1,721,154 research outputs found

    Robert Cribb & Colin Brown, Modern Indonesia. A History since 1945

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    Raillon François. Robert Cribb & Colin Brown, Modern Indonesia. A History since 1945. In: Archipel, volume 61, 2001. p. 211

    Colin Brown, Miracles and the Critical Mind. 1984

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    Chavée D. Colin Brown, Miracles and the Critical Mind. 1984. In: Revue théologique de Louvain, 18ᵉ année, fasc. 2, 1987. pp. 260-261

    Colin Brown, Miracles and the Critical Mind. 1984

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    Chavée D. Colin Brown, Miracles and the Critical Mind. 1984. In: Revue théologique de Louvain, 18ᵉ année, fasc. 2, 1987. pp. 260-261

    COLLECTION 0029: Papers of Colin Brown, 1932-2009

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    The Papers of Colin Brown, 1932-2009 consists of 14 boxes of correspondence with Biblical scholars such as F.F. Bruce, Carl F.H. Henry and G.R. Beasley-Murray conducted during the process of editing of The New International Dictionary of New Testament Theology (1986); research notes and proofs of Jesus in European Protestant Thought, related correspondence from 1972 to 1978; reviews of Brown’s publications and other published materials as well as his Systematic Theology and doctoral Seminar course syllabi & lecture notes

    The New International Dictionary of New Testament Theology, edited by Colin Brown. 1975-1978

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    Van Cangh Jean-Marie. The New International Dictionary of New Testament Theology, edited by Colin Brown. 1975-1978. In: Revue théologique de Louvain, 11ᵉ année, fasc. 3, 1980. pp. 373-374

    Colin Brown, Miracles and the critical mind, Eerdmans/The Paternoster Press, Grand Rapids (Michigan) and Exeter (Devon), 1984

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    Vœltzel René. Colin Brown, Miracles and the critical mind, Eerdmans/The Paternoster Press, Grand Rapids (Michigan) and Exeter (Devon), 1984. In: Revue d'histoire et de philosophie religieuses, 65e année n°3, Juillet-septembre 1985. p. 348

    Twenty five years of Indonesian economy policy. by Colin Brown

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    tag=1 data=Twenty five years of Indonesian economy policy. by Colin Brown tag=2 data=Brown, Colin tag=3 data=Policy, tag=4 data=9 tag=5 data=3 tag=6 data=Spring 1993 tag=7 data=59-63. tag=8 data=SOUTH-EAST ASIA tag=10 data=An outline on the conduct of economic policy in Indonesia since 1967 and speculation on the possibility that the free-market approach adopted in the 1980's will give way to the selective interventionism advocated by the Minister of Research and Technology, Dr B. J. Habibie. tag=11 data=1994/6/1 tag=12 data=94/0109 tag=13 data=CABAn outline on the conduct of economic policy in Indonesia since 1967 and speculation on the possibility that the free-market approach adopted in the 1980's will give way to the selective interventionism advocated by the Minister of Research and Technology, Dr B. J. Habibie

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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