2,317 research outputs found
Missa cum quatuor vocibus, ad imitationem moduli Confitemini, condita . Nunc primùm in lucem edita. Autore D. Petro Colin,...
No full textTitre uniforme : Colin, Pierre (15..-15.. ; compositeur). Compositeur. [Missa Confitemini]Présentation musicale : [Livre de choeur]Appartient à l’ensemble documentaire : RISMImpMesses (musique) -- +* 1500......- 1599......+:16e siècle
Missa cum quinque vocibus, ad imitationem moduli Surgens Iesus, condita . Nunc primùm in lucem edita. Autore D. Petro Colin,...
No full textTitre uniforme : Colin, Pierre (15..-15.. ; compositeur). Compositeur. [Missa Surgens Jesus]Présentation musicale : [Livre de choeur]Appartient à l’ensemble documentaire : RISMImpMesses (musique) -- +* 1500......- 1599......+:16e siècle
Missa cum quatuor vocibus, ad imitationem moduli In me transierunt, condita . Nunc primùm in lucem edita. Autore D. Petro Colin,...
No full textTitre uniforme : Colin, Pierre (15..-15.. ; compositeur). Compositeur. [Missa In me transierunt]Présentation musicale : [Livre de choeur]Appartient à l’ensemble documentaire : RISMImpMesses (musique) -- +* 1500......- 1599......+:16e siècle
Missa cum quatuor vocibus, ad imitationem moduli In me transierunt, condita . Nunc primùm in lucem edita. Autore D. Petro Colin,...
No full textTitre uniforme : Colin, Pierre (15..-15.. ; compositeur). Compositeur. [Missa In me transierunt]Présentation musicale : [Livre de choeur]Appartient à l’ensemble documentaire : RISMImpMesses (musique) -- +* 1500......- 1599......+:16e siècle
LES CINQUANTE PSEAULMES DE // David, traduictz par Clement Marot : cõpris // Le Cantique de Simeon. // PLUS, // L'oraison Dominicale. // La Salutation Angelique. // Prieres devant, et apres le repas. // Le tout mis en Musique, par M. PIERRE COLIN, Maistre // des enfants de l'Eglise d'Autun, à quatre parties en quatre // volumes, en chant non vulgaire : mais plus // convenable aux instrumens, que // Les aultres par cy devãt // imprimez. // A Paris, chez Nicolas du Chemin, à l'enseigne du Gry- // phon d'argent, ruë S. Jean de Latran. M. D. L. // Avec privilege du Roy, pour six ans. //
No full textComprend : Fol. II - Qui au conseil des malings n'a esté (Ps. I) - Fol. III - Pourquoy font bruict et s'assemblent les gens ? (Ps. II) - Fol. III v° - O Seigneur, que de gens (Ps. III) - Fol. III v° - Quand je t'invoque, hélas escoute (Ps. IV) - Fol. IV - Aux parolles que je veulx dire (Ps. V) - Fol. IV - Ne vueilles pas, ô Sire (Ps. VI) - Fol. IV v° - Mon Dieu, j'ay en toi espérance (Ps. VII) - Fol. IV v° - O notre Dieu et Seigneur amiable (Ps. VIII) - Fol. V - De tout mon coeur t'exalteray (Ps. IX) - Fol. V - Dont vient cela, Seigneur, je te suppli (Ps. X [IX, 2 partie]) - Fol. V v° - Veu que du tout en Dieu mon coeur s'appuye (Ps. XI [X]) - Fol. V v° - Donne secours, Seigneur, il en est heure (Ps. XII [XI]) - Fol. VI - Jusques à quand as estably (Ps. XIII [XII]) - Fol. VI - Le fol maling en son coeur dict (Ps. XIIII [XIII]) - Fol. VI v° - Qui est-ce qui conversera (Ps. XV [XIV]) - Fol. VI v° - Je t'aymeray en toute obéissance (Ps. XVI [XVII]) - Fol. VII - Les cieulx, en chascun lieu (Ps. XVII [XVIII]) - Fol. VII - Mon Dieu, mon Dieu, pourquoy m'as tu laissé (Ps. XVIII [XXI]) - Fol. VII v° - Mon Dieu me paist soubz sa puissance haulte (Ps. XIX [XXII]) - Fol. VII v° - La terre au Seigneur appartient (Ps. XX [XXIII]) - Fol. VIII - A toy, mom [sic] Dieu, mon coeur monte (Ps. XXI [XXIV]) - Fol. VIII - Bien heureux celuy dont les commises (Ps. XXII [XXXI]) - Fol. VIII v° - Resveillez vous, chascun fidelle (Ps. XXIII [XXXII]) - Fol. VIII v° - Du maling les faictz vicieux (Ps. XXIIII [XXXV]) - Fol. IX - Ne soist fasché si durant ceste vie (Ps. XXV [XXXVI]) - Fol. IX - Las, en ta fureur aigue (Ps. XXVI [XXXVII]) - Fol. IX v° - Revenge moy, prens la querelle (Ps. XXVII Deus, Deus meus ad te [sic pour Ps. XLII]) - Fol. IX v° - Propos exquis fault que de mon coeur sorte (Ps. XXVIII [XLIV]) - Fol. X - Dès qu'adversité nous offense (Ps. XXIX [XLV]) - Fol. X - Le Dieu, le fort, l'Eternel parlera (Ps. XXX [XLIX]) - Fol. X v° - Misericorde au povre vicieux (Ps. XXXI [L]) - Fol. X v° - Tes jugemens, Dieu véritable (Ps. XXXII [LXXI]) - Fol. XI - Les gens entrés sont en ton héritage (Ps. XXXIII [LXXVIII]) - Fol. XI - Mon Dieu, preste-moy l'oreille (Ps. XXXIIII [LXXXV]) - Fol. XI v° - Qui en la garde du hault Dieu (Ps. XXXV [XC]) - Fol. XI v° - Vouloir m'est pris de mettre en escripture (Ps. XXXVI [C]) - Fol. XII - Sus, louez Dieu, mon âme, en toute chose (Ps. XXXVII [CII]) - Fol. XII - Sus, sus, mon âme, il te fault dire bien (Ps. XXXVIII [CIII]) - Fol. XII v° - Donnez au Seigneur gloire (Ps. XXXIX [CVI]) - Fol. XII v° - L'omnipotent à mon Seigneur et maistre (Ps. XL [CIX]) - Fol. XIII - Enfans, qui le Seigneur servez (Ps. XLI [CXII]) - Fol. XIII - Quand Israël hors d'Egipte sortit (Ps. XLII [CXIII]) - Fol. XIII v° - Non point à nous, non point à nous, Seigneur (Ps. XLIII [CXIII, 2e partie]) - Fol. XIII v° - Rendez à Dieu louange et gloire (Ps. XLIII [sic pour XLIV] [= CXVII]) - Fol. XIIII - Bien heureux est quiconques (Ps. XLV [CXXVII]) - Fol. XIIII - Du fond de ma pensée (Ps. XLVI [CXXIX]) - Fol. XIIII v° - Estans assis aux rives aquaticques (Ps. XLVII [CXXXVI]) - Fol. XIIII v° - Il fault que de tous mes espritz (Ps. XLVIII [CXXXVII]) - Fol. XV - Seigneur Dieu, oy l'oraison mienne (Ps. XLIX [CXLII]) - Fol. XV - Or laisse, Createur (Nunc dimittis) - Fol. XV v° - L'oraison de nostre Seigneur - Fol. XVI - La salutation angélique - Fol. XVI - Prières devant le repas - Fol. XVI v° - Après le repasAppartient à l’ensemble documentaire : RISMIm
A clash of hands and tongues - 2 Maccabees 14 and 15 in the framework of cognitive linguistics
Full text linkApplying cognitive linguistics to the text of 2 Maccabees 14 and 15 is a useful
tool for our understanding of these narratives. Studying the author of 2 Maccabees
14 and 15’s use of the cognitive concepts ‘hands,’ ‘right hand’ and ‘tongue’ in
contrasting ways, makes it possible to reconstruct the narrative into a structure of
‘body-cosmology.’ In this exegetical structure, the narrative of 2 Maccabees 14
and 15 can be described as a confrontation between ‘that which is below’ and ‘that
which is above’ or a conflict of interests between the authority of the God of the
Maccabees and a gentile dictator. In this conflict between a heavenly and earthly
force, the Maccabees are depicted as those who restore God’s reign by their holy
actions.http://reference.sabinet.co.za/sa_epublication/patris1http://reference.sabinet.co.za/document/EJC14584
