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The path to leadership: Angie Bartoli on her research into becoming a social work manager
No full textIn this inspiring episode of The Social Work Pivot Podcast, Janet sits down with Angie Bartoli, an accomplished social worker, academic, and author of Becoming a Social Work Manager. Drawing on her extensive career and doctoral research, Angie shares valuable insights into the transition from practitioner to manager and how she found her passion in academia
In dialogo su libertà di espressione, riso e violenza
No full textIl saggio si inserisce in un volume in cui dialogano filosofi del diritto e filosofi del linguaggio. Nello specifico lo scritto di Clelia Bartoli discute con quello di Salvatore Di Piazza il cui cuore tematico riguarda le dinamiche che si generano all’interno di un triangolo i cui vertici sono costituiti da tre concetti: il riso, la libertà di espressione e la violenza.
L’argomentazione del filosofo del linguaggio usa come banco di prova un caso emblematico: «La satira à la Charlie Hebdo, ovvero la presa in giro irriverente, caustica e politicamente scorretta». Di Piazza debutta con un paio di domande: «si può ridere di tutto?» e «si può dire di tutto in un discorso connesso al riso?». In altri termini, l’autore domanda entro quali confini si può muovere la libertà di espressione che utilizzi il registro comico affinché non sia lesiva della libertà e della dignità altrui.
Clelia Bartoli mostra come l’autore parta da una concezione liberale della libertà di espressione che dalla Rivoluzione francese in poi è la concezione dominante nella produzione normativa. Ma propone di affrontare il tema con una concezione della libertà di espressione differente, che non abbia a modello la pars condicio di matrice liberale, bensì il dialogo autentico che emerge dalla proposta ermeneutica di Gadamer. Da ciò deriverebbero implicazioni normative alternative per definire la libertà di espressione.The essay is part of a volume in which philosophers of law and philosophers of language dialogue. Specifically, Clelia Bartoli's paper addresses Salvatore Di Piazza’s writing whose thematic core concerns the dynamics generated within a triangle whose vertexes consist of three concepts: laughter, freedom of expression and violence.
The philosopher of language's argument uses as a crucial case study: "Satire à la Charlie Hebdo, or the irreverent, caustic and politically incorrect mockery". Di Piazza debuts with a couple of questions: "can one laugh at everything?" and "can one say everything in a discourse related to humor?". In other words, the author asks within which boundaries freedom of expression using the comic register can be moved so that it is not detrimental to the freedom and dignity of others.
Clelia Bartoli shows how the author starts from a liberal conception of freedom of expression, which from the French Revolution onwards is the conception that inspires most of the normative production. But she proposes to approach the issue with a different conception of freedom of expression, one that does not model itself on liberal idea of the “pars condicio”, but on the “authentic dialogue” as it emerges from Gadamer's hermeneutic proposal. This would give rise to alternative normative implications for defining freedom of expression
In ossequio a una norma il cui senso ci sfugge: scrivere con Bruno Celano
Get PDFIl titolo di questo articolo è l'incipit di una formula utilizzata da Bruno Celano nella prima nota dei saggi a due mani. Nella sua versione integrale è la seguente: “In ottemperanza a una norma italiana, di cui non comprendiamo appieno il senso, dichiariamo che le sezioni X e Y sono di Bruno Celano e le sezioni W e Z sono di N”. Dato il processo di scrittura altamente dialogico, possiamo facilmente comprendere perché Celano, con garbata irriverenza, obbedisse alla richiesta di attribuire la titolarità di ogni sezione a unautore, non esimendosidall’esprimereun certo dissenso.Nella sua vasta produzione, i testia doppia firmasono pochie recenti. Tuttavia, raccontare la pratica creativa della scrittura congiunta ci permette di mostrare un tratto distintivo dell'intera opera di Bruno Celano, ovvero il pensare e il ricercare in dialogo. Nel presente lavoro, Clelia Bartoli, Marco Brigaglia e Giuseppe Rocché ripercorrono alcuni elementidal backstage del lavoro di Celano, soprattutto negli ultimi anni segnati dalla malattia.The title of this article is the incipit of a formula used by Bruno Celano, to be placed in the first note of the two-handed essays. In its completeversion it is as follows: «In complying with an Italian rule, whose point we do not fully understand, we declare that sections X and Y are by Bruno Celano and sections W and Z are by N». Given the highly dialogic process of writing that took place with Celano, we can easily understand why he,with gentle irreverence,obeyed by disagreeing to attribute ownership of each section to each author.In hisvast production, publications withanother author are few and recent. However, recounting the creative practiceof joint writing allows us to show a distinctive feature of Bruno Celano's entire oeuvre, which was thinking and researching in dialogue. In the current paper, Clelia Bartoli, Marco Brigaglia,and Giuseppe Rocchétrace some aspects of the backstage of Celano's work, especially inthe utmost years marked by illness
PERCHLORATES AS POWERFUL CATALYSTS IN MANY IMPORTANT ORGANIC TRANSFORMATIONS
No full textFor long times, metallic perchlorates have been considered dangerous compounds[1] in that they function as explosives and as incontrollable oxidizers.
