1,721,092 research outputs found
Cooper Frederick, Le colonialisme en question. Théorie, connaissance, histoire
No full textBonin Hubert. Cooper Frederick, Le colonialisme en question. Théorie, connaissance, histoire. In: Outre-mers, tome 98, n°372-373, 2e semestre 2011. Les deux Allemagnes et l'Afrique, sous la direction de Chantal Metzger. pp. 306-307
Cooper Frederick, Le colonialisme en question. Théorie, connaissance, histoire
No full textBonin Hubert. Cooper Frederick, Le colonialisme en question. Théorie, connaissance, histoire. In: Outre-mers, tome 98, n°372-373, 2e semestre 2011. Les deux Allemagnes et l'Afrique, sous la direction de Chantal Metzger. pp. 306-307
Cooper (Frederick) : On the African Waterfront. Urban disorder and the transformation of work in colonial Mombasa
No full textPrunier Gérard. Cooper (Frederick) : On the African Waterfront. Urban disorder and the transformation of work in colonial Mombasa. In: Revue française d'histoire d'outre-mer, tome 79, n°295, 2e trimestre 1992. pp. 276-277
Reseña de: BURBANK, Jane y COOPER, Frederick, Empires in World History: power and the politics of difference, Princeton, Princeton University Press, 2010.
No full textRewiew of: BURBANK, Jane y COOPER, Frederick, Empires in World History: power and the politics of difference, Princeton, Princeton University Press, 2010.Reseña de: BURBANK, Jane y COOPER, Frederick, Empires in World History: power and the politics of difference, Princeton, Princeton University Press, 2010
Burbank, Jane y Cooper, Frederick. Empires in World History: power and the politics of difference, Princeton, Princeton University Press, 2010
Get PDFReseña de: BURBANK, Jane y COOPER, Frederick, Empires in World History: power and the politics of difference, Princeton, Princeton University Press, 2010
Cooper (Frederick) : Front slaves to squatters : Plantation labour and agriculture in Zanzibar and coastal Kenya (1890-1925)
No full textPrunier Gérard. Cooper (Frederick) : Front slaves to squatters : Plantation labour and agriculture in Zanzibar and coastal Kenya (1890-1925). In: Revue française d'histoire d'outre-mer, tome 69, n°255, 2e trimestre 1982. pp. 171-172
Burbank Jane, Cooper Frederick, Empires : de la Chine ancienne à nos jours, trad. de l’anglais (États-Unis), traduit de l'anglais par Christian Jeanmougin, Paris, 2011
No full textOhayon Isabelle. Burbank Jane, Cooper Frederick, Empires : de la Chine ancienne à nos jours, trad. de l’anglais (États-Unis), traduit de l'anglais par Christian Jeanmougin, Paris, 2011. In: Revue des études slaves, tome 83, fascicule 4, 2012. 1812, la campagne de Russie. Histoire et représentations, sous la direction de Marie-Pierre Rey. pp. 1163-1166
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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