111,604 research outputs found

    THE SIGNING

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    Tony Conrad collaborates with Jennifer Walshe to present THE SIGNING, a street spectacle shadow-opera that centres on the tension enacted in the signing of a document. The project uses shadow puppetry, voice, violin, electronics and projections. The perfrmance is listed on p. 54 of the Scotiabank Nuit Blanche October 4, 2014 exhibition guidebook available at: http://www.shastiolearysoudant.com/files/snb14guidebook.pdf (accessed: 2020-02-22).THE SIGNING is a street spectacle shadow opera which will be performed in Toronto and on the Internet. THE SIGNING will transform Nathan Phillips Square in Toronto into a vortex of sound, image, energy and movement during the night of October 4th 2014 for Toronto’s Nuit Blanche. The conceptual narrative takes the dramatic tension enacted in the signing of a contract, filtered through the myth of Orpheus. The project is a collaboration from experimental film, video, sound, installation and Performance Art cult figure Tony Conrad and renowned Irish composer and performer Jennifer Walshe.http://www.shastiolearysoudant.com/files/snb14guidebook.pd

    Ryhiner-Kartensammlung / 47/B Principat. Olsnensis cum liberis dominatibus Militiensi et Wartenbergensi

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    cura et sumptibus T. Conr. Lotter geogr. ; Gustav Conrad Lotter, sculpsitTitelkartusche unten rechts, Legendenkartuschen oben rechts und unten linksStammt aus einer Serie von Karten Schlesiens aus dem Verlag Lotter (erschienen nach 1760

    Under Bulgarian Eyes: the Reception of Joseph Conrad in Bulgaria

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    This article examines the trends in Bulgarian critical appraisals of Conrad’s writing and the transformations they have undergone over the last hundred years. Though few in number, these appraisals are nevertheless profound and perceptive, keeping in focus the most essential messages of Conrad’s works, as well as the facts of the author’s remarkable life. The scope of these critical endeavours has long been of a rather limited nature, but in some of the articles there has definitely been a noticeable trend towards a monographic approach. The growing fascination with Conrad in Bulgaria became particularly evident during the celebrations to mark the 150th anniversary of the writer’s birth. The Polish Institute in Sofia contributed significantly to this event, organizing university lectures and film projections – not only in the capital, but also in other parts of the country. In addition, the Warsaw 150th anniversary exhibition entitled “Twixt land and sea” was invited to Sofia (the co-author of the present article being one of those who took part in the opening ceremony). This heightened interest in Conrad – the man and the writer – is partly the result of current trends towards intensive cultural interaction and also a growing fascination with migrant writers coming from multicultural backgrounds. It may well be that these recent developments have contributed to the publication of two monographs on Conrad: Stefana Roussenova’s comparative study entitled Dialogues in Exile: Joseph Conrad, Vladimir Nabokov, Eva Hoffman (2010) – which addresses the problems of exile and migration in some of Conrad’s works – and Margreta Grigorova’s monograph entitled Joseph Conrad – the Creator as Seafarer (2011), which not only reviews the seminal achievements that have contributed to the expansion of Conrad studies in Bulgaria, but also builds on them and takes them to completion

    Ryhiner-Kartensammlung / 8 Accuratus et novissimus prospectus Cæsareæ residentiæ Viennæ in Austria inferiori : cum novem eam cingentibus et circumjacentib[us] celebriorib[us] suburbiis = Eigentlich und neuester Prospect der kaÿserl. Residenz Stadt Wien, in Nieder Oesterreich

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    verlegt von Tobias Conrad Lotter, Geogr."Cum gratia et privil. S.R.I. vicariat. in partib. Rheni, Sveviæ e[t] iuris Francon."Enthält: 9 Pläne und 1 Ansicht ("Wien die kaÿs: Haupt u: Resid: Stadt in Oesterreich"

    Joseph Conrad: a symbolic study

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1982

    Configurations of imperialism and their displacements in the novels of Joseph Conrad.

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    PhDThis thesis examines certain configurations of imperialism and their displacements in the novels of Joseph Conrad beginning from the premise that imperialism is rationalised through a dualistic model of self/"other" and functions as a hierarchy of domination/subordination. In chapters one and two it argues that both Heart of Darkness and Lord Jim configure this model of imperialism as a split between Europe/not-Europe. The third and fourth chapters consider displacements of this model: onto a split within Europe and an act of "internal" imperialism in Under Western Eyes and onto unequal gender relations in the public and private spheres in Chance. Each chapter provides a reading of the selected novel in relation to one or more contemporary (or near contemporary) primary source and analyses these texts using various strands of cultural theory. Chapter one, on Heart of Darkness, investigates the historical background to British imperialism by focusing on the textual production of history in a variety of written forms which comprise the diary, travel writing, government report, fiction. It considers how versions of (imperial) history/knowledge are constructed through the writing up of experience. In chapter two, on Lord Jim, the hero figure is analysed as a product of the imperial ideology and the protagonist's failure is explored through the application of evolutionary theory. Chapters three and four, on Under Western Eyes and Chance, investigate displacements of the imperial model: the failure of an "enlightened" Western Europe to challenge Russian imperialism in Poland forms the basis for reading Under Western Eyes with Rousseau's writings and a nineteenth-century history of the French Revolution. Chance presents a further displacement of this model in its relocation of imperialist imperatives in the sexual/gender inequalities practised in the "mother" country

    Beyond Standard Model Searches in the MiniBooNE Experiment

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    29 pages, 18 figures, preprint of an article submitted in Advances in High Energy Physics http://www.hindawi.com/journals/ahep/Janet Conrad thanks the National Science Foundation for support through NSF-PHY-1205175
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