1,720,963 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
3D printed ceramics:: Exploring the experiential material characteristics and the freedom of additive manufacturing
This master thesis is a graduation project of the master study Integrated Product Design at Delft University of Technology. It was executed in collaboration with the Material Experience Lab in the faculty Industrial Design Engineering. The project follows the Material Driven Design method by Elvin Karana. The material being researched is the Formlabs ceramic resin which was newly developed and has been on the market for approximately a year now. The Formlabs ceramic resin is a 3D printable ceramic material which uses photopolymerization to solidify the resin into objects. The material requires extra steps and experimenting and is now mostly used in educational and researching environments, because of the challenges it brings. These challenges mainly occur because not enough is known about the material and the way of use. However, the Formlabs material has a great potential of being more user friendly and easier to use than other 3D printable ceramic materials. This is because the material is made for the specific 3D printer allowing them to work together perfectly, increasing the ease of use and success rate. The main research question for this thesis is: Which technical and experiential material properties should be emphasized to create unique material-user experiences? The research started with understanding the material by executing user studies, technical tests and by conducting many tinkering experiments. The tinkering process was based on the information provided by Formlabs. These experiments and tests led to several insights which created a clear overview of unique and interesting material characteristics. User studies concluded that the material was perceived as rough and tactually offensive but as pure, inviting and aesthetically pleasing because of the mat white colour, translucency and lack of impurities, creating a sensorial incongruence. Some interesting directions came forth out of the tinkering phase and the user studies. It is possible to create controlled cracks in the walls of objects. Another interesting opportunity is the possibility to produce hidden Internal structures which play with the translucency of the material. This is possible because of the high precision 3D printing technique used. Lastly digitally modified surface textures can be created which alter the tactual experience of the material. The translucency of the material and the possibility of digitally modified surface textures were further explored during this project. It was concluded from user studies that people experienced textures inspired by nature as more tactually pleasing. Furthermore, the translucency of the material allows for light to add depth to the more dimensional textures making the experience even more pleasing. An envisioned material experience was formulated by combining the findings and insights from the tinkering process. The envisioned role of the material was to attract people and invite and encourage them to interact with the object by touching and holding the surface. The tactile stimulation experienced is pleasant because of the digitally modified surface texture. When interacting with the object a hidden feature becomes visible emphasizing the translucency of the material. This hidden feature will showcase the opportunities 3D printing of translucent ceramics brings. User studies and an ideation session was held in order to materialise and realise this envisioned experience. This ideation resulted in a design direction: Design a product set or a product made up out of different components, which initially look identical but become distinguishable when a hidden feature is unveiled, by emphasizing the material’s translucency. The final product concept came to be a interactive table lamp which encourages people to explore the effects of light on the material. The lamps has digitally modified surface textures which remove the original tactile offensiveness, creating a pleasant tactile experience. It is also made up out of different components which look identical until the lamp is turned on, unveiling hidden textures.Integrated Product Desig
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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