86,658 research outputs found
Ravenna bizantina
Contestualizzazione dei reperti di età bizantina conservati nel Museo di Class
Syllabic quantity patterns as rhythmic features for Latin authorship attribution
It is well known that, within the Latin production of written text, peculiar metric schemes were followed not only in poetic compositions, but also in many prose works. Such metric patterns were based on so-called syllabic quantity, that is, on the length of the involved syllables, and there is substantial evidence suggesting that certain authors had a preference for certain metric patterns over others. In this research we investigate the possibility to employ syllabic quantity as a base for deriving rhythmic features for the task of computational authorship attribution of Latin prose texts. We test the impact of these features on the authorship attribution task when combined with other topic-agnostic features. Our experiments, carried out on three different datasets using support vector machines (SVMs) show that rhythmic features based on syllabic quantity are beneficial in discriminating among Latin prose authors
Ravenna e il mare
In questo contributo sono presentati alcuni reperti-chiave della sezione del nuovo allestimento museale di Classis, in particolar modo il reparto relativo ai rapporti di Ravenna con il mare, dalla tarda età repubblicana all'alto Medioev
Explainable Authorship Identification in Cultural Heritage Applications
While a substantial amount of work has recently been devoted to improving the accuracy of computational Authorship Identification (AId) systems for textual data, little to no attention has been paid to endowing AId systems with the ability to explain the reasons behind their predictions. This substantially hinders the practical application of AId methods, since the predictions returned by such systems are hardly useful unless they are supported by suitable explanations. In this article, we explore the applicability of existing general-purpose eXplainable Artificial Intelligence (XAI) techniques to AId, with a focus on explanations addressed to scholars working in cultural heritage. In particular, we assess the relative merits of three different types of XAI techniques (feature ranking, probing, factual and counterfactual selection) on three different AId tasks (authorship attribution, authorship verification and same-authorship verification) by running experiments on real AId textual data. Our analysis shows that, while these techniques make important first steps towards XAI, more work remains to be done to provide tools that can be profitably integrated into the workflows of scholars
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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