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Composer not specified
No full textMissa Zimbabwe hymn adapted into Siswati and accompanied by the drum. Exit Hymn from the Missa Zimbabwe
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ingoboyama boke (Two children must sleep under 1 goat skin)
No full textThese recordings were made at the "Great Place", of Chief Botha, Paramount Chief of the Mpondo. This large group of Izangoma followers both men and women, was composed of a mixture of Sotho and Mpondo, led by Khotso Sethuntsa. Chief Botha Marzolwandle Sigcau Paku is his full name. "The Great Place" is the name given throughout the Xhosa territories to the chief's headquarters. Khotso-Sethuntsa, name of the chief Sangoma, a man who comes from Kokstad and is a Sotho himself. He is a notable character, reputed to be extremely wealthy, and has much influence in the neighbourhood. Divination song sung at night, with clapping and 5 drum
Intlanganiso ya magqiha ye Izangoma (Herbalists' meeting
No full textExtracts from the proceedings at the first conference of Izangoma Diviners, to be held in Umtata, Transkei. The speech and songs were entirely impromptu and demonstrate the type of speech employed by such herbalists and their supporting singers or assistants. Herbalists' meeting, with songs, speech, with clapping, stamping and 1 bass drum
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Intombi zipelile (The girls are finished)
No full textSong for Indlam' dance, with clapping of sticks
Girl's name
No full textThe singer calls his girl Machi Bwanga and the other women, including the mother of Changwe, to come and help him to sing
"Bwalwa bwa chiwowo." (Beer not drunk in peace.)
No full text"This beer is for the people, the Kaonde, the Lamba and the Nsenga." The people who use magic are worrying me at my house. I must go to the diviner to find out who it is. Why are you standing there at the door? Come in and do not stay outside.
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