Maria Francia, Gioan Antonio Lorenzini and Lodovico Mattioli, all after Domenico Mauro. In addition Watanabe-O'Kelly, who calls for 15 plates rather than 14, lists Carlo Virginio Draghi among the etchers.Scenery painted by Domenico Mauro and Ferdinando Galli Bibiena, choreography by Federico Crivelli, costumes by Gasparo Torelli, and stage machinery by Gasparo and Pietro Mauro. See p. xii.Includes synopsis, cast, list of "macchine," and libretto. Without music.Watanabe-O'Kelly, H. Festivals and ceremonies,Mode of access: Internet.Binding: modern decorated paper. Author, title & imprint written on spine.Getty copy defective: 13 plates rather than 14 as reported for other RLIN copies and that of the Austrian National Library
Tre missive inedite di Gasparo Murtola: rilievi letterari e biografici
No full textThe paper focuses on three original handwritten missives by the man of letters Gasparo Murtola which were sent over a period of time extending from 1600 to 1614. The documents, of which the edition is provided in the appendix, are contextualized and analysed comparing the information contained in the mails to what the author writes in his verses. They allow us to highlight some biographical data concerning the intellectual circle of the Genoese: from Giovan Battista Strozzi the Younger and Gabriello Chiabrera to the Florentine literary academies and the Medici court. They enable us to establish certain chronological boundaries and to add some further details about his travels between Rome, Turin and Amelia. Furthermore, from the unpublished epistolary pages
interesting first-hand information is obtained about the composition, printing, and circulation of both Latin and Italian works by the Ligurian poet: from the Nutriciarum sive naeniarum liber to the Epigrammata for Pope Paul V, passing through the fundamental stage of the hexameronic poem Della creazione del mond
Il trionfo dell' umiltà : canti quattro pel glorioso ingresso di Sua Eccellenza il signor cavaliere d. Aurelio Rezzonico alla dignità di procuratore di San Marco per merito.
No full textSignatures: pi² A-B⁸ C¹⁰.Etched frontispiece. Four full-page etched ports.: Clement XIII Rezzonico by A. Guera, Cardinal Carlo Rezzonico by F. Vollter(?), Aurelio Rezzonico by Guera, Ludovico Rezzonico by Magnini.Letterpress text on each page printed within etched border. That on t.p. signed by G. Leonardis after F. Fontebasso. Eight etched head- and tail-pieces, that on C7r signed G. Magnini.Dedication signed by Gasparo Gozzi, the author.Mode of access: Internet.Binding: 19th-century blind-stamped red morocco-grained bookcloth. Author & title on spine in gilt.Laid in Getty copy are the original front and back etched paper wrappers, printed in blue-green ink
Geistliche Vokalmusik. Cantus : 16. Jh.
No full textGEISTLICHE VOKALMUSIK. CANTUS : 16. JH.
Geistliche Vokalmusik. Cantus : 16. Jh. ( - )
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Andrea Gabrieli: Sacrae cantiones ... Quinque Vocum ... Liber primus. Cantus (1r)
Index motectorum (20v)
Tiburtio Massaino: Sacri cantus quinque paribus vocibus ... liber secundus. Cantus (21r)
Index motectorum (32v)
Guglielmo Gonzaga: Sacrae Cantiones quinque vocum ... Cantus (33r)
Index motectorum (48v)
Michele Varotto: Sacrae cantiones in omnes anni festivitates ... Quinque vocum. Cantus (49r)
Index motectorum (66v)
Stefano Felis: Liber secundus motectorum ... Cantus (67r)
Index motectorum (80r)
Blank page (80v)
Jan Tollius: Liber primus motectorum quinque vocum ... Cantus (81r)
Jan Tollius: Motectorum quinque vocum liber secundus ... Cantus (93r)
Index (104v)
Rinaldo del Mel: Liber primus ... mottettorum ... partim quaternis ... quinis ... senis ... septenis ... octonis vocibus ... Cantus (105r)
Index mottectorum (116v)
Rinaldo del Mel: Liber tertius ... motectorum ... partim quinis partim senis vocibus ... Cantus (117r)
Index motectorum (128v)
Bartolomaeo Lombardi: Mottectorum. Liber secundus cum Quinque vocibus. Cantus (129r)
Giacomo Antonio Cardillo: Sacrarum modulationum. Liber secundus. Cantus (141r)
Index motectorum (152v)
Gasparo Costa: Il primo libro de motetti et madrigali spirituali a cinque voci. Canto (153r)
Tavola delli motetti et madrigali (164v)
Jacobus Peetrinus: Liber primus motectorum quinque vocum. Cantus (165r)
Index motectorum (176v)
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Geistliche Vokalmusik. Altus : 16. Jh.
No full textGEISTLICHE VOKALMUSIK. ALTUS : 16. JH.
