2,585 research outputs found
Adventures of a currency trader : a fable about trading, courage, and doing the right thing / Rob Booker.
No full textIncludes index.Book fair 2012.xv, 221 pages :Praise for ADVENTURES of a CURRENCY TRADER "A truly easy, unique, and enjoyable read! Rob has done it onceagain to teach us in the funniest way possible...
how not to make themost common trading mistakes. If you are tired of reading how-tobooks, this is perfect for you. I highly recommend this book to alltraders. Everyone will learn something about themselves by readingthis book."—Kathy Lien, author, Day Trading the Currency Market,and Chief Strategist, www.dailyfx.com"Adventures of a Currency Trader is a must read foranyone who has ever traded or is thinking about trading in theForex markets. Rob Booker has a unique way of taking years ofmarket knowledge and transforming it into an educational andentertaining experience. It has quickly become a cult classic in mytrading library!"—H. Jack Bouroudjian, Principal, Brewer Investment Group"Brilliant! Rob's humor and humanity shine through in thisparable about trading and life. Filled with wisdom and wit, it's anexhilarating rollercoaster ride through the peaks and valleys ofthe learning curve, with many valuable lessons learned along theway."—Ed Ponsi, President, FXEducator.com"Rob's fable of everyman 'Harry Banes' is destined to become atrading classic. This is both the missing piece and the foundationthat comes before the strategies and methodologies. The search forthe Holy Grail begins and ends in the heart and mind. The journeyis authentic and real and if you're willing to take it with Rob,you will be rewarded in the end. Seldom has psychology and wisdombeen so entertaining!"—Raghee Horner, trader and author of Forex Trading forMaximum Profit and Days of Forex Trading"In a series of insightful and entertaining vignettes, RobBooker teaches both the novice and the experienced trader some hardwon truths about the currency market. It's a must read book writtenby a guy who survived the trenches and went on to prosper in thebiggest and most competitive financial market in the world."—Boris Schlossberg, Senior Currency Strategist, Forex CapitalMarkets LLC, and author of Technical Analysis of the CurrencyMarke
Une autre histoire
No full textÀ partir de juin 2014, le critique, historien et curateur new-yorkais A.D. Coleman, en collaboration avec le photojournaliste J. Ross Baughman, l'historien de la photo Rob McElroy et le vétéran et historien militaire Charles Herrick, a mené une enquête sur le récit standard des actions de Robert Capa lors du D-Day, le 6 juin 1944, et le sort ultérieur de ses négatifs. Cette histoire constitue le mythe le plus puissant et le plus durable du photojournalisme, qui est non seulement devenu enraciné dans la littérature sur le médium mais qui s'est intégré dans l'histoire culturelle. Dans cet essai, Coleman résume les résultats de la recherche de cette équipe, répond aux principales questions qu'elle soulève et décrit les procédures utilisées. Il analyse également les lacunes de la littérature sur Capa et identifie les problèmes fondamentaux de toutes les recherches liées à Capa à ce jour - sa relation désespérément compromise avec John Morris, Cornell Capa, la succession de Robert Capa et l'International Center of Photography.Beginning in June 2014, the New York based critic, historian and curator A. D. Coleman, in collaboration with photojournalist J. Ross Baughman, photo historian Rob McElroy, and combat veteran/military historian Charles Herrick, has led an investigation into the accounts of Robert Capa's experiences on D-Day, June 6 1944, and the subsequent fate of his negatives. Capa’s story has since become the most powerful and legendary tale of photojournalism, one which has transcended the literature of the medium itself and gained a place in global cultural history. In this essay, Coleman summarizes the results of the team’s research, provides answers to the main questions the research raises, and describes the methods that were used. He also analyzes certain gaps in the literature on Capa and identifies the core problems of all research concerning him to this day: his hopelessly compromised relationship with John Morris, his brother Cornell Capa, Robert Capa’s estate, and the International Center of Photography
Une autre histoire
