1,721,131 research outputs found
Conway Martin, Degrelle. Les années de collaboration
No full textGotovitch José. Conway Martin, Degrelle. Les années de collaboration. In: Vingtième Siècle, revue d'histoire, n°53, janvier-mars 1997. pp. 174-175
La Résistance et les Européens du Nord. Het Verzet en Noord-Europa.
No full textConway Martin. La Résistance et les Européens du Nord. Het Verzet en Noord-Europa.. In: Revue belge de philologie et d'histoire, tome 76, fasc. 2, 1998. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 550-553
La Résistance et les Européens du Nord. Het Verzet en Noord-Europa.
No full textConway Martin. La Résistance et les Européens du Nord. Het Verzet en Noord-Europa.. In: Revue belge de philologie et d'histoire, tome 76, fasc. 2, 1998. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 550-553
Christian Democracy: one word or two?
No full textThis is a contribution to a website based in Argentina, that looks at recent trends in the historiography of Christian Democracy in the history of twentieth-century Europe
Social Justice:A Historical Introduction
No full textSocial justice has returned to the heart of political debate in Europe. While the phenomenon has received significant attention from several academic disciplines, social justice has rarely been explored as a historical subject in its own right. This chapter explores why this should have been so. It argues that the elusiveness of social justice as a historical subject can be explained by the way in which conceptions of social justice were located at the confluence of other historical narratives that have shaped the historiography of twentieth-century Europe. The chapter provides an extensive survey of these influential narratives, which include the rise of state power, the development of cultures of social improvement, the changing popular expectations of government, and the domain of citizenship. The chapter then presents an innovative approach for the historical study of ‘social justice in context’. Focusing on the ways in which conceptions of social justice grew out of the intricate interplay between rulers and ruled, it develops a research agenda that concentrates on the analysis of three distinctive dimensions, including the temporalities, the spatiality, and the actors and agencies of conceptions of social justice.</p
Christian Democracy: one word or two?
Full text linkThis is a contribution to a website based in Argentina, that looks at recent trends in the historiography of Christian Democracy in the history of twentieth-century Europe
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