Geistliche Vokalmusik. Altus : 16. Jh. ( - )
Cover ( - )
Endsheet ( - )
Blank page ( - )
Title page ( - )
Blank page ( - )
Andrea Gabrieli: Sacrae cantiones ... Quinque Vocum ... Liber primus. Altus (1r)
Index motectorum (20v)
Guglielmo Gonzaga: Sacrae Cantiones quinque vocum ... Altus (21r)
Index motectorum (36v)
Michele Varotto: Sacrae cantiones in omnes anni festivitates ... Quinque vocum. Altus (37r)
Index motectorum (54v)
Tiburtio Massaino: Sacri cantus quinque paribus vocibus ... liber secundus. Altus (55r)
Index motectorum (66v)
Stefano Felis: Liber secundus motectorum ... Altus (67r)
Index motectorum (80r)
Blank page (80v)
Jan Tollius: Liber primus motectorum quinque vocum ... Altus (81r)
Index (92v)
Jan Tollius: Motectorum quinque vocum liber secundus ... Altus (93r)
Index (104v)
Rinaldo del Mel: Liber primus ... mottettorum ... partim quaternis ... quinis ... senis ... septenis ... octonis vocibus ... Altus (105r)
Rinaldo del Mel: Liber tertius ... motectorum ... partim quinis partim senis vocibus ... Altus (117r)
Index motectorum (128v)
Bartolomaeo Lombardi: Mottectorum. Liber secundus cum Quinque vocibus. Altus (129r)
Index mottectorum (140v)
Giacomo Antonio Cardillo: Sacrarum modulationum. Liber secundus. Altus (141r)
Index motectorum (152v)
Gasparo Costa: Il primo libro de motetti et madrigali spirituali a cinque voci. Alto (153r)
Tavola delli motetti et madrigali (164v)
Jacobus Peetrinus: Liber primus motectorum quinque vocum. Altus (165r)
Index motectorum (176v)
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Color chart ( - )
Cover ( -
Geistliche Vokalmusik. Quintus : 16. Jh.
No full textGEISTLICHE VOKALMUSIK. QUINTUS : 16. JH.
Geistliche Vokalmusik. Quintus : 16. Jh. ( - )
Cover ( - )
Endsheet ( - )
Blank page ( - )
Title page ( - )
Blank page ( - )
Andrea Gabrieli: Sacrae cantiones ... Quinque Vocum ... Liber primus. Quintus (1r)
Index motectorum (20v)
Guglielmo Gonzaga: Sacrae Cantiones quinque vocum ... Quintus (21r)
Michele Varotto: Sacrae cantiones in omnes anni festivitates ... Quinque vocum. Quintus (37r)
Index motectorum (54v)
Tiburtio Massaino: Sacri cantus quinque paribus vocibus ... liber secundus. Quintus (55r)
Index motectorum (66v)
Stefano Felis: Liber secundus motectorum ... Quintus (67r)
Index motectorum (81v)
Blank page (82r)
Jan Tollius: Liber primus motectorum quinque vocum ... Quintus (83r)
Index (94v)
Jan Tollius: Motectorum quinque vocum liber secundus ... Quintus (95r)
Index (106v)
Rinaldo del Mel: Liber primus ... mottettorum ... partim quaternis ... quinis ... senis ... septenis ... octonis vocibus ... Quintus (107r)
Index mottectorum (117v)
Blank page (118r)
Rinaldo del Mel: Liber tertius ... motectorum ... partim quinis partim senis vocibus ... Quintus (119r)
Bartolomaeo Lombardi: Mottectorum. Liber secundus cum Quinque vocibus. Quintus (131r)
Index mottectorum (142v)
Giacomo Antonio Cardillo: Sacrarum modulationum. Liber secundus. Quintus (143r)
Index motectorum (154v)
Gasparo Costa: Il primo libro de motetti et madrigali spirituali a cinque voci. Quinto (155r)
Tavola delli motetti et madrigali (166v)
Jacobus Peetrinus: Liber primus motectorum quinque vocum. Quintus (167r)
Index motectorum (178v)
Blank page ( - )
Color chart ( - )
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Geistliche Vokalmusik. Tenor : 16. Jh.
No full textGEISTLICHE VOKALMUSIK. TENOR : 16. JH.
Geistliche Vokalmusik. Tenor : 16. Jh. ( - )
Cover ( - )
Endsheet ( - )
Blank page ( - )
Title page ( - )
Blank page ( - )
Andrea Gabrieli: Sacrae cantiones ... Quinque Vocum ... Liber primus. Tenor (1r)
Index motectorum (20v)
Guglielmo Gonzaga: Sacrae Cantiones quinque vocum ... Tenor (21r)
Michele Varotto: Sacrae cantiones in omnes anni festivitates ... Quinque vocum. Tenor (37r)
Index motectorum (54v)
Tiburtio Massaino: Sacri cantus quinque paribus vocibus ... liber secundus. Tenor (55r)
Index motectorum (66v)
Stefano Felis: Liber secundus motectorum ... Tenor (67r)
Index motectorum (81v)
Blank page (82r)
Jan Tollius: Liber primus motectorum quinque vocum ... Tenor (83r)
Index (94v)
Jan Tollius: Motectorum quinque vocum liber secundus ... Tenor (95r)
Index (106v)
Rinaldo del Mel: Liber primus ... mottettorum ... partim quaternis ... quinis ... senis ... septenis ... octonis vocibus ... Tenor (107r)
Rinaldo del Mel: Liber tertius ... motectorum ... partim quinis partim senis vocibus ... Tenor (119r)
Index motectorum (130v)
Bartolomaeo Lombardi: Mottectorum. Liber secundus cum Quinque vocibus. Tenor (131r)
Index mottectorum (142v)
Giacomo Antonio Cardillo: Sacrarum modulationum. Liber secundus. Tenor (143r)
Index motectorum (154v)
Gasparo Costa: Il primo libro de motetti et madrigali spirituali a cinque voci. Tenore (155r)
Tavola delli motetti et madrigali (166v)
Jacobus Peetrinus: Liber primus motectorum quinque vocum (167r)
Index motectorum (178v)
Blank page ( - )
Color chart ( - )
Cover ( -
