1,720,966 research outputs found
Book review of: China with a Cut: Globalisation, Urban Youth and Popular Music. Jeroen de Kloet. Amsterdam: Amsterdam University Press, 2010. 264 pp.
Jeroen de Kloet’s ethnographic monograph, China with a Cut, presents fascinating insights into the complexity and diversity of rock music in China, focusing on the 1990s until around 2008. Through fieldwork, interviews, and historical comparisons, the author takes us on a journey, from dingy Beijing clubs featuring in-your-face punks to the coffee houses of folk-rock balladeers to the stadiums of pop-rock mega stars. We hear the longing in fan letters and complaining of record-company capitalists. Along the way, de Kloet adds his own theoretical and critical perspectives so that we get a unique and nuanced portrait of youth, politics, and globalization in contemporary China. A pleasure to read, this book would be great for undergraduate or graduate students because it is accessible, theoretically rich, and appropriately controversial
Anime Creativity: Characters and Premises in the Quest for Cool Japan
This article examines ethnographically the production of anime (Japanese animated films and TV shows) by focusing on how professional animators use characters and dramatic premises to organize their collaborative creativity. In contrast to much of the analysis of anime that focuses on the stories of particular media texts, I argue that a character-based analysis provides a critical perspective on how anime relates to broader transmedia phenomena, from licensed merchandise to fan activities. The ideas of characters, premises, and world-settings also specify in greater detail the logic of anime production, which too often is glossed as emerging from a generalized Japanese culture, as in the ongoing debates about `cool Japan'. I conclude that an ethnographic approach to anime production through a focus on characters can offer new ways of thinking about what moves across media, what distinguishes anime from other media forms, and what gives anime its value.Massachusetts Institute of Technology. Foreign Languages and LiteraturesMitsui Career Development ProfessorshipHarvard University. Program on US-Japan RelationsJapan Society for the Promotion of ScienceNational Science Foundatio
The Social in Media: Race, History, and the Visualizing Cultures Controversy at MIT
Online communication has a tendency to operate without clear contextual cues. What does the Visualizing Cultures controversy say about the contexts in which race, Asians, and history intersect? The website All Look Same offers an intriguing example of the difficulties of combating racism. As we come into contact with images online, we expand our awareness but also simultaneously move into realms where we have only a limited grasp of the contexts in which things are made, and the goals to which they aspire
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Designing Immersive Art Experience - an exploration of visuals and sounds -
Art is a form of communication. It can come in many forms and be expressed from different perspectives. This thesis uses literature review and field research to survey the immersive art landscape and explore various perspectives offered through examples of practices in the field and each creator's kodawari, denied as "the craftsperson's creed that manifests in craftsmanship." Then I use the insights from these sources to help distill my ideas and kodawari for a prototype. Next, based on a human-centered design concept, I test out the prototype and collect user feedback to understand the general public's thoughts. Finally, I take those feedback into account and contemplate possible futures for Immersive Art (IA).
The thesis centers around the question, what technologies can we incorporate to make art experiences more immersive and accessible to those who otherwise feel alienated from the art world?
For the production of IA space, I used projection mapping, spatial sound, AR, haptic sensors, audio-reactive video synthesis, MIDI controllers, and incense.
There are five main topics covered: (i) existing ways of consuming/experiencing art; (ii) literature review, field research, and best practices; (iii) building a prototype design iteration for an IA space; (iv) user feedback and what it tells us (v) contemplate possible futures for IA.S.M
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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