1,721,051 research outputs found
Sizifovska priča: Patologija etničkog nacionalizma i pedagogija kovanja humanih demokratija na Balkanu (A Sisyphean Tale: The Pathology of Ethnic Nationalism and the Pedagogy of Forging Humane Democracies in the Balkans)
This article uses the seemingly endless difficulties that the international community (IC) faces as it engages in country-building in the post-conflict environment of the Balkans, particularly Bosnia and Herzegovina (BiH), as the starting point for a new theoretical “pragmatism” that reinvigorates our ongoing attempts to transform ourselves and our turbulent world. Although political and economic problems on the institutional level continue to plague BiH, theorists and practitioners alike have paid insufficient attention to explaining the importance of issues that arise on the personal and interpersonal levels. In this article, the author contends that there is a connection between these fundamental levels and democracy-building. The connection is shown by how the personal and group identities of ethnicity and nationalism can lead to the pathology of ethnic nationalism and how this has dire consequences for democratization in BiH. Yet pedagogy for forging humane democracies can be created on the institutional level, as well as on the personal and interpersonal levels. The latter would include the transformation of identities by means of intercultural education and the use of imagination in order to broaden peoples’ understandings of “the other.” It is hoped that such pedagogy would help to “shield” democratization efforts in BiH from the deleterious effects of ethnic nationalism
Uloga hiperintelektualca u izgradnji građanskog društva I demokratizacije na Balkanu (The Role of the Hyperintellectual in Civil Society Building and Democratization in the Balklans)
Riječ “intelektualac” francuskog je porijekla, nastala krajem 19. vijeka. Stvorena tokom afere Dreyfus, uglavnom se odnosi na one mislioce koji su spremni da interveniraju u javnom forumu, čak i ako to znači da sebe izlažu riziku (Le Sueur 2001:2). Teoretičari kao što su Edward Said, Paul Ricoeur, Jean-Paul Sartre i Michael Waltzer dali su doprinos diskusiji o intelektualcima: intelektualca Said vidi kao kritički nastrojenog autsajdera, Ricoeur kao političkog edukatora, Sartre kao čovjeka od akcije, a Waltzer kao brižnog insajdera. Opisati intelektualca na ovaj način, pak, ne spominje prostor unutar kojeg intelektualac djeluje, tj. građansko društvo. Upravo se u takvom prostoru ljudskog udruživanja i odnosnih mreža može promovirati kultura dijaloga, tolerancije, umjerenosti i uzajamno korisnog rješavanja sukoba, upravo onakva kultura kakva otjelotvorava stavove i vrijednosti demokratizacije. Mada intelektualac, onakav kakav je gore opisan, igra značajnu ulogu u održavanju dobro razvijenih demokratskih društava, u postkonfliktnim društvima, kakva su i kosovsko i bosanskohercegovačko, pojavljuje se potreba za intelektualcem koji je više od pukog kritičara društva, edukatora, čovjeka od akcije i saosjećajnog pojedinca. I tu na scenu stupa hiperintelektualac. Najupečatljivija karakteristika hiperintelektualca je možda upravo stepen u kojem se intelektualac bavi društvenom kritikom, političkim obrazovanjem, akcijom i “insajderizmom”, ne kao ideolog, već kao nestranačka fi gura. Društvena kritika i političko obrazovanje hiperintelektualca manifestiraju se na nestranački način, tako da se jasno čuje sve što je moguće i napadati i braniti, i sa jedne i sa druge strane. To je poseb
Fleeing from War or Pandemic, and Returning Home
Today, the word ‘flee’ connotes a moral weakness for many, perhaps even cowardice for some. However, that is not entirely accurate. Fleeing may be a morally decent response to a dangerous situation. As the American philosopher Todd May wrote in his insightful book A Decent Life: Morality for the Rest of Us (2019): “Most of us seek to live a morally decent life. We are not moral monsters, but neither do we strive to be moral saints. [There are] avenues of moral improvement that do not require us … to sacrifice our deepest commitments and projects ….[Why? That which] … makes life meaningful gives me permission to limit my aid to others.
Notes from the Editor
Introduction to volume 11.
Notes from International Dialogue\u27s Editor-in-Chief, Rory J. Conce
A Physcialist Theory of Managing Impediments to Democracy and Peace Building in the Balkans
The post-conflict societies of Bosnia and Kosovo continue to be plagued by the deleterious effects of ethno-nationalism and ethnic enclaves. Unfortunately, this mix impedes both democracy and peace building within these Balkan countries. One way to promote such building is for these enclaves to collapse, thereby allowing multiethnic societies to develop. This essay proposes that enclaves be dealt with physically by ridding them of those evocative objects that help to create and maintain enclaves. By getting physical in this way, however, we find ourselves in a dilemma, caught on the horns of legality and expediency. Yet there is a promising path between the horns that involves civic design. This essay offers a physicalist theory of managing these impediments to democracy and peace building, beginning with four hypotheses, followed by an abstraction and mathematization in the form of a matrix, a dilemma arising from these hypotheses, and possible solutions
Normative Ambiguity Facing Those Who Flee Death during Times of War and Pandemic and Who Eventually Return Home
We dwell in a world of physical things. When it comes to the environments that we live in, we usually become oriented to the place, and eventually feel at home in it. Facing death during war and pandemic are times of extreme disorientation, and we sometimes exhibit an impulse to flee. It is no wonder that in those desperate times, some with means and ability consider fleeing to a safer place. But are we morally obliged to act in ways that would ask us to sacrifice our deepest personal commitments and projects for others to meet their commitments and projects? It is argued here that fleeing Bosnia and Herzegovina during wartime, like what happened in the 90s, and fleeing a city during a pandemic may be morally decent actions. However, it is also an issue of political decency and fractured friendships. In cases or war and pandemic, returning home to contribute to the well-being of those they left behind may be morally and politically decent, but the fractured friendships may contribute to normative ambiguity. Why would anyone trust them again and regard them as a loyal friend? Perhaps reestablishing those trusting friendships may require those who remained behind to do what is supererogatory, i.e., doing more than can reasonably be asked of them, which in this case amounts to forgiving those who fled and giving them a second chance by welcoming them back home
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