No full textÀ partir de juin 2014, le critique, historien et curateur new-yorkais A.D. Coleman, en collaboration avec le photojournaliste J. Ross Baughman, l'historien de la photo Rob McElroy et le vétéran et historien militaire Charles Herrick, a mené une enquête sur le récit standard des actions de Robert Capa lors du D-Day, le 6 juin 1944, et le sort ultérieur de ses négatifs. Cette histoire constitue le mythe le plus puissant et le plus durable du photojournalisme, qui est non seulement devenu enraciné dans la littérature sur le médium mais qui s'est intégré dans l'histoire culturelle. Dans cet essai, Coleman résume les résultats de la recherche de cette équipe, répond aux principales questions qu'elle soulève et décrit les procédures utilisées. Il analyse également les lacunes de la littérature sur Capa et identifie les problèmes fondamentaux de toutes les recherches liées à Capa à ce jour - sa relation désespérément compromise avec John Morris, Cornell Capa, la succession de Robert Capa et l'International Center of Photography.Beginning in June 2014, the New York based critic, historian and curator A. D. Coleman, in collaboration with photojournalist J. Ross Baughman, photo historian Rob McElroy, and combat veteran/military historian Charles Herrick, has led an investigation into the accounts of Robert Capa's experiences on D-Day, June 6 1944, and the subsequent fate of his negatives. Capa’s story has since become the most powerful and legendary tale of photojournalism, one which has transcended the literature of the medium itself and gained a place in global cultural history. In this essay, Coleman summarizes the results of the team’s research, provides answers to the main questions the research raises, and describes the methods that were used. He also analyzes certain gaps in the literature on Capa and identifies the core problems of all research concerning him to this day: his hopelessly compromised relationship with John Morris, his brother Cornell Capa, Robert Capa’s estate, and the International Center of Photography
Rob and Bert in Tokyo
No full textThis essay is steeped in contradiction: it is as much an attempt at mourning, coping, and letting go as it is an exercise in remembrance, rediscovery, and reconnection. One of the many areas of international legal scholarship where Rob Cryer left his mark is his oeuvre on the International Military Tribunal for the Far East (IMTFE). To pay tribute to, and get re-acquainted with, Rob-the-person, I re-read his 2010 article on the ‘dignified dissenter’ in Tokyo, Dutch Judge Bert Röling. In that article, Rob uses the memoranda and the opinion of Bert-the-judge to assess his conceptual and legal contributions to the IMTFE judgment. They also serve him as a vehicle to get a better grasp of the author behind the text and the values and dilemmas that shaped Röling’s positions on the IMTFE bench. What more can we learn and understand about Rob Cryer while ‘reading Rob reading Bert’? What aspects of Röling’s legacy did he choose to foreground, and what qualities did he appreciate most? How did Rob treat his character when shedding light on the more contentious elements of Röling’s work? Even if this essay fails in its therapeutic purpose, it might still add a few mosaic pieces to the collective construction of Rob’s portrait in this volume
Sub-Series 4: Publications : Affirmation and Affirmation News - Documents Found with Newsletters, 1994-1997
No full textA paper discussing the author, Rob Casteel, and his struggle with AIDS
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Sub-Series 4: Publications : Affirmation and Affirmation News - Documents Found with Newsletters, 1994-1997
No full textA paper discussing the author, Rob Casteel, and his struggle with AIDS
An Interview with Rob Stephenson
No full textInterview Rob Stephenson is an author, composer, visual artist living in Queens, NY. He has been creating texts, music, video, films, drawings, paintings, and installations for over thirty years. He has a BA in Experimental and Interdisciplinary Art from San Francisco State University and an MFA in Electronic Media from Mills College. He is the author of Passes Through (FC2/University of Alabama Press) and frequently publishes in journals and anthologies. He received an outstanding achievemen..
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Introduction: university language teaching and learning in the twentieth and twenty-first centuries
No full textTwelfth Night
No full textProduction of "Twelfth Night". Original music by Author 1. Nominated for 5 Matilda awards. Pensalfini, Rob (director
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