Therefore, the fear of the great hazard connected with their manufacture and uses had prevented an extensive use both in research laboratories and in industrial processes.[2]
However, recently it has been cleared that this bad reputation is due to the mistaken association of metallic perchlorates with the oxidizing potential of perchloric acid and the pyrotechnic performances of NH4ClO4.
In this conference, we report that Magnesium and Zinc perchlorates can be used as powerful Lewis acids in several organic transformations which are commonly employed both in laboratory and industrial processes.
As depicted in the Scheme, perchlorates are able to promote a series of reactions such as:
a) Acylation of alcohols[3,4]
b) Fisher esterification[5]
c) Synthesis of b–enamino esters[6]
d) Protection of the amino group as N-Boc derivative[7]
Moreover, they can act as specific catalysts for the development of a new organic transformations. In fact, the treatment of an alcohol or a phenol with Boc2O in the presence of Mg(ClO4)2 leads to the unexpected formation of the corresponding t-butyl ethers.[8] This represents the first general method to synthesize aromatic t-butyl ethers.
In an analogous manner, the treatment of phenols with diethyl dicarbonate results in a very efficient method to produce difficulty available aryl ethyl carbonates.
Several of the above mentioned transformations can be carried out in the absence of the solvent, and often the catalyst can be easily recovered and reused without an appreciable loss of activity.
Acknowledgement
Work carried out in the framework of the National Project “Stereoselezione in Sintesi Organica. Metodologie e Applicazioni” supported by MIUR, Rome, by the University of Bologna, in the framework of “Progetto di Finanziamento Pluriennale, Ateneo di Bologna”, and by National project FIRB “Progettazione, preparazione e valutazione biologica e farmacologica di nuove molecole organiche quali potenziali farmaci”
References
[1] Schumacher, J. C. Perchlorates-Their Properties, Manufacture and Uses, ACS Monograph Series, Reinhold: New York, 1960.Author. Title[J]. Name of the journal, Year, Volume(Issue): initial page and ending page (Optional).
[2] Long, J. Chemical Health & Safety, 2002, 9, 12.
[3] Bartoli, G.; Bosco, M.; Dalpozzo, R.; Marcantoni, E.; Massaccesi, M.; Rinaldi, S.; Sambri, L. Synlett, 2003, 39.
[4] Bartoli, G.; Bosco, M.; Dalpozzo, R.; Marcantoni, E.; Massaccesi, M.; Sambri, L. Eur. J. Org. Chem. 2003, 4611.
[5] a) Gooβen, L.; Döhring, A. Adv. Synth. Catal. 2003, 345, 943; b) Bartoli, G.; Boeglin, J.; Bosco, M.; Locatelli, M.; Massaccesi, M.; Melchiorre, P.; Sambri, L. Adv. Synth. Catal. 2005, 347, 33.
[6] Bartoli, G.; Bosco, M.; Locatelli, M.; Marcantoni, E.; Melchiorre, P.; Sambri, L. Synlett 2004, 239.
[7] Bartoli, G.; Bosco, M.; Locatelli, M.; Marcantoni, E.; Massaccesi, M.; Melchiorre, P.; Sambri, L. Synlett 2004, 1794.
