1,720,974 research outputs found
Les inscriptions simulées de la peinture médiévale roumaine dans le contexte de l’art et de la pensée orthodoxes / Simulated Inscriptions of Romanian Medieval Painting in the Context of Orthodox Art and Thinking
The aim of the article is to establish the typology and the specificity of simulated inscriptions in the space of orthodox art, including the Romanian painting of the Middle Ages. From the point of view of the author, the simulated inscription represents an autonomous text, with historical and stylistical specificities, spatial and temporal well-defined coordinates, but without a signified in the world of the real representations possesses by the human language. There is a semantic difference between the notion of ornamental writing and that of simulated inscription. Although it is true that the stylistic peculiarities of simulated inscriptions often take on an ornamental or decorative form, yet, from a conceptual point of view, they are never reduced to the decorative role that some researchers attribute to them. In most cases, they also involve simulacrum or even waiting for a possible reading. Due to the huge distance between the Romanian language, spoken by most of the population, and the Slavonic language used by the scholars (bigger than the distance between the Serbian, Bulgarian or old’s Russian and the same Slavonic language!), was favored the process of abstraction of the “written word” and its polarization towards “the spoken word”, the role of simulated inscriptions increasing in this process
Les « Sentences » des saints de la rangée inférrieure de la façade méridionale de l’église de l’Annonciation de la Vierge du monastère de Moldoviţa / The “Sentences” of the Saints in the Lower Row of the Façade of the Church of the Annunciation of the Virgin of the Monastery of Moldoviţa
The holy monks (Desert Fathers, confessors, hermits, founders of institutions or monastic status etc.) occupy the lower row of the immense vision of the Triumphant Church which covers the eastern parts – including side apses – of the Moldavian’s churches facades with exterior painting. At the Annunciation of the Virgin’s church of Moldoviţa Monastery were preserved (in Slavonic language) “sentences” written on the scrolls of following holy monks: Theodore the Sanctified, Theodotus, Gelasius, Georges of Mt. Maléon, Domentian, John the Fool-for-Christ, Hilarion, Joasaph, Bessarion, Abraham, Paul of Thebes, Nikon, John of the Lavra of St. Sabbas, Gerasimos, Theophanes, Anthony, the Angel seen by Pachomius the Great, Luke the stylite and David Thessaloniki the hermit. The purpose of our research is to find the literary sources of these “sentences”. As we'll see below, most of them are borrow from the Scripture or from the collections gathering the “quotes” of the Holy Fathers. The collection called Palestinian Paterikon (translated from Greek into Russian by Theophan the Recluse) includes about 80% of “sayings” of the Holy Fathers painted at Moldoviţa. The presence in the paintings of monasteries Humor and Moldoviţa a number of “sayings” – which exists only in Russian translation in the text of this Paterikon – proves that in the 16th century in Moldavia existed some Slavonic-Bulgarian translations from Greek “collections of sayings” of the Holy Fathers – today lost or forgotten – many of which have been similar or identical to collections inspected and copied by Theophan the Recluse during his mission (from 1847 to 1853) at the Lavra of St. Sabbas in the Holy Land
Un cycle hagiographique peu étudié de la peinture extérieure moldave: La vie de saint Pacôme le Grand / A Less Studied Hagiographical Cycle of Moldavian Exterior Painting: The Life of SaintPachomius the Great
The present study focuses on a less studied hagiographic cycle of Moldavian exterior painting: The Life of St. Pachomius the Great. This cycle is rare in Christian painting and it should not be confused with the frequent images of St. Pachomius alone or of the Apparition of the Angel to St. Pachomius. Thus, in the sixteenth century in Moldavia, the cycle of the life of St. Pachomius was preserved only in the exterior paintings of the monasteries of Humor and Suceviţa. Research has shown that the last scene in the life of St. Pachomius of Suceviţa was inspired by a similar scene painted about half a century earlier in 1547 on the northern wall of St. George’s Church in the Monastery of Voroneţ. It is true that in Voroneţ this scene illustrates (incorrectly) a sequence of the life of Saint Anthony, whose hagiography, as evidenced by literary sources, does not include the odd episode with the lifting of the oak leaf
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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