1,720,961 research outputs found

    Săpăturile de la Nuşfalău (r. Şimleu, reg. Oradea) / Les fouilles de Nuşfalău

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    Comşa Maria. Săpăturile de la Nuşfalău (r. Şimleu, reg. Oradea) / Les fouilles de Nuşfalău. In: Materiale şi cercetări arheologice, N°7 1961. pp. 519-529

    Săpăturile de la Bucov (r. şi reg. Ploieşti) / Les fouilles de Bucov

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    Comşa Maria. Săpăturile de la Bucov (r. şi reg. Ploieşti) / Les fouilles de Bucov. In: Materiale şi cercetări arheologice, N°7 1961. pp. 541-550

    Raport preliminar asupra săpăturilor de la Slon-Prahova (Campania 1978)

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    Comşa Maria. Raport preliminar asupra săpăturilor de la Slon-Prahova (Campania 1978). In: Materiale şi cercetări arheologice, N°13 1979. A XIII - A sesiune anuală de rapoarte. pp. 309-310

    Săpăturile de la Bucov (r. şi reg. Ploieşti) / Les fouilles de Bucov

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    Chişvasi-Comşa Maria. Săpăturile de la Bucov (r. şi reg. Ploieşti) / Les fouilles de Bucov. In: Materiale şi cercetări arheologice, N°5 1959. pp. 495-500

    Raport preliminar asupra săpăturilor executate la Slon (jud. Prahova) / Rapport préliminaire sur les fouilles archéologiques exécutées à Slon, dép. de Prahova

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    Comşa Maria. Raport preliminar asupra săpăturilor executate la Slon (jud. Prahova) / Rapport préliminaire sur les fouilles archéologiques exécutées à Slon, dép. de Prahova. In: Materiale şi cercetări arheologice, N°15 1983. A XV-A sesiune anuală de rapoarte, Muzeul jedeţean Braşov – 1981. pp. 437-438

    Necropola de incineraţie de la Castelu / La nécropole d’incinération de Castelu

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    Comşa Maria, Rădulescu Adrian, Harţuche Nicolae. Necropola de incineraţie de la Castelu / La nécropole d’incinération de Castelu. In: Materiale şi cercetări arheologice, N°8 1962. pp. 649-660

    Şantierul arheologic Garvăn (Dinogetia) (r. Măcin, reg. Galaţi) / Le chantier archéologique de Garvăn-Dinogetia

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    Ştefan Gheorghe, Barnea Ion, Comşa Maria, Mitrea Bucur. Şantierul arheologic Garvăn (Dinogetia) (r. Măcin, reg. Galaţi) / Le chantier archéologique de Garvăn-Dinogetia. In: Materiale şi cercetări arheologice, N°7 1961. pp. 583-598

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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