1,721,054 research outputs found
Colin Morris. — The Discovery of the Individual, 1050-1200. Londres, SPCK, 1972 (Church Histor. Outlines, 5)
de Gandillac Maurice. Colin Morris. — The Discovery of the Individual, 1050-1200. Londres, SPCK, 1972 (Church Histor. Outlines, 5). In: Cahiers de civilisation médiévale, 20e année (n°78-79), Avril-septembre 1977. p. 299
Colin Morris. — The Papal Monarchy. The Western Church from 1050 to 1250, 1989.
Pacaut Marcel. Colin Morris. — The Papal Monarchy. The Western Church from 1050 to 1250, 1989.. In: Cahiers de civilisation médiévale, 36e année (n°144), Octobre-décembre 1993. pp. 415-417
Colin Morris. — The Papal Monarchy. The Western Church from 1050 to 1250, 1989.
Pacaut Marcel. Colin Morris. — The Papal Monarchy. The Western Church from 1050 to 1250, 1989.. In: Cahiers de civilisation médiévale, 36e année (n°144), Octobre-décembre 1993. pp. 415-417
Kenneth D. Kaunda, Une politique pour l'Homme en Afrique, Lettres adressées au Pasteur Colin Morris. Collection : « Les Bergers et les Mages ». Traduit de l'anglais par M. A. Ledoux, Paris, Librairie Protestante, 1970
Mehl Roger. Kenneth D. Kaunda, Une politique pour l'Homme en Afrique, Lettres adressées au Pasteur Colin Morris. Collection : « Les Bergers et les Mages ». Traduit de l'anglais par M. A. Ledoux, Paris, Librairie Protestante, 1970. In: Revue d'histoire et de philosophie religieuses, 52e année n°3,1972. p. 379
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Kenneth D. Kaunda, Une politique pour l'Homme en Afrique, Lettres adressées au Pasteur Colin Morris. Collection : « Les Bergers et les Mages ». Traduit de l'anglais par M. A. Ledoux, Paris, Librairie Protestante, 1970
Mehl Roger. Kenneth D. Kaunda, Une politique pour l'Homme en Afrique, Lettres adressées au Pasteur Colin Morris. Collection : « Les Bergers et les Mages ». Traduit de l'anglais par M. A. Ledoux, Paris, Librairie Protestante, 1970. In: Revue d'histoire et de philosophie religieuses, 52e année n°3,1972. p. 379
Peter Lock. — The Routledge Companion to the Crusades. London, Routledge, 2006. Colin Morris. — The Sepulchre of Christ and the Medieval West. From the Beginning to 1600. Oxford, Univ. Press, 2005.
France John. Peter Lock. — The Routledge Companion to the Crusades. London, Routledge, 2006. Colin Morris. — The Sepulchre of Christ and the Medieval West. From the Beginning to 1600. Oxford, Univ. Press, 2005.. In: Cahiers de civilisation médiévale, 50e année (n°198), Avril-juin 2007. pp. 198-199
Peter Lock. — The Routledge Companion to the Crusades. London, Routledge, 2006. Colin Morris. — The Sepulchre of Christ and the Medieval West. From the Beginning to 1600. Oxford, Univ. Press, 2005.
France John. Peter Lock. — The Routledge Companion to the Crusades. London, Routledge, 2006. Colin Morris. — The Sepulchre of Christ and the Medieval West. From the Beginning to 1600. Oxford, Univ. Press, 2005.. In: Cahiers de civilisation médiévale, 50e année (n°198), Avril-juin 2007. pp. 198-199
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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