1,720,970 research outputs found
Epílogo: ¿Cómo se define una generación?
No full textCorbin, Megan. (2023). Epílogo: ¿Cómo se define una generación?. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/253504
Tiempos de dictadura / Tiempos de democracia: Resonancias en el espacio y el tiempo
No full textCorbin, Megan. (2025). Tiempos de dictadura / Tiempos de democracia: Resonancias en el espacio y el tiempo. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/276437
Writing Monsters: Essays on Iberian and Latin American Cultures. Part 3: Monstering Humanity. 11: Controlling Contagion: The Threat of the Madman from Outer Space
No full text1 online resource (PDF, page 200-220)Corbin, Megan. (2014). Controlling Contagion: The Threat of the Madman from Outer Space. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/184483
Introduction: Exile, intellectuals, and the memory wars
No full text1 online resource (PDF, page 1-3)Martín-Estudillo, Luis; Corbin, Megan. (2012). Introduction: Exile, intellectuals, and the memory wars. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/202483
A Transnational Figure: Gertrudis Gómez de Avellaneda and the American Press
Get PDF1 online resource (PDF, page 67-133)Albin, María C.; Corbin, Megan; Marrero-Fente, Raúl. (2017). A Transnational Figure: Gertrudis Gómez de Avellaneda and the American Press. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/192153
Afterword: One Last Fight: Telling the Stories of the Anti-Fascist Guerrilla in Twenty-First Century Spain
Get PDF1 online resource (PDF, page 232-240)Martín-Estudillo, Luis; Corbin, Megan. (2012). Afterword: One Last Fight: Telling the Stories of the Anti-Fascist Guerrilla in Twenty-First Century Spain. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/184302
Introduction: Gertrudis the Great: First Abolitionist and Feminist in the Americas and Spain
Get PDFHispanic Issues On Line 18 explores the work of Gertrudis Gómez de Avellaneda, one of the foremost Romantic writers of world literature, pioneer of the abolitionist novel in the Americas, and precursor of modern feminist thought. This volume examines the author’s contribution to the ongoing debates on human rights and shows why her work remains relevant. The essays draw from a diverse theoretical framework, including Legal Studies, African Studies, Latino Studies, American Studies, Feminist and Women’s Studies, History, and Comparative Literature, and covers the majority of the literary genres that Gómez de Avellaneda cultivated: novel, short prose, drama, poetry, travel narratives, and letters. The volume provides a complete picture of the author’s literary output and offers, for the first time, an overview of the author’s presence in the U.S. press as evidence of her transnational influence.Albin, María C; Corbin, Megan; Marrero-Fente, Raúl. (2017). Gertrudis the Great: First Abolitionist and Feminist in the Americas and Spain. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/187850
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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