1,724,141 research outputs found
Cooper, S W, 427454
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/378649Surname: COOPER
Given Name(s) or Initials: S W
Military Service Number or Last Known Location: 427454
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 53813192462
Item: [2016.0049.10943] "Cooper, S W, 427454
Cooper, S F, QX7016
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/378703Surname: COOPER
Given Name(s) or Initials: S F
Military Service Number or Last Known Location: QX7016
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 7223192516
Item: [2016.0049.10997] "Cooper, S F, QX7016
Chinese Drawings and Calligraphy from the Changshu Art Museum with an Installation by Stephen Cooper
No full textThis Exhibition from the Changshu Museum in China was shown in Winchester Gallery,Winchester in October 2007.The Museum Collection displayed was a wide range of Drawing and Calligraphy from across 4 Centuries which also covered many genres and approaches.The installation responded to the works in the collection and also to the site and environment of Winchester Gallery. Previous work had researched and made comparisons between ancient and contemporary cultural artifacts.I was invited by Bashir Makhoul to respond to make a drawing installation that responded to the Drawings and Calligraphy
Morris Cooper S 1967 and Nissan GTR 1991
No full textCannonball Run in May 1994. Morris Cooper S 1967. No: 28. Driver: Charles Ryder. Nissan GTR 1991. No: 102. Driver: Mathieson. Photographed in a vacant warehouse at the Trade Development Zone (TDZ), Berrimah.Hartwell, Michael Brian.Date:1994-0
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