Les Juifs dans l'œuvre de Pierre le Vénérable
No full textThis article analyses three main passages where Peter the Venerable mentions the Jews : the De miraculis II 15 which recalls loans raised by a great monastery ; his polemical Adversus Iudaeos which, for the period, shows a rare knowledge of Jewish postbiblical literature ; the Letter 130 in which the author invites king Louis VII to confiscate Jewish money. There Peter appears as the champion of a determined anti-Judaism, but it would be necessary to abuse of these texts to find in him the head of medieval anti-Semitism ; at the utmost is he the revealer of the later.Cet article analyse les trois lieux principaux dans lesquels Pierre le Vénérable parle des juifs : le De miraculis II 15 qui fait allusion aux emprunts d'un grand monastère ; le traité polémique Adversus Iudaeos qui fait montre d'une connaissance rare à cette époque de la littérature juive postbiblique ; la Lettre 130 par laquelle l'auteur conseille au roi Louis VII de lever un impôt sur les juifs. Pierre y apparaît comme le champion d'un antijudaïsme décidé, mais il faudrait solliciter les textes pour voir en lui l'initiateur du grand mouvement antisémite du moyen âge ; il en est tout au plus le révélateur.Torrell Jean-Pierre. Les Juifs dans l'œuvre de Pierre le Vénérable. In: Cahiers de civilisation médiévale, 30e année (n°120), Octobre-décembre 1987. pp. 331-346
Paul et virginie: paratextos e textos em traduções brasileiras nos séculos XX e XXI
Full text linkTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.A presente tese tem como objetivo principal uma proposta de retradução comentada do romance Paut et Virginie do escritor francês Bernardin de Saint-Pierre. Como objetivo secundário, propõe-se uma análise das traduções brasileiras deste romance de 1906 à 2008 no sistema literário brasileiro sob o aspecto da "Visualização das Traduções" bem como um estudo dos paratextos traduzidos e não traduzidos. Tanto para a análise tradutória quanto para a retradução, são estudados trechos representativos a partir da teoria de Antoine Berman (1995), Gerard Genette (2010), Lawrence Venuti (1995). A análise dos excertos de narrativa poética baseia-se principalmente na teoria de Jean-Yves Tadié (1994).Abstract : The present work aims at proposing a commented retranslation on the novel Paul et Virginie, by the French author Bernardin de Saint-Pierre. As a secondary objective, we propose an analysis of the Brazilian translations of this novel from 1906 to 2008 into the Brazilian literary system under the perspective of "View of Translations" and a study of the translated and not translated paratexts. For both the translational analysis and the retranslation we used representative excerpts from the theoretical principles of Antoine Berman (1995), Gerard Genette (2010), and Lawrence Venuti (1995). The analysis of the excerpts of the poetic narrative is based mainly on Jean-Yves Tadié's theory
The aesthetics of Pierre Boulez
Full text linkTo enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
Histoire de la Deuxième Guerre Mondiale (1982-1992) (15)
No full textSéminaire organisé et enregistré par l'IHTP (Paris), entre 1982 et 1992 ; sous la direction de Jean-Pierre Azéma, Claude Lévy et Dominique Veillon
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