[8] Bartoli, G.; Bosco, M.; Locatelli, M.; Marcantoni, E.; Melchiorre, P.; Sambri, L. Org. Lett., 2004, 7, 427
Matteo Bartoli and the ideas of Neolinguistics
No full textNeste trabalho, investigamos o pensamento de Matteo Giulio Bartoli. O autor é conhecido como autor da chamada linguística areal ou escola neolinguística (numa clara oposição à escola dos neogramáticos. Dentre as muitas obras de Bartoli, dá-se ênfase ao Breviario di Neolinguistica, em coautoria com Giulio Bertoni, em sua segunda parte, intitulada Criteri Tecnici. Bartoli foi leitor de Graziadio Ascoli, tendo dele utilizado ideias como a de “mistura de povos”, bem como da Geografia Linguística (sobretudo no método onomasiológico, na base da confecção das cartas léxicas) e da própria escola dos neogramáticos, sendo por muitos ainda considerado como um deles (IORDAN, 1982). A neolinguística tem cinco critérios de análise, denominados normas areais. Com elas, Bartoli tencionou analisar a mudança linguística por meio da distribuição dos dados de acordo com a sua época de colonização por parte do Império Romano. Para tanto, são imprescindíveis as contribuições da Filologia, para a compreensão e interpretação do pensamento de Bartoli em seu contexto histórico e percurso de construção de ideias. (AUROUX, 1992; LINDO, 2019). Bartoli baseia-se nos conceitos de norma da área isolada, norma da área lateral, norma da área maior, norma da área mais recente e norma da fase desaparecida. O autor utiliza-se de muitos quadros para estabelecer comparações entre formas do latim vulgar e do latim clássico, bem como a utilização da forma maiúscula para este da forma em itálico minúscula para aquele, nessa ordem. A primeira parte do trabalho trata das influências sobre o pensamento de Matteo Bartoli. A segunda parte, dos critérios técnicos elaborados pelo autor, expostos no Breviario di Neolinguistica. A terceira parte trata de reações e críticas ao pensamento de Matteo Giulio BartoliIn this work, we investigate the thought of Matteo Giulio Bartoli. The author is known as the creator of the so-called Areal Linguistics or Neolinguistic School (in clear opposition to the Neogrammarian school. Among Bartoli\'s many works, emphasis is placed on the Breviario di Neolinguistica, co-authored with Giulio Bertoni, in its second part, entitled Criteri Tecnici. Bartoli was a reader of Graziadio Ascoli, having used his ideas such as the \"mixture of peoples\", as well as Linguistic Geography (especially the onomasiological method, on the basis of the creation of lexical maps) and the Neogrammarian School itself, being still considered by many researchers as one of them (IORDAN, 1982). Neolinguistics has five analysis criteria, called areal norms. With them, Bartoli intended to analyze linguistic change through the distribution of data according to the time of colonization by the Roman Empire. For this purpose, the contributions of Philology are essential for the understanding and interpretation of Bartoli\'s thought in its historical context and itinerary of construction of ideas. (AUROUX, 1992; LINDO, 2019). Bartoli is based on the concepts of isolated area norm, lateral area norm, larger area norm, most recent area norm and disappeared phase norm. The author uses many charts to establish comparisons between forms of Vulgar Latin and Classical Latin, as well as the use of the form with capitalized letters for the latter and the lowercase italic form for the former, in that order. The first part of the present work deals with the influences on Matteo Bartoli\'s thought. The second part treats of the technical criteria elaborated by the author, set out in the Breviario di Neolinguistica. The third one is concerned with reactions and criticisms to Matteo Giulio Bartoli\'s though
Chile Revolts: From the Uprisings to the Constitutional Process
Get PDFIt is a warm, austral spring Monday in the Capital of Chile. Metro stations are tingling with students and workers ready to encapsulate themselves in underground trains to commute as usual. The ticket fee has just been raised by 30 pesos. A group of young people decide to protest evading the fare. Placing their hands on the turnstile columns, one by one, they leap over the metal bar. This small gesture of disobedience spreads and intensifies with tremendous speed. On October 18, 2019, the government orders to close the entire Santiago subway. It is the day designated as the incipit of the estallido social, the Chilean social outbreak. This modest pretext is the fuse that set off a far-reaching revolt, so strong that it led the country to start a new constitutional process.
Through an ethnography of the insurgence, Clelia Bartoli brings to light reasons, issues and forms of the Chilean awakening: the unfulfilled promises of post-dictatorship democracy; the perduring effects of the Chicago boys’ neoliberal experiment; the uprising of a protest without leaders and headquarter that disorients the harsh State repression; indigenous peoples’ cosmovision and struggle; the globalization of the Chilean feminist movement; the process of popular self-education induced by the uprising; the pitfalls of the constituted powers aimed to patronize and mitigate the constitutional urge claimed by the grassroots.
The author, a direct witness to the events, recounts what unfolds before her eyes through a hybrid genre of writing: the narrative essay. Trying to penetrate the epistemic and emotional process that challenges the status quo and open up the possible, she tells and analyzes the scuffles in the streets and the inner turmoil of those who watch the wavering of known reality.
Ultimately, this book is about that angry and happy, chaotic and generative time of crisis in a legal-political order. A chaotic and generative phase: promising as it is often disappointing
Francesco Saverio Bartoli
Get PDFA modestly talented actor and playwright, Bartoli acted with his wife Teodora Medebach in the theatre company directed by Antonio Sacco from 1771 to 1777. Sick with tuberculosis, he precociously retired from the stage to become a bookseller. He is renown as the author of the first biographical dictionary of italian actors, published in 1782. Conversely, the majority of his scholarly writings and historical-artistic works remain unpublished.</p
Sfida al principio di imputazione. Una conversazione con Philip Zimbardo
Get PDF"Are we born free or do we become free?" is the core question of this essay: a conversation between the author and Philip Zimbardo, the social psychologist who conducted the Stanford Prison Experiment, one of the most classical and debated experiment in social sciences.
