1,720,963 research outputs found

    Spain (James) - American diplomacy in Turkey. Memoirs of an Ambassador Extraordinary and Plenipotentiary, 1984

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    Coryell Schofield. Spain (James) - American diplomacy in Turkey. Memoirs of an Ambassador Extraordinary and Plenipotentiary, 1984. In: CEMOTI, n°4, 1987. Varia. pp. 67-68

    Campany (Richard C.), Turkey and the United States : The Arms Embargo Period. 1986

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    Coryell Schofield. Campany (Richard C.), Turkey and the United States : The Arms Embargo Period. 1986. In: CEMOTI, n°7, 1989. Le clientélisme de parti en Europe du Sud. pp. 112-113

    «Yilmaz Güney : le cinéaste révolté»

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    Coryell Schofield, Adelkhah Fariba. «Yilmaz Güney : le cinéaste révolté». In: CEMOTI, n°19, 1995. Laïcité(s) en France et en Turquie. pp. 460-471

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Richard C. Campany, Turkey and the United States : The Arms Embargo Period, New York, Praeger, 1986, 146 p.

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    Cette étude compacte d'un officier de l'armée américaine tente d'éclairer les motivations et les manœuvres des Etats-Unis pendant la période de l'embargo sur les armes que le gouvernement américain a imposé à la Turquie à la suite de son intervention à Chypre en juillet-août 1974

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Yilmaz Güney : le cinéaste révolté

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    Il y a dix ans, Yilmaz Güney, le grand cinéaste kurde né en Turquie, est mort en exil à Paris, à l'âge de 47 ans. Il laisse derrière lui une vaste oeuvre cinématographique, témoignage poignant de la misère des paysans de son pays d'origine, mais aussi de leurs aspirations à la justice et au bonheur. Güney était l'exemple par excellence d'un artiste d'un certain type - l'artiste dont la vie et les convictions ne font qu'un avec son oeuvre. Son travail et sa vie sont aux antipodes de "l'object..

    Richard C. Campany, Turkey and the United States : The Arms Embargo Period, New York, Praeger, 1986, 146 p.

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    Cette étude compacte d'un officier de l'armée américaine tente d'éclairer les motivations et les manœuvres des Etats-Unis pendant la période de l'embargo sur les armes que le gouvernement américain a imposé à la Turquie à la suite de son intervention à Chypre en juillet-août 1974
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