Zimbardo explored the so-called psychology of evil, isolating a number of situational factors that can induce the most abject actions in most human beings. The fact that murderers can be produced in the laboratory poses an insidious challenge to the classical categories of criminal law, in particular the assumption that imputability rests on the free will.
The author compares her interlocutor's assertions with a number of legal philosophical theses and in particular with Kelsen's considerations on the link between the principle of imputation and freedom.
It is thus ascertained that there is a profound mismatch between Zimbardo and his colleagues' conclusions and the way contemporary law treats such interrelated notions as responsibility, guilt and imputability. The author wonders, then, what role freedom could play in a legal system that wanted to take the results of experimental social psychology seriously. She comes to the conclusion that freedom should be taken out of the list of natural rights and should rather be seen as a duty or a regulatory ideal for which training is needed
Daniello Bartoli, Il Giappone, Critical Edition
Get PDFLa tesi di ricerca ha portato alla realizzazione di un’edizione critica del Giappone di Daniello Bartoli (1660): per la prima volta la «seconda parte» dell’Asia trova, in questo lavoro, una trascrizione integrale condotta con moderni criteri filologi. Quanto all’esegesi la ricerca ha visto la compilazione di tre «Schedari»:
un «Indice dei nomi», che vede l’identificazione dei personaggi storici citati esplicitamente nell’opera, ne traccia un rapido profilo biografico e ne fornisce precisa e aggiornata bibliografia. Per quanto riguarda i missionari evocati dall’autore nel testo, questa sezione indica se (e dove) si tratta di personaggio o di fonte (registrando, nel caso, il luogo o i luoghi in cui Bartoli ricorre a tale testimonianza);
un «Indice dei luoghi», che dà l’indicazione moderna del luogo citato e ne fornisce il riscontro con i repertori più aggiornati;
un «Lessico» riservato ai termini giapponesi presenti nel testo che vengono spiegati e, là dove possibile, studiati nella loro storia, nella loro presenza nella coeva letteratura di viaggio e corredati di utili riferimenti bibliografici.
Le pagine introduttive inquadrano l’opera di Bartoli sia nell’orizzonte biografico dell’autore sia nel milieu gesuitico barocco, fornendo puntuali coordinate storiche grazie alle quali recuperare il più ampio contesto delle missioni gesuitiche nell’Estremo Oriente tra Cinque e Seicento. Particolare attenzione è stata riservata al modo di intendere il compito dello storico da parte di Bartoli: una storiografia la sua che s’intreccia in modi affatto peculiari alle diverse forme stilistiche e dinamiche retoriche richieste dalle altre due grandi attività a cui egli dedicò impegno e passione: l’insegnamento e la predicazione.This research thesis is the accomplishment of the critical edition of Giappone, by Daniello Bartoli (1660): for the first time “the second part” of Asia is fully transcribed through modern philological criteria. About the exegesis, the research work consisted in compiling three “Schedari”:
- An “Index of names”, where historical figures explicitly mentioned in the text are identified with their biographies (that provides the identification of the historical figures explicitely mentioned in the work, tracks their biographical profile and provides a precise and up-to-date bibliography). Concerning the missionaries recalled by the author in the text, this section specifies if (and where) they consist in real figures or sources, reporting the place or the places where the evidence is used by Bartoli;
- An “Index of locations (site) that gives a modern indication of the place mentioned in the text and provides a crosscheck with the most up-to-date references;
- A “Lexicon” devoted to the Japanese terms found in the text. Here they are explained and, wherever possible, studied in their history (historical meaning), in their presence in the contemporary travel literature and enriched with useful bibliographical references.
The introductory pages set the work of Bartoli in the biographical horizon of the author and in the Jesuit Baroque milieu, providing precise historical coordinates through which to retrieve the widest context of the Jesuit missions in the Far East between the sixteenth and seventeenth centuries.
Particular attention has been reserved to the way Bartoli proceeded with the assignment of the historian: his historiography is interlaced in a quite peculiar way to the different stylistic forms and to the rhetorical dynamics required by its two other great activities, to which he devoted commitment and passion: Teaching and Preaching
Francesco Tomatis: Verso la città divina. l'incantesimo della libertà in Luigi Einaudi, Città Nuova, Roma, 2011, pp. 303.
No full textProfilo di Luigi Einaudi, con attenzione al pensiero giuridico, economico e sociale dell'Autore, centrato sul rapporto tra la libertà esistenziale ed il contesto relazionale dell'agire.Profile of Luigi Einaudi, with attention to legal thought, economic and social author, centered on the relationship between the existential freedom and the relational context of action
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